Barolsky (242 results)

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Condition: Good. Pennsylvania State University Press, c.1992, 1st., 8vo., cloth, 138pp., ex-lib.- pocket, stamps, ow VG $.

Condition: Good. 1st ed. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hb. Condition: G+. Dust Jacket Condition: VG. 138pp. Extremities book & Dj lightly rubbed; some pencilling interior. Biblio. & index.

paperback. Condition: Very Good.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Dust Jacket. 138 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. Just a hint of light foxing. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition.

Hardcover. Condition: As New. Like New. Near fine in maroon cloth with gilt lettering to the spine. In a near fine dust jacket. 8vo. xix, 138pp.

paperback. Condition: Fine.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. This accessible tome in art history completes the trilogy that began with Michelangelo's Nose and Why Mona Lisa Smiles. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. xix [2], 4-138 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. The cover has maroon cloth. The content has two parts. Part I: The Renaissance: Its Life and Afterlife. Part II: Pater and the Tradition of Aesthetic Criticism. 31, small, b/w illustrations; notes; bib.; index. A page in Notes has a binder's mis-cut, resulting in excess margins and two crease lines. The DJ's back panel has four closed tears, 1/8 in. to 1 1/4 in. Scans e-mailed upon request.…

1992 Barolsky, Paul GIOTTO'S FATHER AND THE FAMILY OF VASARI'S LIVES University Park, PA: The Pennsylvania State University Press, c1992 138pp, index 8vo As new unread hardcover in as new d/j.

Condition: As New. Unread book in perfect condition.

Hard Cover. Condition: As New. Dust Jacket Condition: As New. First Edition. First Printing in dust jacket in new condition, no text markings, NOT ex-lib, from collection of USC art historian Eunice Howe with her small blindstamp to endpaper corner; 8vo; 138pp indexed & illus.

Condition: New.

Paperback or Softback. Condition: New. Open Access Musicology: Volume Three. Book.

Condition: Good. 0th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

VHS. Condition: Used Very Good. Hardcover with dust jacket, burgundy boards, 138 pages, index, bibliographical note, preface, ISBN: 0271007621. Very good, no reading crease, very little wear to the book, text is clean and tight. Dust jacket has some small crumples, corners slightly rubbed, in one complete piece.…

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Dust Jacket. 128 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket with a hint of light foxing on the reverse side. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Paperback. Condition: New. Open Access Musicology (OAM) publishes peer-reviewed, scholarly essays primarily intended to serve students and teachers of music history, ethno/musicology, and music studies. The constantly evolving collection ensures that recent research and scholarship inspires classroom practice. OAM essays provide diverse and methodologically transparent models for student research, and introduce different modes of inquiry to inspire classroom discussion and varied assignments. Addressing a range of histories, methods, voices, and sounds, OAM embraces changes and tensions in the field to help students understand music scholarship. These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history's relevance to performers, listeners, and citizens. Open Access Musicology will never pretend to present complete histories, cover all elements of a subject, or satisfy the agenda of every reader. Rather, each essay provides an opening to further contemplation and study. The third volume of Open Access Musicology presents provocative case studies and analyses through which readers can choose their own path while also putting these essays in conversations from those in previous volumes of OAM. This new volume challenges us to ask difficult questions about the place and function of music in our societies, on our stages, and in our institutions. The authors demonstrate ways in which the past can be re-imagined as well as the ways legacies of the past are inscribed in present-day practices, structures, histories, and beliefs. We invite readers to follow the thematic links between essays, pursue notes and other online resources, or simply repurpose the essay's questions into new and exciting forms of research and creativity.…

Hardcover. Condition: Near Fine. Near Fine. 1st. Cloth, 169 pages, illustrations; 23 cm. Near fine. Firm binding, clean inside copy. Top edge lightly soiled. Dust jacket, with light edgewear, protected in a mylar cover. *** "An exploration of the ways in which Michelangelo created himself. / Paul Barolsky is Commonwealth Professor of the History of Art at the University of Virginia. His books on Renaissance art with Penn State Press include The Faun in the Garden: Michelangelo and the Poetic Origins of Italian Renaissance Art (1994), Giotto's Father and the Family of Vasari's 'Lives' (1992), and Why Mona Lisa Smiles and Other Tales by Vasari (1991)." - Publisher. Size: 8vo.…