Boyer Katherine (77 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Very good condition. Minimal edgewear. All intact. No writing or marking. Not Ex-Library.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: New. HARDCOVER, BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

Hardcover. Condition: New. HARDCOVER, BRAND NEW, Perfect Shape, No Black Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

Hardcover. Condition: Near Fine. 1st Edition. First Edition (Number Line With The One Present). Light Wear.

Hardcover with dust jacket. VG/G. Dust jacket is edge worn, rubbed and scuffed. Some bumping to edges and corners. Else good. 410 pages. 410 pp.

Cloth. Condition: G+. No Jacket. Revised and Enlarged. 404 pp, occasional pencil check marks next to recipes the former owner made, title label on front cover has remnants of 4 inked letters, a very solid and clean copy.

Hardcover. Condition: Good. Dust Jacket Condition: Very Good. 1st Edition. Former Owner's Name And Address Printed On Front Endpaper.Old Light Brown Stains And Waviness To Most Pages. Dust Jacket Shows Normal Shelfwear And May Be A Little Faded. Size: 8Vo - 7¾" - 9¾.

paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

hard cover. Condition: Good. 1st. cover - good - light facing bottom front cover.spine - lighy browning on pages.

Hardcover. Condition: Good. Hardcover, 384 pages, index, a few illustrations. Front and rear panels of dust jacket present, spine entirely missing, panels held in place in a Brodart jacket protector. Binding and contents clean, hinges tight. Nice art deco design on front cover of dust jacket panel.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback or Softback. Condition: New. Bead Talk: Indigenous Knowledge and Aesthetics from the Flatlands. Book.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Sewing new understandingsIndigenous beadwork has taken the art world by storm, but it is still sometimes misunderstood as static, anthropological artifact. Today's prairie artists defy this categorization, demonstrating how beads tell stories and reclaim space and cultural identity. Whether artists seek out and share techniques through YouTube videos or in-person community gatherings, beading fosters traditional methods of teaching and learning and enables intergenerational transmissions of pattern and skill.In Bead Talk, editors Carmen Robertson, Judy Anderson, and Katherine Boyer gather conversations, interviews, essays, and full-colour reproductions of artwork from expert and emerging artists, academics, and curators to illustrate the importance of beading in contemporary Indigenous arts. Taken together, the book poses and responds to philosophical questions about beading on the prairies: How do the practices and processes of beading embody reciprocity, respect, and storytelling? How is beading related to Indigenous ways of knowing? How does beading help individuals reconnect with the land? Why do we bead?Showcasing beaded disease cells, tumplines, text, masks, regalia, and more, Bead Talk emphasizes that there is no one way to engage with this art. The contributors to this collection invite us all into the beading circle to witness the creation and display of Indigenous beadwork, reshape how beads are understood, and stitch together generations of artists.

Good plus or better, light general wear, corners bumped. Cloth Rough jacket, front flap missing, soiled.

Paperback. Condition: new. Paperback. Sewing new understandingsIndigenous beadwork has taken the art world by storm, but it is still sometimes misunderstood as static, anthropological artifact. Todays prairie artists defy this categorization, demonstrating how beads tell stories and reclaim space and cultural identity. Whether artists seek out and share techniques through YouTube videos or in-person community gatherings, beading fosters traditional methods of teaching and learning and enables intergenerational transmissions of pattern and skill.In Bead Talk, editors Carmen Robertson, Judy Anderson, and Katherine Boyer gather conversations, interviews, essays, and full-colour reproductions of artwork from expert and emerging artists, academics, and curators to illustrate the importance of beading in contemporary Indigenous arts. Taken together, the book poses and responds to philosophical questions about beading on the prairies: How do the practices and processes of beading embody reciprocity, respect, and storytelling? How is beading related to Indigenous ways of knowing? How does beading help individuals reconnect with the land? Why do we bead?Showcasing beaded disease cells, tumplines, text, masks, regalia, and more, Bead Talk emphasizes that there is no one way to engage with this art. The contributors to this collection invite us all into the beading circle to witness the creation and display of Indigenous beadwork, reshape how beads are understood, and stitch together generations of artists. Gathers conversations, interviews, essays, and colour reproductions of artwork from expert and emerging artists, academics, and curators to illustrate the importance of beading in contemporary Indigenous arts. Taken together, the book poses and responds to philosophical questions about beading on the prairies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Hardcover. Light wear and some fade to the spine else Very Good condition. First Printing.

Paperback. Condition: New. Sewing new understandingsIndigenous beadwork has taken the art world by storm, but it is still sometimes misunderstood as static, anthropological artifact. Today's prairie artists defy this categorization, demonstrating how beads tell stories and reclaim space and cultural identity. Whether artists seek out and share techniques through YouTube videos or in-person community gatherings, beading fosters traditional methods of teaching and learning and enables intergenerational transmissions of pattern and skill.In Bead Talk, editors Carmen Robertson, Judy Anderson, and Katherine Boyer gather conversations, interviews, essays, and full-colour reproductions of artwork from expert and emerging artists, academics, and curators to illustrate the importance of beading in contemporary Indigenous arts. Taken together, the book poses and responds to philosophical questions about beading on the prairies: How do the practices and processes of beading embody reciprocity, respect, and storytelling? How is beading related to Indigenous ways of knowing? How does beading help individuals reconnect with the land? Why do we bead?Showcasing beaded disease cells, tumplines, text, masks, regalia, and more, Bead Talk emphasizes that there is no one way to engage with this art. The contributors to this collection invite us all into the beading circle to witness the creation and display of Indigenous beadwork, reshape how beads are understood, and stitch together generations of artists.

Paperback. Condition: Brand New. 162 pages. 8.50x5.50x0.37 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition. 8vo; 384 pages.

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. Dust jacket toned and worn at edges. Tape residue on pastedowns. Covers scuffed with tape residue. Pastedowns toned. Stamped price on rear pastedowns. ; Nice copy in fairly nice dust jacket. The healthy dietary combinations of food necessary to prevent disease formulated by Dr. William Howard Hay. Menus and recipes adapted to meet Dr. Hays theory of food comparability. ; 8vo 8" - 9" tall; 384 pages.

Hardcover. Condition: Very Good. 410 pages. minor shelf wear.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

paperback. Condition: Very Good. Mending the Net: A Guide to Healing Self and Family This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condition: Brand New. 240 pages. 8.50x6.00x0.60 inches. In Stock.

Condition: New.