Breuning Olaf (71 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Condition: Very Good. 1st Edition. Paperback. First Edition of 1000 copies, each with a unique cover.

[152] pp.; 27.9 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph of drawings by Olaf Breuning edited by Olaf Breuning. Good. Gallery desk copy with 6.6 cm. "Do not remove from desk" sticker on recto and a pink sticker wrapping around from verso to recto: 7 mm. (recto), 1.5 cm. (spine), 8 mm. (verso). Light yellowing and dust soiling of covers, light rubbing and bumping of corners, and a 10.5 cm. dog ear to top right corner of recto. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condition: As New. Impeccable copy.

First edition English Edition. Ugly throughout, come and celebrate. Profusely illustrated in color and dramatic, this fine tall pictorial illustrated boards.

Hardcover without dustjacket as issued, 160 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

paperback. Condition: As New. First Paperback Edition. Publisher: Parkett, Zurich, 2004. FINE softcover in illustrated/pictorial wraps, as issued. Text in English and German. First Softcover Edition, First Printing. As new.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condition: new. Paperback. For 20 years, Parkett presented unparalleled explorations and discussions of important international contemporary artists by esteemed writers and critics. These investigations continue in issue No. 70, which features collaborations by Swiss-American visual artist and composer Christian Marclay, Polish painter Wilhelm Sasnal, and British video artist and photographer Gillian Wearing. Each of these artists has carved out a unique manner of working with the mediums of sculpture, painting, and photography, respectively. As well, each artist extends the use of film and video to reflect political, social, or popular culture. Authors include Ingrid Schaffner, Philip Sherburne, and Philippe Vergne on Marclay; Meghan Dailey, Gregor Jansen and Adam Szymczyk on Sasnal; and Gordon Burn and Dan Cameron on Gillian Wearing, with a conversation between Cay Sophie Rabinowitz and Wearing. Also in this issue: Greg Hilty on Rebecca Warren, Dominic van den Boogerd on Aernout Mik, Catherine Wood on Mark Leckey, Carolee Thea on Joan Jonas, and an insert by Nic Hess. To celebrate Parkett's 20th Anniversary, this year's three issues (No. 70, 71, 72) will feature special contributions by both artists and writers on the current state of materiality in contemporary art. Scholarly writers look back to how earlier generations of artists employed materials and how this differs from so many contemporary artists' material engagements today. Collaborating artists of the past two decades contribute anecdotes, drawings, and photographs commemorating their experiences with Parkett. Best of all is the inclusion of an additional fourth collaborating artist who will participate in a discussion about his or her relationship to materiality and will create a new Parkett edition: with Franz West in issue No. 70, Pipilotti Rist No. 71 and Alex Katz in issue No. 72. For Parkett No. 71, the featured collaborating artists will be Swiss installation and video artist Olaf Breuning; British conceptualist Keith Tyson; and American painter Richard Phillips. For 20 years, "Parkett presented unparalleled explorations and discussions of important international contemporary artists by esteemed writers and critics. These investigations continue in issue #70, which features collaborations by Swiss-American visual artist and composer Christian Marclay, Polish painter Wilhelm Sasnal, and British video artist and photographer Gillian Wearing. Each of these artists has carved out a unique manner of working with the mediums of sculpture, painting, and photography, respectively. As well, each artist extends the use of film and video to reflect political, social, or popular culture. Authors include Ingrid Schaffner, Philip Sherburne, and Philippe Vergne on Marclay; Meghan Dailey, Gregor Jansen, and Adam Szymczyk on Sasnal; and Gordon Burn and Dan Cameron on Gillian Wearing, with a conversation between Cay Sophie Rabinowitz and Wearing. Also in this issue: Greg Hilty on Rebecca Warren, Dominic van den Boogerd on Aernout Mik, Catherine Wood on Mark Leckey, Carolee Thea on Joan Jonas, and an insert by Nic Hess. To celebrate "Parkett's 20th Anniversary, this year's three issues (#70,71, 72) will feature special contributions by both artists and writers on the current state of materiality in contemporary art. Scholarly writers look back to how earlier generations of artists employed materials and how this differs from so many contemporary artists' material engagements today. Collaborating artists of the past two decades contribute anecdotes, drawings, and photographs commemorating their experiences with "Parkett. Best of all is the inclusion of an additional fourth collaborating artist who will participate in a discussion about his or her relationship tomateriality and will create a new "Parkett edition: with Franz West Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Very Good+. A nice, bright copy. ; Color Photographs; 8vo.

