Collinot Eugène (12 results)

Condition: New. In.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. Ornements de la Chine, recueil de dessins pour l'art et l'industrie | Eugène Collinot (u. a.) | Taschenbuch | Kartoniert / Broschiert | Französisch | 2021 | Hachette Livre | EAN 9782329675732 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: Good. First Edition. [2 pp, preface by Victor Champier] + [2, Table des Ornements] + 30 chromolithograph plates, all numbered with captions, title printed in red & black, slightly rubbed & soiled cover, small library stamp verso front & lower cover, otherwise copy in very good condition. Limited edition to 500 copies of which this copy is numbered 220. In mid 19th century, Europe's artistic and fashionable circles were enthralled by a vogue for all that was Oriental. Visitors to London Galleries and Paris salon exhibitions became familiar with Middle Eastern desert and village life, with Arab, Persian and Turkish costume and decorative arts as they were recorded - or sometimes imagined - on canvas or in water- colours by European artist travellers. The French ceramicist Joseph-Théodore Deck was the first to explore and revive Middle Eastern ceramic techniques in the creation of his own unique art. Ceramicist Eugène-Victor Collinot and his collaborator Adalbert de Beaumont, who had first encouraged Deck to look to Islamic prototypes, joined Deck in his early exploration of Islamic ceramics. In 1859, Collinot and Beaumont, themselves collectors of Islamic artefacts, published "Recueil de dessins pour l'art et l'industrie" (A Collection of Designs for Art and Industry), which contained detailed illustrations of Islamic ceramics and glass seen in their travels. This influential design book revealed the arts of the Islamic world as a new source of inspiration to a receptive and enthusiastic audience of French artists and craftsmen. In its pages Deck found a 13th century enamel and gilt glass mosque lamp from Cairo - part of the Rothschild collection - lavishly decorated with ornament and calligraphy. Deck translated the bulbous lamp with its wide-flaring neck into a pair of ceramic vases, replacing its calligraphy with more floral ornament. Likewise, he converted a medieval Syrian glass vase illustrated in the Recueil into a ceramic vase alive with flora and fauna of Persian inspiration. Glazed in white, black, red and cobalt, the vase's swelling, attenuated form is enlivened with acanthus, tiny gazelles and bold interlaced arabesque patterns. In 1863, Collinot and Beaumont founded their own faïence factory specialising in Islamic- inspired wares. Located in the Bois de Boulogne, the factory caused a sensation with its decoration of blue and white Islamic dishes. The competition with Deck was truly on. Collinot and Beaumont both published two other works "Ornements Arabes" (1883). and "Ornements de la Perse" (1880). Bibliographic reference: Creswell 451. #33535.

Chromolithograph highlighted with hand colour and gilt, 29 x 35 cms; 45.4 x 63.7 cms (sheet), the generous margins a trifle soiled with scant spotting and minor edgewear, the images in very good condition. Richly coloured illuminated plate, from the French portfolio "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued. This work was a seminal influence on the introduction of Chinoiserie and Islamic decorative art to French artists and craftsmen. In 1863 the authors Eugène Collinot and Adalbert de Beaumont founded their own faience factory in the Bois de Boulogne, specializing in wares inspired by Persian and Iznik pottery. [see "Grove Dictionary of Art"].

Chromolithograph highlighted with hand colour and gilt, 26 x 29.5 cms; 63.7 x 45 cms (sheet), the generous margins a trifle soiled with scant spotting and minor edgewear, the image in very good condition. Richly coloured illuminated plate, from the French portfolio "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued. This work was a seminal influence on the introduction of Chinoiserie and Islamic decorative art to French artists and craftsmen. In 1863 the authors Eugène Collinot and Adalbert de Beaumont founded their own faience factory in the Bois de Boulogne, specializing in wares inspired by Persian and Iznik pottery. [see "Grove Dictionary of Art"].

Reliure de l?époque en demi-ch. Condition: Anciennes traces de crayon sur. Sans lieu (Paris), sans mention d'éditeur (maison Collinot et Cie, Imprimerie Auguste Delâtre), sans date (1859-1861). In-plano ? 47 x 62,5 cm. 1 Tome seul, 100 planches. Reliure de l'époque en demi-chagrin noir, dos lisse orné de filets à froid, doubles filets à froid en encadrement des plats. Rare tête de collection en édition originale. Exemplaire composé de 100 planches gravées à l'eau-forte, toutes numérotées. Absence de page de titre. Anciennes traces de crayon sur quelques planches, quelques rares taches et rousseurs, une déchirure marginale en pied de la planche 52, défauts mineurs sur les plats, mors du premier plat fendu en pied sur 9 cm, sinon rare et bel exemplaire. Bien avant la publication entre 1880 et 1882, chez Canson, de leur Encyclopédie des Arts décoratifs de l'Orient, Recueil de dessins pour l'art et l'industrie, Eugène Collinot et Adalbert de Beaumont font paraître, en livraisons, à partir de 1859 une première version en noir de leur ouvrage alors simplement intitulé Recueil de dessins pour l'Art et l'Industrie. Cette publication témoigne de l'éclectisme des deux auteurs qui produisent tous deux des gravures en s'inspirant de sources très variées, notamment du Proche-Orient, de la Chine et du Japon. Imprimeur de cette édition originale, Auguste Delâtre (1822-1907) a fortement ?uvré à la promotion de l'eau-forte originale, qui connaît un renouveau dans la seconde moitié du XIXe siècle. Son imprimerie devient un point névralgique du monde de l'estampe artistique. Son engagement pour l'eau-forte originale s'est également exprimé à travers la Société des aquafortistes, dont il est l'un des fondateurs avec l'imprimeur Alfred Cadart, en 1862.

Chromolithograph highlighted with hand colour, 26 x 29.5 cms; 63.7 x 45 cms (sheet), the generous margins a trifle toned and spotted, but the image in very good condition. Delicately coloured plate with detailed line work, from the French portfolio "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued.

Chromolithograph highlighted with hand colour, 26 x 29.5 cms; 63.7 x 45 cms (sheet), the generous margins a trifle soiled with scant spotting, but the image in very good condition. Richly coloured plate with attractive botanicals, from the French portfolio "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued.

Chromolithograph highlighted with hand colour, 29.3 x 24 cms;63.5 x 45 cms (sheet), the large margins a little toned, upper corner a little creased and spotted, but in very good condition. A charming landscape delicately coloured, from the influential French work "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued. .

Chromolithograph, highlighted with hand colour, 64 x 47.3 cms; 90.5 x 65.6 cms (sheet), original fold, small chip and fold split at the outer margin and slight toning at the fold, but in very good condition. Richly coloured and beautiful large plate with flowers and birds, from "Ornements de la Chine: Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued. This work was a seminal influence on the introduction of Chinoiserie and Islamic decorative art to French artists and craftsmen. In 1863 the authors Eugène Collinot and Adalbert de Beaumont founded their own faience factory in the Bois de Boulogne, specializing in wares inspired by Persian and Iznik pottery. [see "Grove Dictionary of Art"].