David Hockney, Lithograph, Signed (23 results)

Hardcover. Condition: Near Fine. No Jacket. Limited Edition. First Edition. Signed Limited to 1000 with this being 251. Sadly lacking Lithograph. Original Red Cloth, Gilt lettering to spine and front board design.Fine Boards. Contains issued Red Folder which would have housed the lithograph. Housed in original publishers box, box showing bumps rubbing and blemishes to extremeties and general scuff marks present. Illustrated with 158 watercolours, drawings, and photographs. Signed by David Hockney and Stephen Spender to the title page. Welcome direct contact from the trade. Signed by Author(s).

Hardcover. Condition: As New. 1st Edition. 25x19cm, 200 pp. 158 watercolours, drawings, photographs, 84 in colour. Original lithograph. // First edition. Limited signed edition of this travelogue, including an original, numbered (edition of 1000) specially-made five-colour hand-drawn lithograph: ?Red Square and the Forbidden City', showing Tian'anmen Square and the Forbidden City from an aerial perspective. Each impression is signed and numbered by the artist and each book is signed by Spender and Hockney. Signed by Author(s).

Hardcover. Condition: Fine. 1st Edition. FIRST EDITION, WITH AN ORIGINAL LITHOGRAPH SIGNED BY DAVID HOCKNEY. One of only 1000 copies (#334) signed by Spender and Hockney. With the original folding five-color lithograph ("Red Square and the Forbidden City") signed in pencil by Hockney loose in printed card sleeve; book with 158 illustrations, 84 in color. London: Thames and Hudson Ltd, 1982. Quarto, original red cloth gilt, original card box with red printed label. Red paper chemise housing folded lithograph. A FINE COPY, with lithograph in perfect condition with bright colors and no offsetting (protected by tissue guards). RARE COMPLETE, since over time many lithographs have been separated from the book. (Note: Video shows a different copy.).

Hardcover. Condition: Very Good. 1st Edition. 4to. Original blue cloth, with dark blue embossed design. The end-papers are hand-made and specially prepared by Tyler Graphics, this has slightly offset to the facing blanks. No.265/1000 copies, signed in red ink by Hockney. Please note this copy does not have the signed lithograph or original box. Signed by Author(s).

Condition: Good. Original lithograph printed in 8 colors. For the Olympische Spiele München, 1972. 102 x 64 cm. Edition of 4,000. Signed in the stone. Printed on heavy wood-free paper (200 grams/m2) by Matthieu, Zürich. Reference: Hockney Posters, 1987, no. 25. Near Fine.

Condition: Good. Original lithograph printed in 8 colors. For the Munich Olympic Games, 1972. 102 x 64 cm. Edition of 4,000. Signed in the stone. Printed on heavy wood-free paper (200 grams/m ) by Matthieu, Zürich. Title in German: Der Kopfsprung. Reference: Hockney Posters, 1987, no. 25.

Single sheet. (Sheet size: 760 x 506 mm) Colour lithograph recto only, signed in the plate. A mint copy of this iconic poster. Published on the occasion of the 1st British International Print Biennale which took place at Bradford City Art Gallery and Museums from 23 November 1968 - 19 January 1969. The poster reproduces Hockney's drawing 'Trees and Grass' from 1968.

No Binding. Condition: Very Good. 1st Edition. DAVID HOCKNEY - SIGNED lithograph poster - Rencontres International de la Photographie, Arles, 1985. Size: 57 x 75cm. Printed by Azur Offset, Marseille. Signed in black ink to bottom right corner. Very Good condition. Bright, unfaded colours. Slight soil to edges, soft handling etc. A rare poster. Please confirm availability BEFORE ordering. More info and photos available on request. Paypal accepted. Signed by Author(s).

First edition, signed limited edition, number 230 of 1,000 copies signed by Hockney and Spender; the print signed, numbered, and dated in pencil by Hockney lower right. Tokyo 234. Quarto. Original 5 colour hand-drawn lithograph drawn on 1 lithographic stone and 4 aluminium plates on Somerset satin-finish mould-made rag paper, folded 3 times to form four panels. Sheet size 48 x 54 cm. Original red cloth, lettering to spine and design to front cover gilt. Illustrated with 158 watercolours, drawings, and photographs. With the original printed red folder housing the lithograph. Housed in the original publisher's box. Box unevenly faded otherwise all in excellent condition.

