Published by Art & Language Foundation, Inc., New York, 1975
ISBN 13: 2900013693481
Wrappers. Condition: Very Good. 4to. Some bumping and chipping to spine ends, joints, and corners of panels. Slightest dampstaining to spine. Moderate darkening to edges of wrappers and leaves. Considerable starting to hinges. VG in wrappers.
Published by Art and Language, 1972
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound art journal, 34 pages; very good condition; except light wear to covers; and tiny rust stains to pages at gutter staples; no internal marks.
Published by Art and Language, 1970
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound art journal, 88 pages; very good condition: light toning to covers; no internal marks.
Published by Precinct Publications., 1968
Seller: Tim Byers Art Books, Richmond, United Kingdom
Signed
£ 950
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Add to basketpp. (48). Artist book, signed by both artists on the inside front cover. According to both Germano Celant and Moeglin-Delcroix only 50 copies of this book were published. Atkinson considers various permutations of order on the meaning and logic of three concepts - the French army, the collection of men and machines and group of regiments. [Ref. Germano Celant - Book as artwork 1960/1972. p.67; Moeglin-Delcroix - Esthetique du livre d'artiste, p. 158. Printed Matter; Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek. Staatliche Museen zu Berlin, p. 90; Lippard - 6 Years: the dematerialization of the art object, p. 35]. Publisher's glossy white wrappers, stapled and with white sliding plastic spine. Small stain to front cover, otherwise a good copy.
Published by Art-Language Press., 1967
Seller: Tim Byers Art Books, Richmond, United Kingdom
Signed
£ 750
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Add to basketpp. 99. Edition of 200 numbered copies, signed by both artists on the inside front cover. ÒÉ Atkinson and Baldwin produced the book Hot-Warm-Cool-Cold, in which semantic assumptions, classes of reverential categories, syntactical signs, terms, definitions of vocabulary, logic and the refusal of the object are brought together with the art object and the analysis of artÓ. (Germano Celant). [Ref. Germano Celant - Book as artwork 1960/1972. p.32; Moeglin-Delcroix - Esthetique du livre d'artiste, p. 37. Printed Matter; Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek. Staatliche Museen zu Berlin, p. 90]. Publisher's glossy white wrappers, stapled.
Published by New York Cultural Center for Art & Language Press., New York., 1971
Signed
£ 1,500
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Add to basket4to. (28 x 22 cm). Title page. half-title and 71 numbered sheets, printed on rectos only. Publisher's printed white wrappers, stapled. Slight staining to covers, and with discreet ex-library stamp to inner front cover. Artist book, published in an edition of 200 numbered copies, signed by both artists on verso of title page. Ten ethical propositions made by Baldwin and Atkinson are considered in depth. [Germano Celant - Book as artwork 1960/1972. p.84].
£ 3,000
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Add to basket4to. (280 x 223 mm). pp. (44). Loose sheets as issued, bound in plain card wrappers with a sliding plastic spine. 'Olivet Discourse' from Art & Language. From the edition limited to 40 numbered copies, initialled by each of the artists on the title. [Germano Celant - Book as artwork 1960/1972. p.84; Printed Matter; Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek. Staatliche Museen zu Berlin, p. 90].
Published by Art and Language, 1970
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound art journal, 36 pages; very good condition: except 3-inch stain to bottom of cover; no internal marks.
Published by Art and Language, 1971
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound art journal, 70 pages; very good condition; light wear to covers; 3-inch stain to bottom of first and last couple pages; no internal marks.
Published by Art and Language, 1972
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound art journal, 52 pages; very good condition; light wear to covers; no internal marks.