Barker Lisa (118 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condition: Very Good. Publisher overstock. May have remainder mark / minor shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

paperback. Condition: Very Good. Publisher overstock. May have remainder mark / minor shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Good. Hansen Lane, Jenny (illustrator). The book may have minor cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, minor sunburn, minor water damage, minor bent). The book may have some highlights/notes/underlined pages - Accessories such as CD, codes, toys, may not be included - Safe and Secure Mailer - No Hassle Return.

paperback. Condition: VeryGood. Honerkamp, Lisa (illustrator). 100% Satisfaction Guaranteed.

Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condition: New.

Condition: New.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.84.

Soft cover. Condition: Very Good. Caspar David Friedrich; (illustrator). First Thus. Trade paperback format. Light wear at the corners with some minor creasing on a fading spine; no interior markings. The cover features The Abbey in the Oakwood (Abtei im Eichwald) by Caspar David Friedrich, courtesy of the National Gallery in Berlin. This anthology contains: Don't Get Lost by Tanith Lee; Shine for Me - by Freda Warrington; The Will by Brian Stableford; Lifelines by Christopher Evans; Usurper by Garry Kilworth; Dropping Ghyll by John Brunner; Life Line by Stephen Gallagher; Charley by A. L. Barker; Archway by Nicholas Royle; Candle Lies by R. M. Lamming; Being an Angel by Ramsey Campbell; Lifelines by Christopher Evans; Tales from Weston Willow by Ian Watson; The Facts in the Case of Micky Valdon by David Langford; Skin Deep by Lisa Tuttle; Three Degrees Over by Brian Aldiss; and Interesting Times by Chris Morgan. Size: 8vo. Book.

Soft cover. Condition: Very Good. Caspar David Friedrich; (illustrator). First Printing - First Thus. 319 pp. Trade paperback format. Light wear at the corners with a bit of a crease on the front hinge and a flat uncreased spine; no interior markings. The cover features The Abbey in the Oakwood by Caspar David Friedrich, courtesy of the National Gallery in Berlin. This anthology contains: Don't Get Lost by Tanith Lee; Shine for Me - a novelette by Freda Warrington; The Will by Brian Stableford; Lifelines by Christopher Evans; Usurper by Garry Kilworth; Dropping Ghyll by John Brunner; Life Line by Stephen Gallagher; Charley by A. L. Barker; Archway - a novelette by Nicholas Royle; Candle Lies - a novelette by R. M. Lamming; Being an Angel by Ramsey Campbell; Lifelines - a novelette by Christopher Evans; Tales from Weston Willow by Ian Watson; The Facts in the Case of Micky Valdon by David Langford; Skin Deep by Lisa Tuttle; Three Degrees Over - a novelette by Brian Aldiss; and Interesting Times - a novlette by Chris Morgan. Size: 8vo. Book.

Paperback. Condition: Very Good. Paperback book in good condition.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: UsedGood. Paperback - Good - Gift inscription on the title page. Minimal wear. The binding is tight. The text is free of markings.

trade paperback. Condition: As New. Barker, Gary; Hirsch, Andy; Moore, Lisa; Et Al; (illustrator). Fine or As New condition. No visible defects. Binding tight, pages clean. Pictures available upon request. dw.

Pictorial Boards. Condition: Very Good +. 1st Thus. Pictorial Boards. Very Good +. 1st Thus. 8 Vo. A solid spine with very light edge rubbings. No store stamp. Stories by : Clive Barker, David J.Schow, Hugh B.Cave, Dennis Etchison, Lisa Tuttle, R.Chetwynd-Hayes, Ramsey Campell, EarlEdward Wagner, Basil Copper, Brian lumley, Robert Bloch, David Campton, Manly Wade Wellman, Charles L.Grant, F.Paul Wilson, David A.Riley, Stephen Laws, Graham Masterton.

Soft cover. Condition: VG+. 1st Edition. Stiff color illus. wraps, perfect-bound. Light shelf/handling wear, with diagonal crease to bottom front cover corner, a few light surface marks to covers. Firm, uncreased binding, clean interior. xiii,425 pp., illus. w/ 364 color, b&w figures. Size: Folio - over 12" - 15" tall. Book.

Soft cover. Condition: Very Good. Dust Jacket Condition: Good. Norman Saunders;Al Avison (illustrator). FEATURING MARK SAMUELS Between these covers are TASTY TERROR TALES by CLIVE BARKER, ELIZABETH HAND, JOE HILL, GLEN HIRSHBERG, STEPHEN KING, TIM LEBBON, KIM NEWMAN, MARK SAMUELS, LISA TUTTLE and SIMON KURT UNSWORTH.

SOFTCOVER. 1996, First edition. A near fine copy only marked by a gift inscription on the first page.

Paperback, 15.5x23cm, 296pp. Good condition. General wear and creases. Some stick between inside back cover and last page. ISBN: 1875560742.

Wraps. 8vo, wraps, b&w illus, pp viii, 296.

Condition: New.

1st edition stiff wrappers As New octavo viii + 296pp., b/w plates, bibliog., index,

Soft cover. Condition: Near Fine. Clive Barker (illustrator). 1st Edition. Lancaster, PA: Underwood Miller, 1991. Light extremity age, bump to spine tail, otherwise fine in blue paper wraps. Advanced Review Copy. Soft Cover. Near Fine. Illus. by Clive Barker. 8vo - over 7¾" - 9¾" tall.

Hardcover. Condition: New. Dust Jacket Condition: New. Limited Edition. Collectible Limited Edition signed by Richard Chizmar on the special limitation page (limited to 750 copies). A collection of short horror stories by many of the top writers in the field. The book and dust jacket are both in As-New condition. They will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit. Signed by Author(s).

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.