Artist's proof IX aside from the edition of 60. Signed and dated lower right in pencil by Hockney, numbered lower left, publisher's blind stamp lower right. DH79-439 in pencil lower left verso. Byron Upton was the young son of Ann Graves, the artist's lifelong friend, model, and longstanding LA-based studio assistant. Tokyo 219. Original lithograph on Multicoloured green J W Zanders watermarked handmade paper. Sheet size: 50.8 x 40.6 cm. Framed size: 60 x 49.8 cm. Excellent condition. Presented in a black and gilt frame with anti reflective UV acrylic glazing.

First edition, signed limited edition, number 170 of 1,000 copies signed by Hockney and Spender; the print signed, numbered, and dated in pencil by Hockney lower right. Tokyo 234. Quarto. Original 5 colour hand-drawn lithograph drawn on 1 lithographic stone and 4 aluminium plates on Somerset satin-finish mould-made rag paper, folded 3 times to form four paper panels. Sheet size 48 x 54 cm. Framed size: 55.1 x 60 cm. Original red cloth, lettering to spine and design to front cover gilt. Illustrated with 158 watercolours, drawings, and photographs. With the original printed red folder housing the lithograph. Housed in the original publisher's box. Box unevenly faded otherwise all in excellent condition.

Edition of 68. Signed and dated by the artist lower right, numbered lower left. Tokyo 338. Lithograph from 11 aluminium plates and screenprint from 8 screens on Arches 88 wove paper. Sheet size: 68.6 x 54.6 cm. Framed size: 76 x 88.8 cm. Excellent condition. Presented in a dark stained wooden frame with conservation acrylic glazing.

