Bell Hooks, Signed (20 results)

Trade paperback, 164 pages. Condition: Very good. Inscribed to Paul by hooks in black pen on half title page. Light wear and handling to cover, light soiling to rear cover. Pages crisp and free of writing / highlighting. In nice shape.

Softcover. Condition: Fair. Inscribed by hooks on half-title page. The book itself is a reading copy only, with wear & a noticeable bump to the upper corner of the back panel adjoining the spine, & a diagonal crease to the lower corner of the back panel. The bump to the back panel is also evident in the top margin of the last few pages of the book, & there is a slight ripple to the lower margin of the same pages. The spine is a little sunned but entirely legible, & the outer edge of the page block is worn & foxed. Inscribed by Author.

Soft cover. Condition: Near Fine. An inscribed copy of this early collection of essays on aspects on race, gender, and cultural politics by scholar, theorist, critic and activist bell hooks. bell hooks was one of the most provocative and insightful public intellectuals of the past half century and had been at the vanguard of contemporary discussions of intersectionality, feminism, race, and identity. Inscribed by bell hooks to a previous owner on the title page. 236 pages. A 2002 printing. The original yellow color has faded a bit from the spine, otherwise no sign of previous use. Signed by Author(s).

Trade paperback, 123 pages. Condition: Very good. Inscribed to Paul by hooks on title page in black pen. Light wear and handling to cover, corners slightly rubbed. Pages clean, in nice shape.

Soft cover. Condition: Very good. No jacket. Inscribed by hooks on half-title page. Cover is lightly rubbed, with sticker residue on back, but text and images are clear and bright. Binding is tight. Other than author's ink inscription, inside is clean and unmarked.

First edition and first printing. Hardcover. Edited by Brian Wallis. Features essays by Bell Hooks, Bruce Ferguson, and Amelia Arenas. A collection of 65 color images from this important but controversial photographer. A fine copy in black cloth boards and in a fine dust jacket. Signed and warmly inscribed by Serrano on the half title page in the year of publication.

Trade Paperback. Condition: Very Good. First Thus. First trade paperback edition. Full number line. This copy is inscribed on half-title page: 'Melba! to living fully and living well.bell hooks'. Signed By Author.

Trade Paperback. Condition: VG+. No Additional Printings Noted. SIGNED - Wrappers. Yellow spine and rear cover with author photo, yellow front cover with inset artwork are all clean and bright. Book has just a trace of rubbing at the head and tail of the spine and at the very tips of the outside corners. Spine has been very faintly lightened by sun - lettering is all clear and easy to read and the difference is subtle enough that it would likely go unnoticed by someone who wasn't looking for it. Signed and inscribed on the title page by the author in black pen: "Wilfred! / to teaching that / transforms - / bell hooks." This book came from the collection of Wilfred D. Samuels, who was Associate Professor of English and Ethnic Studies and the former Director of the African American Studies program at the University of Utah. Binding is straight and tight. Previous owner has made some notes on the blank bottom half of the last page, but pages are otherwise clean, white, and crisp. 216 pages. Rare with the author's signature. Signed by the Author.

Soft cover. Condition: Very Good. Trade paperback edition. Third printing. Dark red glossy cover with black and white photograph on front. Signed by author in black felt pen on first free page under her printed name "to healing - bell hooks" Pages clean, unmarked, no writing. Front, back, spine clean, bright, slight shelf wear to edges and tips, no stickers. Binding tight, Signed by Author(s).

Softcover. First Edition, Third Printing. Octavo, 174 pages. In Very Good minus condition. Spine red with gold lettering. Price clipped on top corner of back cover. Light shelfwear. Textblock clean. Inscribed by hooks on half title page. Shelved in Case 1 1/2. 1375689. Shelved Dupont Bookstore.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. New York: Henry Holt and Company, 1997. Octavo. Hardcover with a dust jacket. First printing. Inscribed by the author on the title page. Ends of the spine lightly bumped. Mild rubbing along the edges of the boards and a tiny stain on the rear board. Unclipped jacket is a little rubbed and edge worn. Book and jacket are both very good. Inscribed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st ed. xvi, 237p. Original boards. dj. 21 cm. INSCRIBED by Hooks on title-page ("Ben! to endless passion -- bell hooks").

Trade Paperback. Condition: VG+. No Additional Printings Noted. SIGNED - Wrappers. Yellow and black rear cover, yellow and red spine and front cover with a few photographs are all celan and bright. Book has just a trace of rubbing at the head and tail of the spine and around the outside edges, mostly noticable at the very tips of the outside corners. Signed and inscribed (but not to anyone in particular) on the title page in black pen: to images that / transform / bell hooks." Binding is straight and tight. Pages are all clean, white, and crisp. 244 pages. This book came from the collection of Wilfred D. Samuels, who was Associate Professor of English and Ethnic Studies and the former Director of the African American Studies program at the University of Utah. Rare with the author's signature. Signed by the Author.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st ed. 244p. Original boards. dj. 21 cm. SIGNED on title-page by Hooks.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st ed. xiii, 226p. Original black boards. dj. 21 cm. SIGNED on title-page by Hooks. Two contemporary candid color photos laid in of Hooks -- handwritten identification ("Bell Hooks 2003") on back of both photos by someone other than Hooks.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st ed. xxiii, 260p. Original boards. dj. 19 cm. Minor corner stain on front cover. SIGNED on title-page by Hooks.

Condition: Pictorial boards in dj. Fine. ILlustrated by Chris Raschka. 4to. Inscribed to EMMA AMOS. This was Hooks's first children's book. Emma Amos (1937-2020) was a post-modern painter known for critically treating issues of racism and sexism in often-autobiographical work that combines figurative painting, textiles, and printmaking. She was a member of the pioneering African-American collective, Spiral, and of the feminist groups Heresies and Guerilla Girls. ILlustrated by Chris Raschka. 4to.

164pp. 8vo. Condition: Pictorial wrappers. First Edition. First Edition. 164pp. 8vo. Inscribed: "Emma!! justice for the future / bell hooks." Emma Amos (1937-2020) was a post-modern painter known for critically treating issues of racism and sexism in often-autobiographical work that combines figurative painting, textiles, and printmaking. She was a member of the pioneering African-American collective, Spiral, and of the feminist groups Heresies and Guerilla Girls.

216 pp. 8vo. Condition: Pictorial wrappers. First Edition. First Edition. 216 pp. 8vo. Inscribed to Emma Amos on ffep:" Oct. 1994/ Emma ! to thank you for affirmation for black women bonding that stands the test of time Love always baby bell!!! aka gloria aka bell hooks." Emma Amos (1937-2020) was a post-modern painter known for critically treating issues of racism and sexism in often-autobiographical work that combines figurative painting, textiles, and printmaking. She was a member of the pioneering African-American collective, Spiral, and of the feminist groups Heresies and Guerilla Girls.

123, [3]pp. 8vo. Condition: Pictorial wrappers, Fine. First edition. First edition. 123, [3]pp. 8vo. Inscribed to Emma Amos on the ffep: "Emma!!! Sisterhood Now/ Always/ bell hooks." Emma Amos (1937-2020) was a post-modern painter known for critically treating issues of racism and sexism in often-autobiographical work that combines figurative painting, textiles, and printmaking. She was a member of the pioneering African-American collective, Spiral, and of the feminist groups Heresies and Guerilla Girls.