Cedar Sally (42 results)

Condition: Good. Van Bilsen, De Rita (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: Good. Van Bilsen, De Rita (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Muy bueno. : El Uniforme Maldito es un encantador cuento infantil escrito por Sally Cedar e ilustrado por Rita van Bilsen. La historia, ambientada en un mundo de fantasía, narra las aventuras y desventuras de un personaje cuyo uniforme tiene propiedades mágicas. Publicado por S.M. Editorial, este libro ha deleitado a generaciones de jóvenes lectores con su narrativa imaginativa y sus ilustraciones coloridas. Ideal para niños pequeños, este libro fomenta la imaginación y el amor por la lectura. EAN: 9788434809383 Tipo: Libros Categoría: Infantil y Juvenil Título: El uniforme maldito Autor: Sally Cedar| Rita Van Bilsen Idioma: es-ES Formato: tapa dura.

Broschur, 4°, 28 unpag. S. mit Bildern von Rita van Bilsen. Etwas gebrauchsspurig, jedoch vollständig, sauber und fest. 800 gr.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condition: acceptable. Rita van Bilsen / Sally Cedar: Die verflixte Uniform. Bohem Press Zürich 1976. Gebunden, Format 20 x 30 cm, unpaginiert, mit farbigen Illustrationen, Gebrauchsspuren.

26 S., kart, guter Zustand, viele Abb.

1st edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 160 p.: ill. (some col.); 26 cm. Notes; Catalog of the exhibition held at Tate Britain, June 9-Sept. 5, 2010. Includes bibliographical references (p. 150-151) and index. Includes a foreword by Penelope Curtis. Contents; What's so funny about British art? / Martin Myrone -- Carry on Tate / Cedar Lewisohn -- British comic art -- Frames of reference: the progress of comics / Paul Gravett -- Social satire and the grotesque -- Politics -- The worship of Bacchus -- The bawdy -- Bawdy beautiful / Sally O'Reilly -- The absurd -- Cedar Lewisohn. Summary; Put together with some the country's best-known cartoonists and comedy writers, this exhibition explores British comic art from the 1600s to the present day. Bringing together a wide array of paintings, sculptures, film and photography, as well as graphic art and comic books, the exhibition celebrates a rich history of cartooning and visual jokes. The room on the Absurd is curated by comedian Harry Hill, and includes such diverse materials as Alice in Wonderland illustrations, David Shrigley's sculpture, and films by Edwina Ashton and Oliver Michaels. Within the Bawdy, Donald McGill's smutty seaside postcards can be seen with works by artists as different as Aubrey Beardsley, Sarah Lucas, and Grayson Perry. The rooms exploring Politics, Social Satire and Cruikshank's Victorian masterpiece The Worship of Bacchus, have been put together with Gerald Scarfe, Steve Bell, and the cartoonists from Viz. These show the power of comic art as a form of social and political commentary throughout history, from satires of Georgian society by Rowlandson and Gillray to Spitting Image's damning Thatcher puppet. Looking at comedy that is both timeless and of-its-time, Rude Britannia contrasts contemporary artists such as Angus Fairhurst with key historical pieces, and covers everything from Hogarth to the YBAs. Comic Art - art that gains its effect through visual humour, caricature, exaggeration and slapstick, whether in print, reproduction or through the moving image - has long helped shape and inform British culture. This entertaining and irreverent history aims to present a wide-screen vision of comic art, from Hogarth to Spitting Image, from Michelangelo to The Mighty Boosh. Tackling the big themes of morality, politics, the bawdy and the absurd, from the eighteenth century to the present day, it will feature works by classic cartoonists and caricaturists, from Gillray, Rowlandson and Cruikshank, to Edward Lear, Heath Robinson, Oz and Viz magazine. Many of the greatest cartoonists and comic artists of recent years will be featured, including Steve Bell, Robert Crumb, David Low and Ronald Searle. Beginning with the origins of the caricature, the book's journey encompasses cartoons, comic books, film, photography, audio, new media and contemporary art. It will trace the development of different genres and techniques, and deal with the development of successive media, from the engraving through to the newspaper and the online blog. Humour is a weapon and a corrective. Over the period covered by the book it is seen to take on social commentary, politics, satire, sex, morality and the absurd. Politicians are remorselessly pilloried and pretensions pricked. The pious are revealed as hypocrites and the rich and famous as fools. Through extensive illustrations of classic and little known facets of comic art, the book succeeds in telling an alternative history of Britain. Leading critics will be joined by well-known comedians, cartoonists and historians, making this a very contemporary take on what is still a rich and vibrant seam in the public life of the nation. Subjects; Tate Britain (Gallery) - Exhibitions. Tate Britain (London, England) - Exhibitions. Wit and humor in art - History - Exhibitions. Wit and humor, Pictorial - Exhibitions. Art - Great Britain - Themes, motives - Exhibitions. English wit and humor, Pictorial - Exhibitions. Comic, The, in art - Great Britain - History. English wit and humour, Pictorial. Cartoons and comics - Great Britain - History - Exhibitions. Comic books, strips, etc. - Great Britain - History and criticism. Caricatures and cartoons - Great Britain - History - Exhibitions. Humor in art - Exhibitions. Caricatures - United Kingdom. Humorous Art - United Kingdom. Great Britain - Social conditions - Exhibitions. BRITISH COMICS - COMICS. Popular culture. Comic book & cartoon art; Exhibition catalogues and specific collections; British Isles. ART / Techniques / Cartooning. ART / European. Great Britain - Social conditions. Art - Great Britain - Themes, motives. 1 Kg.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

