Cavalchini Pieranna (55 results)

hardcover. Condition: Good.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. No Jacket. Special Edition.

Hardcover. Condition: Very Good. No Jacket. 1st Edition.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover without dustjacket as issued with title band, 76 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 110 pages; in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New. NEW, shipped from the UK.

Condition: New. NEW, shipped from the UK.

Condition: New.

Condition: New. NEW, shipped from the UK.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condition: USED Very Good.

Hardcover. Condition: New in Shrink-Wrap. Taller 8vo, 345 pp, new in hardcover with belly-band (shrink-wrapped). Lavishly illustrated in color. Includes profiles of artists from the Isabella Stewart Gardner Museum's Artist-in-Residence Program from 1990 to 2017.

Hardcover without dustjacket as issued, 96 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 64 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New. No Jacket. Brand new & sealed in publisher's shrink wrap. No DJ as issued. See photo, ships same day or next day.

Hardcover. Condition: VG. Black/white/red cover w/ line drawing; 107 pp.; 12 pp. text material; 12 pp. color plates.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Cloth. Condition: Near Fine. No Jacket, As Issued. 64 pages color illustrations throughout. Previous owner's bookplate to the inside front free endpaper. Illustrated boards. Isabella Stewart Gardner Museum, Boston, May 31-Sept. 2001. Includes new drawings made exclusively for the publication, as well as several textile works from the museum's collection that inspired her during her residency of Spring 2000.…

Hardcover. Condition: New. No Jacket. BRAND NEW & SEALED hardcover in publisher's shrink wrap. No DJ as issued. See photo, ships same day or next day.

Brossura. Condition: fine. Boston, Isabella Stewart Gardner Museum, May 31 - September 16, 2001. English Text. Milano, 2001; paperback, pp. 64, ill., cm 16,5x24,5. American Laura Owens is among a select group of artists credited with the rebirth of painting. She has developed a style all her own, moving from landscape to abstraction with energetic thick brushstrokes, fanciful childlike doodles, or sophisticated fine line drawings. "Each painting can act as a question," she says, and, demonstrating a wide and imaginative range, she's constantly experimenting and changing her work. "Ultimately, you want to make the painting that you want to be with, not one that is constantly telling you everything it knows. Who wants to be with something or someone like that? It's more fun to be with someone who is willing to go out on a limb." This book is being designed by Owens herself to accompany an exhibition at the Isabella Stewart Gardner Museum in Boston, and will include, along with paintings from the show, new drawings made exclusively for the publication, as well as several textile works from the museum's collection that inspired her while she served as artist-in-residence in the Spring of 2000. Libro. …

Rilegato. Condition: fine. Boston, Isabella Gardner Museum, June 29 - October 14, 2007.Boston, Isabella Gardner Museum, 29 giugno - 14 ottobre 2007.English Text.Milano, 2007; bound, pp. 76, 74 b/w and col. ill., cm 16x24. With an inexhaustible toolbox of techniques, a devotion to drawing--using commercially printed papers, tracing photographic images, making photocopy transfers, folding, cutting, sewing, drilling, applying silicone, acrylic or spray paint--and an almost-Surrealist knack for collage and uncanny combinations, the Milan-based artist Stefano Arienti has long been in search of new ways to make a mark while experimenting with free-form narrative. Especially suited to book form, the works collected here are juxtaposed lyrically, with lines from one page seemingly disappearing into the book's gutter and reemerging in a new form on the next. This well-considered volume combines earlier work alongside more recent drawings inspired by the archives of the Isabella Stewart Gardner Museum in Boston, where Arienti made good use of the Oriental collection. Libro.…