Beveridge Robert (35 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Near Fine. Softcover, 80 pgs. Near fine+.

33 1/3 Long-playing record [30 cm] Very good. Recording of two talks, distributed the Northwestern States Mission of the LDS Church, and pressed on blue vinyl by Century Custom Recording Service of Portland. Cover art by Stan Wood.

paperback. Condition: Good.

Condition: New. Satisfaction Guaranteed or your money back.

Hardcover. Condition: Very Good. 1st Edition. First Edition Chemical Engineering textbook. In very good condition with the only marking on the inside cover page (shown in pictures). Other than that it is a clean copy.

paperback. Condition: Gut. 400 Seiten; 9780201442342.3 Gewicht in Gramm: 1.

Condition: New.

Condition: New.

paperback. Condition: Good.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover, no dust jacket. All volumes previous owner's name penned on ffep; Slight wear on all edges of text. Volumes 1 and 2 heavy pencil underlining. Volumes 3, 4, 5 limited pencil underlining. Volume 2 cover slightly worn along spine. Else good. pp.

Hardcover. Condition: Brand New. 304 pages. 9.25x6.25x1.00 inches. In Stock.

Hardcover, no dust jacket. Good. Normal shelfwear. Very occasional light penciling in volume 1. Corner creasing to the first 15 pages of volume 7, otherwise very good pp.

Condition: New. The Red Road and Other Narratives of the Dakota Sioux presents the Red Road and the Holy Dance (also called the Medicine Dance), two of the most important traditions of the Dakota people, as told by Samuel I. Mniyo and Robert Goodvoice, two Dakota men from .

Hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Good. First Edition. Houghton Mifflin Co., 1928; #304 of an edition of 1000 sets, with manuscript leaf in Beveridgeâ_x0080__x0099_s hand tipped-in at front of Vol. I; illustrated with 38 plates, and four hand-colored photogravures. Blue paper over navy blue cloth bindings; paper title labels with gilt text on spines. No dust jackets. Bindings are tight, sturdy, and square; corners are worn, otherwise wear to edges of boards is light; minor toning to spine cloth, gilt title text dulled but otherwise clearly legible; light brown toning (possibly foxing) on front board of Vol. IV; light foxing to bottom edge of Vol. III front board; light rubbing, surface scratches on rear board of Vol. I.; text, photos, illustrations very good throughout all volumes. This biography of Lincoln is considered the â_x0080__x009c_most thorough investigation for the period covered,â_x0080__x009d_ from Lincolnâ_x0080__x0099_s birth through the famed Lincoln-Douglas debates (Howes B408). Due to the size/weight of this set extra charges to apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.

paperback. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

12pp., 8vo, disbound, lacking wraps, sl. grubby, mainly good condition. NO other copy traced on COPAC or WorldCat.

Hard Cover. Condition: Good. First Edition. McBride's company, Union cavalry from Ohio, served as Lincoln's bodyguards from very late 1863 until his death, giving McBride the privilege of meeting Lincoln (and son Tad), though the company would have preferred a combat role; in retrospect, McBride came to appreciate the honor of the task. Here he briefly notes the Company's deployment, state of Washington at the time, and recounts his meetings & observations of Lincoln, Lincoln's poise, demeanor & humanity, encounter with a mischievous Tad, contrast between Andrew Jackson & Lincoln at war's end (also noted by Beveridge in his introduction), explains the detail's absence at Ford's Theatre, and includes general thoughts on patriotism and the war, at some remove: "in recent years there hsas been entirely too much loose thinking in referring to that war, by men in high authority in our government. For instance, .[President] Coolidge.spoke of it as a "war between the states." It is evident he did not weigh his words or realize the implications arising from the use of that expression. It was not a war between the states, but was a war between the United States on one side and a gigantic conspiracy to destroy it on the other. Mr. Lincoln did not lead in a war against any state or any number of states. He led the people of the United States against an entity that styled itself the Confederate States of America and which died at Appomattox." After the war, McBride studied law and practiced in Indiana, where he eventually served, briefly, as a state Supreme Court justice. He died shortly before (or after?) this book was published - he is listed as a survivor of the Company in the roster, as of October 1st, 1925, but died on May 15, 1926. Hardcover, as pictured; in a chipped slipcase. Limited edition, number 52 of 500 printed, this copy with McBride's rubberstamped signature on the flyleaf. Light wear to book, spine ends bumped, spine label rubbed with some loss of text; slipcase scuffed & chipped, label chipped with some loss. Text clean; [79] pages, b/w photos, 1863 company muster list, list of survivors by October, 1925. Size: Octavo.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.