25.5x25.5cm. Soft cover. First edition. Published on occasion of exhibition of British comic art from Hogarth to Spitting Image and beyond, taking in paintings, drawings, prints, sculpture, the decorative arts and the moving image. 160pp with essays, numerous colour & other illustrations, commentaries on exhibits, further reading list, and index. Colour-illustrated card wrappers. Near FINE copy. (Heavy item, overseas shipping at cost.).

1st edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 160 p.: ill. (some col.); 26 cm. Notes; Catalog of the exhibition held at Tate Britain, June 9-Sept. 5, 2010. Includes bibliographical references (p. 150-151) and index. Includes a foreword by Penelope Curtis. Contents; What's so funny about British art? / Martin Myrone -- Carry on Tate / Cedar Lewisohn -- British comic art -- Frames of reference: the progress of comics / Paul Gravett -- Social satire and the grotesque -- Politics -- The worship of Bacchus -- The bawdy -- Bawdy beautiful / Sally O'Reilly -- The absurd -- Cedar Lewisohn. Summary; Put together with some the country's best-known cartoonists and comedy writers, this exhibition explores British comic art from the 1600s to the present day. Bringing together a wide array of paintings, sculptures, film and photography, as well as graphic art and comic books, the exhibition celebrates a rich history of cartooning and visual jokes. The room on the Absurd is curated by comedian Harry Hill, and includes such diverse materials as Alice in Wonderland illustrations, David Shrigley's sculpture, and films by Edwina Ashton and Oliver Michaels. Within the Bawdy, Donald McGill's smutty seaside postcards can be seen with works by artists as different as Aubrey Beardsley, Sarah Lucas, and Grayson Perry. The rooms exploring Politics, Social Satire and Cruikshank's Victorian masterpiece The Worship of Bacchus, have been put together with Gerald Scarfe, Steve Bell, and the cartoonists from Viz. These show the power of comic art as a form of social and political commentary throughout history, from satires of Georgian society by Rowlandson and Gillray to Spitting Image's damning Thatcher puppet. Looking at comedy that is both timeless and of-its-time, Rude Britannia contrasts contemporary artists such as Angus Fairhurst with key historical pieces, and covers everything from Hogarth to the YBAs. Comic Art - art that gains its effect through visual humour, caricature, exaggeration and slapstick, whether in print, reproduction or through the moving image - has long helped shape and inform British culture. This entertaining and irreverent history aims to present a wide-screen vision of comic art, from Hogarth to Spitting Image, from Michelangelo to The Mighty Boosh. Tackling the big themes of morality, politics, the bawdy and the absurd, from the eighteenth century to the present day, it will feature works by classic cartoonists and caricaturists, from Gillray, Rowlandson and Cruikshank, to Edward Lear, Heath Robinson, Oz and Viz magazine. Many of the greatest cartoonists and comic artists of recent years will be featured, including Steve Bell, Robert Crumb, David Low and Ronald Searle. Beginning with the origins of the caricature, the book's journey encompasses cartoons, comic books, film, photography, audio, new media and contemporary art. It will trace the development of different genres and techniques, and deal with the development of successive media, from the engraving through to the newspaper and the online blog. Humour is a weapon and a corrective. Over the period covered by the book it is seen to take on social commentary, politics, satire, sex, morality and the absurd. Politicians are remorselessly pilloried and pretensions pricked. The pious are revealed as hypocrites and the rich and famous as fools. Through extensive illustrations of classic and little known facets of comic art, the book succeeds in telling an alternative history of Britain. Leading critics will be joined by well-known comedians, cartoonists and historians, making this a very contemporary take on what is still a rich and vibrant seam in the public life of the nation. Subjects; Tate Britain (Gallery) - Exhibitions. Tate Britain (London, England) - Exhibitions. Wit and humor in art - History - Exhibitions. Wit and humor, Pictorial - Exhibitions. Art - Great Britain - Themes, motives - Exhibitions. English wit and humor, Pictorial - Exhibitions. Comic, The, in art - Great Britain - History. English wit and humour, Pictorial. Cartoons and comics - Great Britain - History - Exhibitions. Comic books, strips, etc. - Great Britain - History and criticism. Caricatures and cartoons - Great Britain - History - Exhibitions. Humor in art - Exhibitions. Caricatures - United Kingdom. Humorous Art - United Kingdom. Great Britain - Social conditions - Exhibitions. BRITISH COMICS - COMICS. Popular culture. Comic book & cartoon art; Exhibition catalogues and specific collections; British Isles. ART / Techniques / Cartooning. ART / European. Great Britain - Social conditions. Art - Great Britain - Themes, motives. 1 Kg.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Encuadernación de tapa dura. Condition: Bien. Rita van Bilsen (illustrator). Tapa dura. Buen estado. Sello . Expurgo. Forro plástico. Marcas de celo en hojas de guarda. Ilustraciones color. Literatura infantil.

