Campbell Bernard Edited (5 results)

Hardcover. Condition: Good in Very Good dust jacket. 378 pages. contributors: Ernst Caspari, Theodosious Dobzhansky, Loren Eiseley, Ernst Mayr, Robert K. Selander, George Gaylord Simpson and others; 6 1/4 x 9 1/2 ".

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition, first impression 1972 very good hardback, foxing and browning to endpapers, pen mark on bottom page edges, in a very good dust wrapper, small closed tears, edges browned inside cover, corners and edges rubbed. 378 pages with index. Illustrations. Bibliography.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Large 8vo, i-xiv, 217 pp, 9 maps, 5 plates. Original card covers, withdrawn stamp to the front wrapper but a near fine copy.

Hardcover. Condition: Good. Pictorial boards are a bit worn around edges and a bit grubby. Covers depicts "Four Merry Maids" by E. Brice. Lovely colour frontis. Some pencil inscription to half title page. Some light foxing to some pages but overall the book is in good condition for its age and type. First story is "Carry On!" by Bernard Rutley. "Oxford Books" series.

Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. Many Antwerp Hands : Collaborations in Netherlandish Art A. D. Newman, L. Nijkamp (eds.) Editore: Harvey Miller 2021 : Distr. Brepols New -Hardback EUR 130,00 Quantità: 1 Hardcover, 242 pages, English, 280 x 220 mm, 80 colour ill., 2 b/w tables. ISBN 9781912554737. A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic ? and especially painterly ? practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. Abigail D. Newman is a part-time professor of Art History in the History Department at the University of Antwerp and Research Adviser at the Rubenianum. Lieneke Nijkamp is Curator of Research Collections at the Rubenianu.