Clark Cecilia (16 results)

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Good. First Edition. Richmal Crompton William cartoon rusty staples. Book.

Hardcover. Condition: Collectible; Fine. Dust Jacket Condition: As New. First Edition. This hardcover book is square and tight. The boards and spine have no wear with pristine gilt. The pages and endpages are clean, with no markings or folds. The dustjacket is As New. Original Price is intact. Not ex-lib. No remainder mark. Signed by 23 of the contributors (scan available). Signed by the Authors.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Hardcover. Condition: Good. Good copy, marbled endpapers, fixed marker.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. [1st edition, 1st printing] ; 156 pp. ; color photographs by R. H. M. Robinson, Grace Woodbridge, Harry Smith, Sheila Orme, Anthony Huxley, Nancy Mary Goodall, Angelo Hornak, Kenneth Scowen; drawings by Davina Wynne-Jones, Laurie Clark and Cecilia Humphrys; end paper illustrations are from A Book of Botanical Drawings by Daniel Frankon ; 29 cm. ; ISBN: 0701123958 :; 9780701123956 LCCN: 80-484408 ; LC: SB466.G75; Dewey: 712/.6/0942 ; OCLC: 6149282 ; green cloth with gold lettering, in full-color photographic dustjacket inmylar protector ; previous owner's name on front ep ; showcases the celebrated personal gardens of several important British women, with their commentaries ; included are: Balbithan House, Kintore, Inverurie, Aberdeensh ire / Mary McMurtrie -- The Dower House, Badminton, Avon / Lady Caroline Somerset -- Lygrove, Badminton, Avon / The Dowager Countess of Westmorland -- The Old Rectory, Burghfield, Berkshire / Mrs. Ralph Merton -- Arley Hall, Northwich, Cheshire / Th e Vicountess Ashbrook -- Ince Castle, Saltash, Cornwall / The Vicountess Boyd of Merton -- Moyclare, Lodge Hill, Liskeard, Cornwall / Mrs/ Louis Reid -- Ednaston Manor, Brailsford, Derbyshire / Mrs. Stephen Player -- Knightshayes House, Tiverton, De vonshire / Lady Heathcoat Amory -- Rosemoor, Torrington, Devonshire / The Lady Anne Palmer -- Manor House, Cranborne, Dorset / The Marchioness of Salisbury -- Shute House, Donhead St. Mary, Nr. Shaftsbury, Dorset / The Lady Anne Tree -- Tyninghame, Dunbar, East Lothian / The Countess of Haddington -- White Barn House, Elmstead Market, Colchester, Essex / Mrs. Andrew Chatto -- Barnsley House, near Cirencester, Gloucestershire / Mrs. David Verey -- Hill House, Wickwar, Gloucestershire / Sally, D uchess of Westminster -- Kiftsgate Court, Campden, Gloucestershire / Mrs. D. H. Binny -- Orchard Cottage, Gretton, Cheltenham, Gloucestershire / Mrs. Patrick Saunders -- Rodmarton Manor, Cirencester, Gloucestershire / Mrs. Anthony Biddulph -- Bramde an House, Alresfors, Hampshire / Mrs. Hady Wakefield -- Westwick Cottage, Leverstock Green, Hertfordshire / Mrs. Donald Macqueen -- 11 Cavendish Avenue, London NW8, Middlesex / The Hon. Mrs. Mark Lennox-Boyd -- 12A Selwood Place, London SW7, Middles ex / Mrs. Anthony Crossley -- Deene Park, Corby, Horthamptonshire / The Hon. Mrs. Brudenell -- Howick, Alnwick, Northumberland / The Lady Mary Howick -- Coach House, Little Haseley, Oxfordshire / Mrs. C. G. Lancaster -- The Monro House, Bampton, Oxf ordshire / Countess Munster -- Pusey House, Faringdon, Oxfordshire / Mrs. Michael Hornby -- Hadspen House, Castle Cary, Somerset / Mrs. Paul Hobhouse -- The Chequers, Boxford, Suffolk / Miss Jenny Robinson -- West Wood, Walberswick, Southwold, Suffo lk / Miss Mea Allan -- Chilworth Manor, Guildford, Sussex / Mrs. Gilbert Thorp -- Broadleas, Devizes, Wiltshire / The Lady Anne Cowdray -- Ling Beeches, Ling Lane, Scarcroft, Thorner, Leeds, Yorkshire / Mrs. Arnold Rakusen -- St. Nicholas, Richmond, Yorkshire / The Lady Serena James. ; ".[T]here are few contributors whose hands are not constantly deep in the soil or wielding the pruning shears. The result is gardens which have the intimacy of a diary or memoir, indeed the accounts by the contributors often read like leaves torn from a jounral, full of passion and idiosyncrasy as their pride and prejudice are revealed. These are private arcadias into which we, the public, are now allowed to pry. How generous they are to unfold the pag es for our contemplation. How much one understands the contributor who unashamedly states that the essence of her garden is that it is a closed world." ; FINE/FINE. Book.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Softcover. Condition: Good. [CRITICISM]. Eds. Jorge Zahar, Gloria Ferreira, Cecilia Cotrim. Contributors: Yve-Alain Bois, Clement Greenberg, T. J. Clark, Jean-Pierre Criqui, Hubert Damisch, Ann Hindry, Rosalind Krauss, Barnett Newman, John O'Brian, Harold Rosenberg, Leo Steinberg. "Clement Greenberg: e o debate critico." Rio de Janeiro, BR: Ministerio da Cultura: Fundacao Nacional de Arte-Funarte, 1997. Portuguese language. Softcover with French flaps. 9 x 6.5 x 1 in. 23 x 16 x 2 cm. 16 oz. 280 pp. Wear on edge of covers. Use. Age. Yellowing. Errata pastedown on colophon. Text clean. Good. ISBN: 9788585781316.

[24] pp.; 14.3 x 10.3 cm.; sewn bound; other special feature[s]; black-and-white; edition size 200; unsigned and unnumbered; offset-printed Artist's book in which invited artists created a phrase to be embroidered on clothing labels, included in separate envelope. Each artist included small amount of text which explains the origins or reasoning behind their choice of text. Case has label embroidered with the title. Artists included: Richard Tuttle, Harry Gilonis, Ian Hamilton Finlay, Jackson Mac Low, Ian Stephen, Graham Rich, Lesley Kerman, Simon Cutts, Medbh Mcguckian, Hans Waanders, Thomas A. Clark, Pavel Büchler, Michael Longley, David Bellingham, Zoë Irvine, Alec Finlay, Simon Patterson, Cecilia Vicuna, Kevin MacNeil, John Burnside and Lawrence Weiner. Housed in a paper slipcase. Fine. As issued. Contents clean and unmarked. Complete with all embroidered labels.