Broschur. Rita van Bilsen (illustrator). 28 S.,außen etwas bestoßen und vergilbt,innen Stempel,sonst gut erhalten.

Condition: Bueno. : L'UNIFORME MALEIT es un libro en papel de Sally Cedar. Este libro explora temas relacionados con la educación y la interioridad, ofreciendo una perspectiva única sobre el desarrollo personal. EAN: 9788476293799 Tipo: Libros Título: L'UNIFORME MALEIT Autor: Sally Cedar.

Encuadernación de tapa dura. Condition: Aceptable. R197. Editorial SM Sello de expurgo y del anterior propietario. Ilustrado. (P) S.

Encuadernación de tapa dura. Condition: Aceptable. R193. Editorial SM (X) Marca de adhesivo en la primera y última página. Sello del anterior propietario. Is.

29 cm, Softcover/Paperback. Condition: Gut. [26] S. : überwiegend Ill. (farb.) Ordentliches Exemplar mit nur leichten Lese- und Lagerspuren. Bilder von Rita van Bilsen. Dt. Text von Jürg Bauer, Ein Nord-Süd-Taschenbuch. K2 3858251534 Sprache: Deutsch Gewicht in Gramm: 132.

Cartoné. Condition: Bueno. 26pp. Ilustrado por Rita van Bilsen. Cartoné. SM, Madrid, 1981, 26pp, Tapa dura, 1. Español. Ejemplar expurgado de biblioteca con tejuelo y sellos en su interior.

Condition: Gut. 4° quer, unpaginiert, ca. 24 Seiten durchgehend farbig illustriert mit Begleittext, farbig illustr. Orig.-Pappband - guter Zustand - 1978. HS 2751 Buchversand erfolgt aus Deutschland. Sprache: Deutsch Gewicht in Gramm: 350.

Hard back binding in publisher's original colour illustrated laminated white paper covered boards. Folio 11½'' x 8¼''. Contains unpaginated printed pages of text with colour illustrations throughout, typed English translation loosely enclosed. Fine condition, no dust wrapper. Member of the P.B.F.A. ISBN 3855811369 CHILDREN'S & JUVENILE.

Cartoné. Condition: Bueno. Dust Jacket Condition: Bueno. Libros.

Hardcover. Rita van Bilsen (illustrator). ins Deutsche übertragen von James Krüss, unpag., Ecken und Kanten etwas bestoßen, Namenseintrag vorhanden, ansonsten gut erhalten.

Unpaginiert (ca. 28 S.). Ill. Orig.-Broschur (= Ein Nord-Süd Taschenbuch). - Einband etwas nachgedunkelt; obere Ecke etwas bestoßen. Ansonsten gut erhaltenes Exemplar. Innen sauber.

Gebundene Ausgabe. Condition: Gut. Auflage: 1. 29 Seiten mit zahlreichen Abbildungen kleinere Gebrauchsspuren, Ecken und Kanten leicht berieben, innen sauber und ordentlich V10 Sprache: Deutsch Gewicht in Gramm: 449.

Condition: Gut. ca. 24 S. : überwiegend Ill. farb. The dragon on fire mountain. (1. - 10. Tsd.), gebraucht: Einband leicht berieben, innen mit leichtem Kellergeruch, ansonsten guter Zustand. ( ISBN; 3215026570 ) Sprache: Deutsch Gewicht in Gramm: 257 Querformat 8° , Hardcover/Pappeinband.

Condition: Good. rita van bilsen sally cedar l'uniforme fatale rita van bilsen sally cedar. , quadragono libri italiano, ^^^^rilegato copertina con tracce di polvere presenti abbondanti  . Book.

Hardcover/gebunden. Condition: gut. - Sehr guter Zustand, Ecken etwas bestoßen - In deutscher Sprache. n. pag. pages. 21,5 x 25,5 cm.