Barrett Watten Ed (20 results)

Soft cover. Condition: Near Fine. Paperback. Crisp and clean condition, almost like new. Book.

Softcover. Condition: Very Good. Slight edgewear to covers, lightly faded spine. Mild soiling page edges. Solid uncracked binding and clean text. No ownership marks, ex-lib marks, stamps or stickers. Watten's signature and short inscription on title page. ; 8vo 8" - 9" tall; 304 pages; Signed by One Author.

Softcover. Condition: Good. Presumed first printing, trade paperback, the hinges are popped and there is a pull to the binding at the last page, but the book remains firm. It also has bumps with creasing to the spine ends and corners, wear with scuffs and small peels to the hinges and cover edges, sunning to the spine, areas of soiling to the cover edges, and some small spots to the edges of the text block. Overall, this is a solid, Good only copy.

Paperback. Condition: Very Good. First Edition. First edition, first printing of the 7th issue of proto-Language poetry magazine, This. Includes an excerpt from Hannah Weiner's "Clairvoyant Journal." Also includes contributions from Bernadette Mayer, Ron Silliman, Bruce Andrews, Bob Perelman and many others. Text is unmarked; pages are bright, though the page edges are age toned and the top edge of the pages is foxed. Stapled binding is tight and square; the staples are rusted. Covers are lightly edge worn and show some light foxing in places. The back cover shows some scuff marks near the bottom edge.

Softcover. Condition: Very Good. Stapled wraps, has bumps to the spine ends and corners with slight creasing to the corners, rubbing with mild smudging to the covers, and short cross creases to the spine. Overall, this is a solid, Very Good copy.

Soft cover. Condition: Very Good. Nice clean copy.

Softcover. Condition: Good. First Edition. Presumed first edition with NAP, trade paperback, there are a few thin pulls to the binding, which sits at a skew but remains firm overall. The book also has bumps with creasing and peels to the spine ends and cover corners, cross creases to the spine, and rubbing with smudges and soiling across the exterior. Overall, this is a solid, but Good only copy.

Softcover. Condition: As Is. First Edition. Presumed first edition with NAP, trade paperback, the front hinge is popped with weakening at the front, but the binding continues to hold. The book also has bumps with peeling to the spine ends and cover corners, reading creases to the spine and hinges, toning to the spine and edges, and soiling across the back cover with some bleeding to the edges and the last pages. Overall, this is a Fair/As Is only copy.

Softcover. Condition: Near Very Good. First Edition. Presumed first edition with NAP, trade paperback, is popped at the hinges but remains solid. The book also has bumps with a touch of peeling to the spine ends and cover corners, rubbing to the covers, and shallow creasing along the rear hinge. Overall, a Near Very Good copy.

Soft cover. Condition: Very Fine. First Edition. Very fine -- illus. wraps.

Soft cover. Condition: Good. First Edition. 8vo. Stapled wrappers. Unpaginated (32pp.). One of 450 numbered copies, designed and printed by Lyn Hejinian as Tuumba 21. A Good copy, the oversized wrappers toned and spotted to the edges, also a little rubbed. Contents clean.

Soft cover. Condition: Near Fine.

Soft cover. Condition: Very Good. 1st Edition. One of 450 numbered copies. 8vo. Stapled wrappers. [vi], 38pp. Oversized wrappers bumped primarily to the corners and moderately spotted at the spine fold, the central inner margin also spotted, but Very Good overall.

Soft cover. Condition: Very Good.

hardcover, Condition: Very Good, This Press, Kensington, c.1978, 8vo., cloth, 159pp., VG $.

Condition: New. This interdisciplinary collection examines the unacknowledged affinities (and crucial differences) between avant-garde and diasporic formal strategies and social formations. The essays foreground the creation of experimental forms and investigate the specific contexts of cultural displacement and language use that inform their poetics. Editor(s): Noland, Carrie; Watten, Barrett. Num Pages: 274 pages, biography. BIC Classification: DSBH5; DSC. Category: (P) Professional & Vocational. Dimension: 228 x 151 x 19. Weight in Grams: 456. . 2011. 2009th Edition. paperback. . . . .

Condition: New. This collection brings together leading scholars to locate experimental strategies in diasporic poetry. Editor(s): Noland, Carrie; Watten, Barrett. Num Pages: 274 pages, biography. BIC Classification: DSA; DSB. Category: (P) Professional & Vocational. Dimension: 242 x 163 x 19. Weight in Grams: 518. . 2009. 2009th Edition. hardcover. . . . .

Condition: New. This interdisciplinary collection examines the unacknowledged affinities (and crucial differences) between avant-garde and diasporic formal strategies and social formations. The essays foreground the creation of experimental forms and investigate the specific contexts of cultural displacement and language use that inform their poetics. Editor(s): Noland, Carrie; Watten, Barrett. Num Pages: 274 pages, biography. BIC Classification: DSBH5; DSC. Category: (P) Professional & Vocational. Dimension: 228 x 151 x 19. Weight in Grams: 456. . 2011. 2009th Edition. paperback. . . . . Books ship from the US and Ireland.

Condition: New. This collection brings together leading scholars to locate experimental strategies in diasporic poetry. Editor(s): Noland, Carrie; Watten, Barrett. Num Pages: 274 pages, biography. BIC Classification: DSA; DSB. Category: (P) Professional & Vocational. Dimension: 242 x 163 x 19. Weight in Grams: 518. . 2009. 2009th Edition. hardcover. . . . . Books ship from the US and Ireland.

Condition: Overall Very Good+/Near Fine. Alan Davies, ed, Steve Benson, Barrett Watten, A Hundred Posters #35, 1978, New York. 14pp. The 35th issue, published November 1978 with the cooperation of the Segue Foundation, created in 1976 by poet James Sherry. Condition: Folded twice for posting and stapled in left corner, additional two neat small staple marks middle top edge of pages, perhaps made during the printing process. Overall Very Good+/Near Fine.