Softcover art journal with articles on: Olaf Breuning, Richard Phillips, Keith Tyson, Pipilotti Rist; insert by Dan Perjovschi; fair to good condition, tears and bump to top of spine at rear; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Near Fine. 1st Edition. Near Fine oversized paperback. Overall a bright and attractive copy.

hardcover. Condition: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Ill. OPBd. Condition: gut. Vorsatz fleckig, sonst wie neu - überw. Ill., Achtung: Buch wiegt mehr als 1kg, die Versandkosten erhoehen sich daher Englisch 159 pages. 4.

Paperback. Condition: Very Good. 1st. (USA) First edition of n edition of 1000 copies. No makrings, cease to upper corner of the front cover, Very Good used copy. Wraps, no page numbers, 496 pages in a 7 x7 format, colour photos of inanimate objects where facial features are found from tree stumps to dinner plates, from garbage to a puddle of rain. (2.9 JM LVR 205/4 Size: 12mo - over 6¾" - 7¾" tall.

Paperback. Condition: New. First Edition.

4to, 76pp. Colour and black & white illustrations. As new hardback copy in shrink wrappers.

Soft cover. Condition: Fine. 1st Edition.

Condition: Used: Like New. Broché, comme neuf.

Paperback. Condition: New. 2004 ed.

Paperback. Condition: New in shrinkwrap. White wraps with black lettering and illustration. Unpaginated. All illustrations. Collection of recent drawings combining memory and daydream, humor and subversion; first volume of "Queen Mary" drawings were done during a cruise on the Queen Mary II. -FirstSearch.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Heavy/oversize item - additional shipping charges may be required depending on speed/destination requested. ; 1.2 x 12.9 x 10 Inches; 250 pages.

Paperback. Condition: Brand New. 2004 ed. edition. 300 pages. German language. 10.00x8.50x1.00 inches. In Stock.

hardcover. Condition: New. Same / next day dispatch (Monday - Friday),

Hardcover. Condition: Fair. Deutlicher Riss.

[64] pp.; 32.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size 500; unsigned and unnumbered; offset-printed Monograph featuring full-bleed photographs by Olaf Breuning. Very Good. White scuff marks across covers, otherwise Fine, contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Condition: as new. Contributions by Elsy Lather & Brett Litt. Vienna : Verlag für moderne Kunst, [2016]. Hardcover. 240 pp. Ills. 31 cm. - The comprehensive catalog shows drawings from the last twenty creative years by Olaf Breuning. The drawings combine memory and daydreams, humor and subversion. Since the beginning of his career in the 1990s, drawings have been the starting point for Breuning's photography and film production. Drawing has been an independent medium in his production for over twenty years and is an integral part of his complex work. Condition : as new copy. ISBN 9783903131477. Keywords : ART,

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of works by Olaf Breuning, Jim Shaw, and Cindy Sherman, held at Metro Pictures, NYC, January 28 - February 18, 2006. The theme of the show was "seemingly innocent and naive art works," including Olaf Breuning's installation "A Group of Unstable Lemon Pigs," Jim Shaw's "O-ist Thrift Store Paintings," and Cindy Sherman's 1975 animated film "Doll Clothes." Stiff postcard, printed one side; 4.25 x 6 inches. Condition: Fine. Laid-in is the gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Hardcover. Condition: Sehr gut. zahlreiche Abb. (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Hardcover - Gewicht: 1183 - Illust.: zahlreiche Abb. - Zustand: Sehr gut -.