Antoinette Stella (6 results)

Final Draft script for Season 1 Episode 6 of the 2001-2005 television series. The episode originally aired on October 24, 2001, on UPN. The sixth series in the Star Trek franchise, following the adventures of the crew of the titular Enterprise, the first deep space explorers in Starfleet. In this installment, the crew attempts to uncover the mystery behind the deserted planet of Terra Nova, an early colonization attempt by humans. Blue pictorial titled wrappers, noted as FINAL DRAFT on the front wrapper and dated August 6, 2001. Title page present, dated August 6, 2001, noted as FINAL DRAFT, with credits for screenwriter Antoinette Stella and director LeVar Burton. 59 leaves, with last page of text numbered 55. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Condition: Good. Oblong folio. 55 x 25.7cm. Engraved title and 24 plates, numbered 1-25. Light surface soiling to title, some light scattered foxing, patch of staining within image of first 13 plates, later half calf, and marbled boards rubbed. .OCLC Number420623459.? A copy of the 60 metre-long stucco relief by Giulio Romano in the Sala degli stucchi, Palazzo del Tè, Mantua.Series of engravings after drawings of a stucco frieze, depicting the entrance of Emperor Sigismund into Mantua in 1432. The reliefs were created between 1526 and 1532 in the Sala degli Stucchi of the Palazzo del Te, probably by Primaticcio, possibly working with Giulio Romano.

PRINTED FROM THE ORIGINAL PLATES ENGRAVED BY A PRODIGIOUSLY TALENTED FEMALE ENGRAVER. ANTOINETTE [OR ANTONIA] STELLA-BAUZONNET (1641-1676) 'was the youngest daughter of a successful French goldsmith. Despite the restrictions placed on women in art academies at the time, her family's prominent social status allowed her and her sisters, Françoise and Claudine, to receive private training. Her uncle Jaques Stella, a painter and close friend of Nicolas Poussin, assisted his nieces and nephew in their artwork, inviting them to live in his prestigious lodgings at the Louvre. As the youngest of the children, Antoinette was additionally trained by her older siblings. The family frequently collaborated in painting, engraving, and publishing prints. Remembered for her masterfully executed aquatints and engravings, Stella suffered a tragic fall and died in Paris at the age of 35. One of Stella's most notable works, The Entrance of the Emperor Sigismond into Mantua, 1675, consists of 33 relief-style engravings on paper depicting crowds of men, women, children, and horses traveling alongside the emperor' (National Museum of Women in the Arts website).Stella-Bouzonnet's plates were prepared after drawings by her father Antoine Stella at Mantua. They were printed first in 1675 and were later purchased and reprinted by Joubert and Chereau in 1787 (and probably for some time after). In this copy their imprint line giving the date of the reprint has been erased. Each of the plates has been closely cut and mounted in a large album c. 1800. It is of a type (and condition) suggesting use as an artist's model book. Long oblong folio (202 × 438 mm), 24 engraved plates (c. 160 × 400 mm, including title). All mounted on thick carta rustica leaves. Original imprint line erased. Lightly browned, the paper leaves quite thumbed. Early green half vellum with green paper cover boards, remnants of original ties. Rubbed, corners worn, spine largely absent, but the volume secure. A good copy. [Both the 1675 and 1787 editions are rare.].

Oblong folio (9 4/8 x 18 inches). Engraved allegorical title-page (trimmed and laid down), and 24 numbered engraved plates (some browning and spotting). 19th-century calf backed marbled paper boards (extremities a bit worn). Provenance: from the library of H.R.H. The Prince Henry, Duke of Gloucester KG, KT, KP, his sale Christie's, London 27th January 2006; from the Collection of Prince and Princess Henry De la Tour d'Auvergne Lauraguais, their sale Sotheby's London, 3rd May, 2012, lot 322 This suite of magnificent plates reproduce one of the outstanding works of Giulio Romano, a favourite pupil of Raphael, his stylistic deviations from high Renaissance classicism helped to define the 16th-century Mannerist style. Contemporary engravings of Giulio's drawings were a significant contribution to the spread of 16th-century Italian style throughout Europe. Guilio's fresco of the entrée of Emperor Sigismund into Mantua in 1432 can still be seen as a stucco frieze that wraps around the Sala degli Stucchi (Room of the Stuccos) in the famous Palazzo del Te, Giulio's acknowledged masterwork, constructed between 1524-1534 for Federico II Gonzaga, Marquess of Mantua. The frieze, and Stella's engravings narrate a crucial event in Mantua's history: in 1433, Holy Roman Emperor Sigismond visited the city and bestowed the title of marquis on Gianfrancesco I Gonzaga. The frieze aggrandizes Sigismond's visit by portraying him at the center of a Roman adventus, or triumphal entrance into a city. Sigismond, dressed in the armor of Rome, enters Mantua flanked by soldiers, musicians, river gods, sacrificial animals, slaves, and spoils of war. The celebrated write Vasari in his "Le Vite de' più eccellenti pittori, scultori, e architettori da Cimabue insino a' tempi nostril" writes of his meeting with Guilio "On meeting, they recognised each other as though they had met a thousand times before. Giulio was so delighted that he spent four days in showing Vasari all his works, especially the plans of ancient buildings at Rome, Naples, Pozzuolo, Campagna, and all the other principal antiquities designed partly by him and partly by others. Then, opening a great cupboard, he showed him plans of all the buildings erected from his designs in Mantua, Rome and all Lombardy, so beautiful that I do not believe that more original, fanciful or convenient buildings exist". Antoinette Bauzonnet, called Stella after her more famous uncle Jacques Stella, was one of a number of artistically gifted siblings based in Lyon, in the second half of the 17th century. Berlin 4074; Lipperheide 2735.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1675. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 62, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 62 62.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1675. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 62, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 62 62.