Charles Isaacson (233 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. Hardcover with dust jacket. Pages are clean and unmarked. Covers show minor shelving wear. Binding is tight, hinges strong. Dust jacket shows edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Paperback. Condition: Good Plus (or better). First Paperback Printing. Oversize paperback, damp stain to lower corner of book (about one inch), o/w well bound, clean and unmarked. Because of size, this book ships domestic media mail only (no extra shipping fees required).

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

softcover. Condition: Fine copy. 1st. 4to, 240 pp. Profusely illustrated (illustrator).

Soft cover. Condition: Near Fine. First Edition. Stiff color illus. wraps. Very slight wear to corners, slight binding lean original to issue. 240 pp., illus. w/ 63 color plates, many additional b&w illus. Catalogue to accompany 1998-99 exhibition in Washington D.C. and San Francisco. Size: 4to - over 9¾" - 12" tall. Book. …

Condition: New.

Paperback. Condition: Acceptable. A readable copy. All pages are intact, and the cover is intact (the dust cover may be missing). Pages can include notes--in pen or highlighter.

240 pages. Paperback: H 29.25cm x L 25.25cm. Paper covers rubbed; scuffing and slight wear at edges. Slender indentation to text block's top edge. Interior pages are clean. Binding is firm. A vey good+ copy. Published as the accompanying catalog for an exhibition held at the Phillips Collection, Washington, DC from September 19, 1998 to January 3, 1999 and at the Fine Arts Museums of San Francisco, Center for the Arts at Yerba Buena Gardens from January 30 to May 2, 1999. Features essays: "Effet de Neige: 'Claude Monet and a few others . . .'" by Charles S. Moffett; "Monet, Japonisme, and Effets de Neige" by Eliza E. Rathbone; "Camille Pissarro: A Dedicated Painter of Winter" by Katherine Rothkopf; "Sisley, Snow, Structure" by Joel Isaacson; "The Catalogue: Monet, Renoir, Pissarro, Sisley, Caillebotte, Gauguin" compiled by Eliza E. Rathbone, Katherine Rothkopf, and Lisa Portnoy Stein. Please note that this large book has an approximate shipping weight of 4.25 pounds (1.92 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 0943044235. …

Trade Paperback. Condition: Very Good. 1st Simon & Schuster Ppbk Edition: 2004. 586 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Creased covers. Mildly slanted spine. Edge worn covers. Jackie Seow (Cover Design); Charles Amedee Philppe Van Leo (Cover Portrait); Mary Pfaff (Author Photo); Jaime Putorti (Design) (illustrator). …

Paperback. Condition: Very Good. 240 pages, illustrations (some colour); 30 cm. First published on the occasion of an exhibition at the Phillips Collection, Washington, D.C., September 19, 1998 to January 3, 1999 and at the Fine Arts Museums of San Francisco at the Center for the Arts at Yerba Buena Gardens, January 30 to May 2, 1999. Firm binding, clean inside copy. Corner crease/front cover. Age toning. Another copy available. Large softcover. Richly illustrated with colour plates. *** "Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century." - Publisher. *** CONTENTS: Effet de neige: 'Claude Monet and a few others . . . ', by Charles S. Moffett; Monet, Japonisme, and Effets de neige, by Eliza E. Rathbone; Camille Pissarro: a dedicated painter of winter, by Katherine Rothkopf; Sisley, snow, structure, by Joel Isaacson; The catalogue: Monet, Renoir, Pissarro, Sisley, Caillebotte, Gauguin. Size: 4to.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Unknown. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. Dust Jacket Condition: As New. Navy blue imitation leather boards, 240pp with many wonderful colored illustrations, completely unmarked in like dust jacket. Large heavy book, may need additional shipping if expedited or international.

hardcover. Condition: very good. xiv + 336pp., 8vo, cloth; spine lightly darkened. New York: Macy-Masius, 1928. A very good copy.

Condition: Good. 1929. No Edition Stated. 247 pages. No dust jacket. Blue cloth with gilt lettering. Inscription to front endpaper. Pages are lightly tanned and thumbed at the edges, with light foxing. Binding has remained firm. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. Light tanning to spine and edges. Boards are slightly bowed. Slight forward lean to text block.…

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.