£ 3.02
Convert currencyQuantity: 6 available
Add to basketpaperback. Condition: As New. Illustrated. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Seller: Austin Goodwill 1101, Austin, TX, U.S.A.
£ 3.06
Convert currencyQuantity: 1 available
Add to basketCondition: Good. Get fast and secure shipping knowing your purchase helps empower our community to transform their lives through work.
£ 6.11
Convert currencyQuantity: 1 available
Add to basketPaperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.72.
£ 7.89
Convert currencyQuantity: 1 available
Add to basketPaperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.5.
£ 7.89
Convert currencyQuantity: 1 available
Add to basketPaperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.5.
£ 13.82
Convert currencyQuantity: Over 20 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 350.
Condition: NEW.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
£ 17.62
Convert currencyQuantity: 13 available
Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In.
£ 17.82
Convert currencyQuantity: 13 available
Add to basketCondition: New. 2018. Paperback. . . . . .
£ 14.96
Convert currencyQuantity: 3 available
Add to basketCondition: New. pp. 344.
Condition: New. pp. 344.
£ 20.57
Convert currencyQuantity: 13 available
Add to basketCondition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.
£ 15.30
Convert currencyQuantity: 18 available
Add to basketCondition: New.
Paperback. Condition: Brand New. 322 pages. 7.25x5.00x1.00 inches. In Stock.
Paperback. Condition: Brand New. 322 pages. 7.25x5.00x1.00 inches. In Stock.
£ 18.76
Convert currencyQuantity: 3 available
Add to basketCondition: New. pp. 344.
£ 19.75
Convert currencyQuantity: 2 available
Add to basketTaschenbuch. Condition: Neu. Neuware - The book as object, as content, as idea, as interface.What is the book in a digital age Is it a physical object containing pages encased in covers Is it a portable device that gives us access to entire libraries The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term book commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
Published by The MIT Press, Cambridge/London, 2018
ISBN 10: 0262535416 ISBN 13: 9780262535410
Language: English
Seller: BookEnds Bookstore & Curiosities, Ojai, CA, U.S.A.
£ 9.18
Convert currencyQuantity: 1 available
Add to basketSoft cover. Condition: New. Softcover includes b/w illustrations, Glossary, Notes, Bibliography, Further Reading and Index, 322 pages.
Seller: Book Emporium 57, Ottawa, ON, Canada
First Edition
£ 22.95
Convert currencyQuantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. Online book experience. An expansion of the possibilities of what a book can be. Includes instructions on how to read this book online.
£ 4.83
Convert currencyQuantity: 1 available
Add to basketpaperback. Condition: Very Good. Subito Press November 2014 Paperback. Tight binding.
Seller: KALAMO BOOKS, Burriana, CS, Spain
£ 17.35
Convert currencyQuantity: 1 available
Add to basketEncuadernación de tapa blanda. Condition: Nuevo.
£ 20.07
Convert currencyQuantity: 2 available
Add to basketCondition: New. Amaranth Borsuk is Associate Professor in the School of Interdisciplinary Arts and Sciences at the University of Washington Bothell, where she also teaches in the MFA in Creative Writing and Poetics. She is the author of Between Page and Screen, a di.
Published by MIT Press, Cambridge, MA, 2018
ISBN 10: 0262535416 ISBN 13: 9780262535410
Language: English
Seller: Montana Book Company, Fond du Lac, WI, U.S.A.
£ 7.46
Convert currencyQuantity: 1 available
Add to basketPaperback. Condition: Very Good. 322 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark (one dot) on bottom fore-edge.
Published by University Alabama Press, 2022
ISBN 10: 0817360417 ISBN 13: 9780817360412
Language: English
Seller: Weird Books, Petaluma, CA, U.S.A.
£ 12.98
Convert currencyQuantity: 1 available
Add to basketpaperback. Condition: Fair. Good text overall. Water mark and bend to right edge of first few pages. Light corner bumping/bend to cover and several pages. US orders shipped via US Mail. International orders shipped via DHL. Additional postage may be required on oversize books and sets.
£ 15.26
Convert currencyQuantity: 2 available
Add to basketPaperback. Condition: New. Illustrated. Special order direct from the distributor.
Seller: SGS Trading Inc, Franklin Lakes, NJ, U.S.A.
£ 26.30
Convert currencyQuantity: 2 available
Add to basketpaperback. Condition: Good. Textbook, May Have Highlights, Notes and/or Underlining, BOOK ONLY-NO ACCESS CODE, NO CD, Ships with Tracking.
Published by MIT Press Ltd, Cambridge, Mass., 2018
ISBN 10: 0262535416 ISBN 13: 9780262535410
Language: English
Seller: Grand Eagle Retail, Fairfield, OH, U.S.A.
£ 16.79
Convert currencyQuantity: 1 available
Add to basketPaperback. Condition: new. Paperback. The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities. The book as object, as content, as idea, as interface. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by MIT Press Ltd, Cambridge, Mass., 2018
ISBN 10: 0262535416 ISBN 13: 9780262535410
Language: English
Seller: AussieBookSeller, Truganina, VIC, Australia
£ 27.54
Convert currencyQuantity: 1 available
Add to basketPaperback. Condition: new. Paperback. The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.The book as object, as content, as idea, as interface.What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities. The book as object, as content, as idea, as interface. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.