Carl Andre Robert Barry Douglas (9 results)

270 pp.; 28.5 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 29, 2000 - January 21, 2001. Texts by Enrico Lunghi and Jan Debbaut. Artists include Marcel Broodthaers, Nïele Toroni, Mario Merz, Jannis Kounellis, A.R. Penck, Richard Long, Gilbert & George, Giulio Paolini, Luciano Fabro, Giovanni Anselmo, Gerhard Richter, Daniel Buren, Jan Dibbets, André Cadere, Hanne Darboven, Art & Language, Stanley Brouwn, Robert Ryman, Ian Wilson, Joseph Kosuth, On Kawara, Douglas Huebler, Robert Barry, Dan Graham, Bruce Nauman, Sol LeWitt, Lawrence Weiner, Donald Judd, Edward Ruscha, Carl Andre, Michelangelo Pistoletto, Jan Vercruysse, René Daniëls, Jean-Marc Bustamante, Didier Vermeiren, Rodney Graham, Harald Klingelhöller, Reinhard Mucha, Thomas Schütte, Franz West, Martin Kippenberger, and Mike Kelley. includes exhibition checklist, artist texts, list of the artists. Covers by Lawrence Weiner. Texts in English and French. Very Good. Bumping of top right corner of recto and top left corner of verso. Rubbing and yellowing of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.

[36] pp.; 27.7 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Documentation of conceptual or internationally-located projects curated by Seth Siegelaub with works by Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Richard Long, N.E. Thing Co. Ltd., Robert Smithson and Lawrence Weiner. Descriptions of the works in pictures and tri-lingual texts. Also contains "Specific information (locations, dates etc.)" in back of book that documents exacting details of projects and installations. References : "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Esthétique du Livre d'Artiste 1960 / 1980" by Anne Moeglin-Delcroix. Paris, France : Jean-Michel Place / Bibliothèque Nationale de France, 1997, pp. 144. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 170-175. Very Good. Very light cover wear, contents clean and unmarked.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.

108 pp.; 21.5 x 13.5 cm.; sewn bound; black-and-white; edition size 250; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of texts and text-based works written and sent by the artists to the Museum Dhondt-Dhaenens, Deurle, Belgium, where they were exhibited from July 11 - August 12, 1973. Curated by Fernand Spillemaeckers, Galerie MTL. Artists include Carl Andre, John Baldessari, Robert Barry, Marcel Broodthaers, Victor Burgin, Ian Burn and Mel Ramsden, Cadere, Dan Graham, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Ryman, Joost A. Romeu, Lawrence Weiner, and Ian Wilson. Text in English, French, and Flemish as written by the artists. Good / Very Good. Covers very lightly soiled. Yellowing of page edges. Contents clean and unmarked.

[350] pp.; 27.8 x 21 cm.; glue bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Perhaps one of the most revered artists' publications of the 1960s, the "Xerox Book," published by dealers Siegelaub and Wendler is a xerox book in name only. Conceived by Siegelaub as an inexpensive artist's publication - each artist was afforded twenty-five pages [plus a cover / title page] to execute a site-specific project for the publication. The resulting projects were among the most important ever printed by these artists Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner. When going to press Siegelaub discovered that xeroxes would be more expensive than traditional offset lithography so the xeroxing was forgone for reasons of expense, however, the name of the intended publication lives on. References : "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Book as Artwork 1960 / 1972" by Germano Celant. London, United Kingdom : Nigel Greenwood Inc. Ltd., 1972, pp. 67. "Artists' Books : The Book as a Work of Art, 1963 - 1995" by Stephen Bury. Hants, United Kingdom : Scolar Press, 1995, pp. 47. "Esthétique du Livre d'Artiste 1960 / 1980" by Anne Moeglin-Delcroix. Paris, France : Jean-Michel Place / Bibliothèque Nationale de France, 1997, pp. 171, 240, and 250. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 123, 128. No. V3 in "Robert Morris : Estampes et Multiples, 1952 - 1998, Catalogue Raisonné" by Robert Morris, Christophe Cherix, Rainer Michael Mason, Valérie Mavridorakis, Hans Ulrich Obrist. Geneva, Switzerland : Cabinet des Estampes du Musée d'Art et d'Histoire, 1999, pp. 128. "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 152-153. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 116-123. Good. Yellowing of covers along spine and along top and bottom edges, 9 mm. tear to surface of top right corner of recto, rubbing of spine, and bumping of verso corners. Tears to protective mylar dust jacket. Acidic clear tape used to attach to covers has yellowed: 2.1 cm. stain to inside of recto, 2.7 cm. stains to first page, 1.7 cm. stain to inside of verso, and 2 cm. stain to last page. Light yellowing of page edges. Binding adhesive has yellowed and is visible at top and bottom of spine edge and along edge of first page. Contents otherwise clean and unmarked. Due to size and weight additional shipping charges may be required for international orders.

Condition: Very Good. Tübingen: Studio Wasmuth, 1969, 20,8×22,8 cm. Softcover. English; German. 240 pp. Seminal and genre defining book by Germano Celant, art critic and curator who coined the Arte Povera definition in 1967, thus becoming its first theorist. Profusely illustrated in b&w, includes artist statements in English. It is interesting noting the expanded definition of Arte Povera employed here including a large array of artists that were not part of the canon and not associated with the movement outside the focus of this project-book. Artists presented here include: Carl Andre, Giovanni Anselmo, Robert Barry, Joseph Beuys, Alighiero Boetti, Marinus Boezem, Pier Paolo Calzolari, Jan Dibbets, Eva Hesse, Walter De Maria, Ger Van Elk, Lucio Fabro, Barry Flanagan, Hans Haacke, Michael Heizer, Douglas Huebler, Stephan Kaltenbach, Jannis Kounellis, Joseph Kosuth, Richard Long, Mario Merz, Robert Morris, Bruce Nauman, Dennis Oppenheim, Giulio Paolini, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini, Reiner Rutherbeck, Richard Serra, Robert Smithson, Keith Sonnier, France Erhard Walther, Lawrence Weiner and Gilberto Zorio 1st edition. VG+.