Kein Einband. Condition: Sehr gut. A fine and highly collectible color offset lithograph by one of Britains most influential and internationally acclaimed artists. *** The work is hand-signed by David Hockney in blue ballpoint at the top of the mirror. *** This offset lithograph is the official promotional poster for the Europalia Great Britain cultural festival in 1973, and connects directly to a significant cultural event in Hockney's career.The work is also monogrammed and dated in the plate. *** The composition reflects Hockney's masterful balance of wit, elegance, and modernist sensibility. A freestanding antique mirror is adorned with a cascade of vibrantly patterned neckties, draped casually over its side. The absence of a reflected figure invites the viewer to imaginatively step into the sceneechoing the artist's recurring themes of identity, perception, and presence. *** Professionally framed to museum standards, in a custom-made, acid-free double passe-partout and presented in a deep, handcrafted white wooden frame, made in the Netherlands, with Plexiglas® Optical HC, for UV protection, scratch resistance, and minimal reflection. Size framed : approx. 77 x 62 cm *** David Hockney (born 1937) is one of the most acclaimed British artists of the 20th and 21st centuries. Renowned for his innovative approach to painting, drawing, photography, and printmaking, Hockney rose to prominence during the 1960s Pop Art movement. *** His exploration of perspective, memory, and personal life has earned him lasting critical acclaim. From his pool paintings to his stage designs and iPad sketches, Hockney's work is constantly evolving while remaining unmistakably his own. *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. A rare and elegant color lithograph by David Hockney, enriched with a personal dedication. *** The work is hand-signed and numbered in pencil at the lower right. Hockney has added a personal handwritten dedication in pencil: For Robert / David Hockney. *** Robert De Smet, to whom the work is dedicated, was at the time director of the Europalia Great Britain cultural festival in 1973. This lithograph s design was famously used as the official promotional poster for the event. *** The composition reflects Hockney s masterful balance of wit, elegance, and modernist sensibility. A freestanding antique mirror is adorned with a cascade of vibrantly patterned neckties, draped casually over its side. The absence of a reflected figure invites the viewer to imaginatively step into the scene echoing the artist s recurring themes of identity, perception, and presence. *** Professionally framed to museum standards, in a custom-made, acid-free double passe-partout and presented in a deep, handcrafted white wooden frame, made in the Netherlands, with Plexiglas® Optical HC, for UV protection, scratch resistance, and minimal reflection. Size framed : approx. 87 x 67 cm *** David Hockney (born 1937) is one of the most acclaimed British artists of the 20th and 21st centuries. Renowned for his innovative approach to painting, drawing, photography, and printmaking, Hockney rose to prominence during the 1960s Pop Art movement. *** His exploration of perspective, memory, and personal life has earned him lasting critical acclaim. From his pool paintings to his stage designs and iPad sketches, Hockney s work is constantly evolving while remaining unmistakably his own. *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. This vivid and captivating work features David Hockneys abstract composition "Painted Environment III " - a multi-panel photographic work (1993) - consisting of 16 color laser-printed photographs mounted on archival board *** Hand-signed by the artist in silver marker, lower center *** Dimensions: 84 x 59.5 cm *** Offset lithograph in color *** IMPORTANT NOTE : The visible grid lines are not folds, but part of the original composition. These lines reflect the artists innovative use of photographic panels and are a deliberate element of the artworks structure *** The artwork immerses the viewer in a swirling, kaleidoscopic world of shape, movement, and color a dynamic testament to Hockney s boundless experimentation with space, media, and perception *** Rendered in bold and vibrant tones, the composition blends painting with photography, creating a hybrid visual language that bridges traditional and digital media. The central easel in the image acts as both subject and spatial anchor, drawing attention to the creative process itself. *** David Hockney (b. 1937) is a British artist renowned for his pioneering contributions to contemporary art. Celebrated for his explorations in painting, photography, drawing, and digital art, Hockneys works challenge conventional perspectives and embrace both innovation and tradition. He is considered one of the most influential artists of his generation, with works housed in major international institutions such as Tate Britain, MoMA (New York), and the Centre Pompidou (Paris). *** This signed Offset lithograph is a collectible artwork that captures Hockney s visionary approach to image-making and his lifelong engagement with visual experimentation. ***** Pop Art movement emerged in the 1950s and 1960s, transforming everyday objects, advertising, and mass media into bold, colorful artworks. Artists like Andy Warhol, Roy Lichtenstein, Keith Haring, David Hockney, Robert Rauschenberg, Alex Katz, Allen Jones, Jim Dine, Mel Ramos, Julian Opie, Sigmar Polke, and Robert Indiana blurred the line between commercial and fine art ***** *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Hockney, David. GREGORY EVANS. Scottish Arts Council 176. Gemini DH76-768. Lithograph in two blacks, 1976. Done in crayon on stone. Edition of 90, plus 31 Artist's Proofs. Signed, numbered, and dated in blue pencil. Printed on Arches paper, and published by Gemini GEL, Los Angeles, with their blindstamp. From Hockney's "Friends" series. 41 1/2 x 29 3/4, 1060 x 750 mm., the full sheet. Printed on Arches mould made buff paper. In excellent condition. Hockney did the portraits for Friends directly on stone, with the subject posing in the Genini G.E.L. studio on Melrose Avenue in LA for three days to a week. "I take a rather old-fashioned view of a print: you should actually draw it." (Hockney, quoted in Ruth Fine, Gemini G.E.L. - Art and Collaboration). "'Til then we had never really seen a traditional artist [who] would draw in that way." "He just knocked us out." (Gemini collaborators, quoted by Fine in the above-cited book). Hockney met Gregory Evans in Los Angeles; they remain friends to this day.

Hockney, David. HENRY GELDZAHLER WITH HAT Lithograph, 1976. Printed on Arches Cover Buff paper. Edition of 96 plus 16 Artist's Proofs. Signed and dated in pencil, numbered 88/96. Published by Gemini G.E.L., Los Angeles, and with their blindstamps and ink stamp, verso. Sheet: 14 ¼ x 12 inches 365 x 305 mm. The full sheet. In very good condition, Floated in a very good quality silver-leafed frame 21 1/4 x 19 inches.One of many portraits of the Museum Curator, Scholar, and NYC Arts Commissioner, with whom Hockney was close friends for many years.

Hockney, David. ANN SEATED IN DIRECTOR'S CHAIR. Color lithograph, 1979. Printed in magenta on gray BFK Rives paper. Signed and dated 1979 and numbered 2/5, all in pencil (there were also four artist's proofs). Published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp. The full Sheet: 29 7/8 x 43 ¾ inches, 759 x 1111 mm. Framed to 33 x 47 inches, floated in a natural wood molding. Provenance, Marlborough Gallery, New York, with its label on the frame backing, verso. In very good condition. Rare. Ann Upton was a friend of Hockney's and modeled for him frequently from 1962. In 1983 she married David Graves, a sculptor and paper conservator who worked as Hockney's assistant. She died in 2017.

