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Behrens Timothy (14 results)
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Condition: Nuevo. COLECCIÓN: PDTE. COLECCION PDTE. COLECCION - POESIA.
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El monumento
Language: Spanish
Published by Ediciones del Viento, 2003
ISBN 10: 8493300144 ISBN 13: 9788493300142
Encuadernación de tapa blanda. Condition: Bien. 304 pp.
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Liftport - The Space Elevator: Opening Space to Everyone
Language: English
Published by Meisha Merlin Publishing, Inc., 2006
ISBN 10: 1592221092 ISBN 13: 9781592221097
Paperback. Condition: New. In shrink wrap. Looks like an interesting title!
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X, A Quarterly Review. Volume Two, Number Two, August 1961 - First Edition
Published by London: Published by Barrie and Rockliff, 1961
Seller: Benedict Wilson Books, Folkestone, KENT, United Kingdom
Seller rating 5 out of 5 stars
Magazine / Periodical First Edition
£ 38 25% off£ 28.50
£ 20 shipping
Ships from United Kingdom to U.S.A.Quantity: 1 available
Add to basketFIRST EDITION. Octavo (27 x 18cm), pp.81-168. Publisher's printed wraps. Illustrated with black and white plates. Toned to edges and covers, lightly handled. Very good. Featuring four poems by Malcolm Lowry.
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Diffusion MRI: From Quantitative Measurement to In Vivo Neuroanatomy
Language: English
Published by Academic Press Inc 2014-01-14, 2014
ISBN 10: 0123964601 ISBN 13: 9780123964601
£ 114.50
£ 15.49 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketHardcover. Condition: New.
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Condition: New. pp. 628 12:B&W 8.5 x 11 in or 280 x 216 mm Perfect Bound on White w/Gloss Lam.
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Condition: New. pp. 628.
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Hardcover. Condition: Brand New. 2nd edition. 614 pages. 10.87x8.50x1.25 inches. In Stock.
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Condition: New. pp. 628.
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Diffusion MRI. From quantitative measurement to in vivo neuroanatomy.
Published by Amsterdam. Academic Press / Elsevier., 2009
ISBN 10: 0080878512 ISBN 13: 9780080878515
First edtion. 4to. xi, 490 S. OPb. Einband leicht berieben, Aufkleber auf Deckel, sonst gut erhaltenes Exemplar. Sprache: englisch.
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Condition: Usado- bueno.
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Timothy Behrens. Beaux Arts Gallery, London Sept. 3-Oct. 2, 1964.
Published by Beaux Arts Gallery., 1964
First Edition
Soft cover. Condition: Very Good. 1st Edition. 12mo. Original paper wrappers, stapled. Three b/w plates, short biography, 18 item catalogue. A little thumbed. Behrens formed part of the tightly knit group of artists and intellectuals who frequented the Colony Room (John Deakin's famous photograph, Lunch at Wheelers, is of Behrens, Freud, Bacon, Auerbach and Andrews, the Soho drinking club where Lucian Freud and others such as Francis Bacon spent much time during the late 1950s and the early 1960s. Behrens posed in Freud's small Paddington studio for a portrait in 1962 (Red-Haired Man on a Chair) and 1963] and was also the subject of a portrait by Michael Andrews (permanent collection of the Thyssen-Bornemisza Museum). His father was Edward Michael Behrens the financier. In 1953, he already owned La Resèrve restaurant, when he bought the "influential" Hanover Gallery from Arthur Jeffress. Hanover Gallery represented Francis Bacon who had his first solo show there in 1949, and did so until 1958 when he left for the Marlborough Gallery. Behrens was visiting the empty gallery for the first time one evening when Erica Brausen, who ran the gallery, mentioned in passing that she would be closing up the next day. Behrens was "immediately fascinated" by Bacon's work, and offered to help. Jeffress "detested" Bacon and that was his main reason for backing out of the Hanover Gallery] Jeffress apparently thought that Behrens also "loathed" Bacon.
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Timothy Behrens. Beaux Arts Gallery, London March-April 1962
Published by Beaux Arts Gallery., 1962
First Edition
Soft cover. Condition: Very Good. 1st Edition. 12mo. Original paper wrappers, stapled. Two b/w plates, short biography, 19 item catalogue. A little thumbed. Behrens formed part of the tightly knit group of artists and intellectuals who frequented the Colony Room (John Deakin's famous photograph, Lunch at Wheelers, is of Behrens, Freud, Bacon, Auerbach and Andrews, the Soho drinking club where Lucian Freud and others such as Francis Bacon spent much time during the late 1950s and the early 1960s. Behrens posed in Freud's small Paddington studio for a portrait in 1962 (Red-Haired Man on a Chair) and 1963] and was also the subject of a portrait by Michael Andrews (permanent collection of the Thyssen-Bornemisza Museum). His father was Edward Michael Behrens the financier. In 1953, he already owned La Resèrve restaurant, when he bought the "influential" Hanover Gallery from Arthur Jeffress. Hanover Gallery represented Francis Bacon who had his first solo show there in 1949, and did so until 1958 when he left for the Marlborough Gallery. Behrens was visiting the empty gallery for the first time one evening when Erica Brausen, who ran the gallery, mentioned in passing that she would be closing up the next day. Behrens was "immediately fascinated" by Bacon's work, and offered to help. Jeffress "detested" Bacon and that was his main reason for backing out of the Hanover Gallery] Jeffress apparently thought that Behrens also "loathed" Bacon.
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Condition: new. Questo è un articolo print on demand.
