Benjamin Loyaute (17 results)

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condition: Fine. Dust Jacket Condition: Very good. Dust jacket has two small tears at spine bottom.

Condition: Good. 4to. Hard covers. 215 pp. Color plates. Very good. Cover is a bit worn, embossed text is silver. **Size of book may increase shipping costs**.

Condition: Neuf.

Condition: Neuf.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text. Book.

paperback. Condition: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Stiff Wrappers. Condition: Fine Condition. 371 pages with 200 illustrations in color. Stiff Illustrated wraps. Text is in French. Published on the occasion of the exhibition from the Galerie Nationales Du Grand Palais, Paris 26 September 2007-6 January 2008. Book.

Couverture souple. Condition: Comme neuf. Un vol., dos carré cousu, 26 cm x 19.5 cm, 354 pages. Catalogue de la Biennale Internationale Design Saint-Étienne 2015. Riche iconographie in & hors texte.

Hardcover. Condition: Very Good. 1st Edition. Book and dust jacket are in very good condition. 216pp with colour photographs.

Condition: Gut. 215 S. Zustand gut. Schutzumschlag leicht angerissen, berieben und vergilbt. Ecken leicht angestoßen. Seiten sauber. Auf Englisch. 1039 Sprache: Englisch Gewicht in Gramm: 1570 Gebundene Ausgabe, Maße: 26.16 cm x 2.54 cm x 28.96 cm.

Hardcover. Condition: New. 1st Edition. 216 pages, large hardcover in dust jacket, 11.5" by 10.25". Text in English. The first book to provide a comprehensive survey of the furniture design of French designer Pierre Cardin. Finely printed and generously illustrated throughout with color photos of rare signature designs by Cardin. Out of print and now scarce. In MINT condition, still sealed (some breakage to seal in back - book remains unopened).

Condition: Neuf.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 104 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover with dusjacket 216 PAGES Illustrated. English text FINE! ISBN 9782080305275. Pierre Cardin, the inventor of ''pr t- -porter'' whose graphically iconic initials personify his signature style, is best known for fashion and accessory design. However, he launched a unique furniture line during the 1970s that transposed his sculptural approach to fashion into furniture design: futuristic forms combined with traditional lacquer and cabinetmaking techniques and revolutionary space-age designs featured metal and plastics. Artistic director and catalyst, he challenged artists such as Serge Manzon, Christian Adam, Maria Pergay, Giacomo Passera, Prevost, and Pacos to renew contemporary French furniture design. Archival documents and newl commissioned photography include rare designs produced in his Paris workshops or by Japanese firm Yamada Shomei, such as his Space line that is the avant-garde symbol of this emperor of 1970s style. Cardin actively participated in this timely publication aimed at the burgeoning market for 1970s design. 0 g.

Condition: Très bon état. in-4, cartonnage sous jaquette illustrée, 215 pp., nombreuses photos en couleurs par Jérôme Faggiano et Nils Herrmann. Exemplaire enrichi d'un envoi autographe signé de Pierre Cardin : "que de joie de vous revoir, avec toute mon admiration. Toute une vie de travail et de bonheur. Votre ami Pierre Cardin". Très bon exemplaire.

Couverture rigide. Condition: Comme neuf. Edition originale. Paris 2006. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée sous jaquette illustrée. Format in-4°(.29,5 x 26 cm )( 1675 gr ). ------- 216 pages . ************************** Présentation de l'éditeur : Inventeur du " prêt-à-porter ", Pierre Cardin est surtout connu pour ses créations dans le domaine de la mode et des accessoires. Il a pourtant développé une ligne de mobilier unique au cours des années 1970, transposant ainsi son approche sculpturale de la mode dans le design domestique. Dans la galerie Evolution, son mobilier " Haute couture" s'expose telles des robes que l'on admire en tournant autour. Le meuble Cardin porte à la fois les marques indélébiles d'une poésie futuriste et d'une ébénisterie héritée de la grande tradition française. Le mobilier de Pierre Cardin est également le fruit d'une aventure collective dont il fut le chef d'orchestre et le catalyseur d'Idées. Mécène et entrepreneur audacieux, il a offert la possibilité à de nombreux artistes comme Serge Manzon, Christian Adam, Maria Pergay, Giacomo Passera, Claude Prevost ou François Cante-Pacos de participer au renouveau du mobilier contemporain français Les documents d'archives et les photographies spécialement réalisées pour cet ouvrage illustrent le champ d'expérimentation inouï ouvert par Pierre Cardin. L'histoire retiendra autant l'originalité de ses luminaires, édités par la firme Yamada Shomei pour le Japon, que le rare mobilier sorti de ses ateliers et dont les " cellules pluggées "" de sa ligne Espace sont, encore aujourd'hui, le symbole avant-gardiste de l'empereur des Seventies. "" ******************************* ref 527.