Hockney, David. HENRY GELDZAHLER WITH HAT Lithograph, 1976. Printed on Arches Cover Buff paper. Edition of 96 plus 16 Artist's Proofs. Signed and dated in pencil, numbered 49/96. Published by Gemini G.E.L., Los Angeles, and with their blindstamps and ink stamp, verso. Sheet: 14 ¼ x 12 inches 365 x 305 mm. The full sheet. In very good condition, Floated in a natural wood frame 17 x 15 inches.One of many portraits of the Museum Curator, Scholar, and NYC Arts Commissioner, with whom Hockney was close friends for many years.

Hockney, David (English, born 1937). HENRY AT TABLE. Lithograph, 1976. S.A.C. 188, Tokyo 178. Edition of 96, plus 25 additional proofs including 18 artists proofs and 7 others for the Printer and for Gemini. Signed, dated and numbered 39/96. Printed on Arches Cover Paper at Gemini G.E.L., Los Angeles, with their blindstamp, lower right and their ink stamp, verso. Crayon and Tusche on two stones and one Aluminum plate. 29 1/2 x 41 1/2 inches, 750 x 1055 mm. (the Sheet). In excellent condition. One of the series of portraits of friends that Hockney did at Gemini G.E.L. in 1976 and 1977. In excellent condition.

Hockney, David. CELIA ADJUSTING HER EYELASH. Scottish Arts Council 837, Gemini DH79-904. Lithograph, 1979. Edition of 100, plus 16 Artist's Proofs. signed, dated and numbered in green pencil. Published by Gemini G.E.L., and with their blindstamp, lower right. Printed on Twinrocker Handmade paper. 23 x 31 1/8 inches, 585 x 790 mm. In excellent condition.Celia Birtwell, born 1941, is a British textile and fashion designer, and longtime friend of David Hockney. During the mid-late 1970s, Hockney made lithographic portraits of many of his friends at the Gemini GEL workshop in Los Angeles. The insightfulness of his vision, the brilliance of his draftsmanship, the quality of Gemini's execution of the prints, and the record it presents of the personal associations in the life of a major artist has made and kept this group of portraits a significant element of Hockney's work of more than forty years.

Hockney, David. JOE MCDONALD. Scottish Arts Council 175. Gemini DH76-767. Lithograph in two blacks, 1976. Done in crayon on both a stone and an aluminum plate. Edition of 99, plus 32 Artist's Proofs. Signed, numbered, and dated in blue pencil. Printed on Arches paper, and published by Gemini GEL, Los Angeles, with their blindstamp. From Hockney's "Friends" series. 41 1/2 x 29 3/4, 1054 x 756 mm., the full sheet. In excellent condition. Joe McDonald was a friend of Hockney's who lived in New York, and worked as a model. Hockney, writing about the death of his father, and others in an article in the Independent in 1993, says McDonald was the first person he knew who had aids, and that he was 32 when he died in 1983. Hockney did the portraits for Friends directly on stone, with the subject posing in the Genini G.E.L. studio on Melrose Avenue in LA for three days to a week. "I take a rather old-fashioned view of a print: you should actually draw it." (Hockney, quoted in Ruth Fine, Gemini G.E.L. - Art and Collaboration). "'Til then we had never really seen a traditional artist [who] would draw in that way." "He just knocked us out." (Gemini collaborators, quoted by Fine in the above-cited book).

Condition: As New. "Yves Marie with Flowers" by David Hockney, Signed Lithograph printed in 1974 from an edition size of 75. The overall size of the Lithograph is 30 x 22.25 inches. The condition of this piece has been graded as A: Mint. Here is some supplemental information about the Lithograph: This limited edition lithograph, Yves Marie (1974), was created and published in London by Petersburg Press in an edition of 75, signed, dated, and numbered in pencil by David Hockney. Printed on Arches paper with the printerÕs blind stamp, the work embodies HockneyÕs distinctive style and mastery of lithography. Reflecting his exploration of closeness and human connection, it captures the elegance and introspection of Yves-Marie Herv, a significant figure in HockneyÕs life.Hockney met Yves-Marie in Paris in the early 1970s, and the young cole du Louvre student became a muse for several of his works. This portrait exemplifies HockneyÕs ability to convey emotion through delicate line work and soft shading, evoking both tenderness and admiration. The lithograph aligns with HockneyÕs deep interest in portraiture and personal relationships, themes that recur throughout his career. A sought-after piece, Yves Marie remains a testament to HockneyÕs intimate artistic vision and his lifelong fascination with capturing human presence. Signed.