Antin Eleanor (125 results)

Condition: very_good. Eleanor Antin (illustrator). Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

paperback. Condition: Very Good. Eleanor Antin (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Paperback. Condition: Near Fine. 1st. 259 pages, illustrations (some colour); 25 cm. Catalogue of an exhibition held at the Los Angeles County Museum of Art, May 23 to August 23, 1999. Near fine. Tight, clean copy. Light edgewear to wraps. Another copy available. *** "For more than three decades Southern California artist Eleanor Antin has been an acclaimed figure on the American art scene. During that time she has created a body of work that is remarkable for its inventiveness, its wit, and its poignancy. This is the first comprehensive survey of this pioneer in the development of video, performance, conceptual and installation art." - Publisher. *** CONTENTS: Waiting in the wings: desire and destiny in the art of Eleanor Antin, by Howard N. Fox; Rewriting the script: Eleanor Antin's feminist art, by Lisa E. Bloom; A dialogue with Eleanor Antin, by Howard N. Fox; Checklist of the exhibition; Exhibition history; Performance history; Film and video history. Size: 8vo.

Trade Paperback. Condition: Near Fine. Illustrated in Color & B&W Photographs (illustrator). Pages are clean, tight and bright.

Softcover staple-bound, 48 pages; good condition; all pages creased / crumpled at upper right corner; no internal marks.

Paperback. Condition: Fine. 1st. 259 pages, illustrations (some colour); 25 cm. Catalogue of an exhibition held at the Los Angeles County Museum of Art, May 23 to August 23, 1999. Tight, clean copy. *** "For more than three decades Southern California artist Eleanor Antin has been an acclaimed figure on the American art scene. During that time she has created a body of work that is remarkable for its inventiveness, its wit, and its poignancy. This is the first comprehensive survey of this pioneer in the development of video, performance, conceptual and installation art." - Publisher. *** CONTENTS: Waiting in the wings: desire and destiny in the art of Eleanor Antin, by Howard N. Fox; Rewriting the script: Eleanor Antin's feminist art, by Lisa E. Bloom; A dialogue with Eleanor Antin, by Howard N. Fox; Checklist of the exhibition; Exhibition history; Performance history; Film and video history. Size: 8vo.

259 pages, Illustrated. fine in decorative wrappers (soft cover).

Softcover, 260 pages; as new condition; clean and crisp, no internal marks. Foreign shipping may be extra.

Trade Paperback. Condition: Used - Very Good. As critics begin to assess the accomplishments of the postmodern era, the work of Eleanor Antin, one of the period's early innovators and veteran practitioners, has proved seminal. Over the past 30 years, Antin has produced conceptual artworks, mail art, photographic narratives, performances, videotapes, short and feature-length movies, and what she calls 'filmic installations' -- theatrical environments that can be entered and include rear-screen projections through which stories unfold. Her work from the late 1970s centers on the lives of three invented personae, or what Antin calls her 'other selves' the King, the Ballerina, and the Nurse. As a first generation feminist artist, Antin explored the lives of these fictional characters, whose made-up histories reflect her notions of self as well as her vision of the dreams and desires of American culture. This exhibition catalogue, presented by the Los Angeles County Museum of Art, is the first comprehensive survey of Antin's art in all its inventive forms. Very nice clean, tight copy free of any marks.

paperback. Condition: Used-Very Good. First Edition. Pap. Slight shelf-wear.

Hardcover. Condition: Good.

Softcover staple-bound exhibition catalog, 48 pages; very good condition; clean and crisp; no internal marks.

56 pp.; 25.8 x 18.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Portland Institute for Contemporary Art, OR, September 4 - November 2, 2002. Traveled to Western Gallery, Western Washington University, Bellingham, Washington, January 6 - March 1, 2003; Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia, March 20 - May 11, 2003; Oakville Galleries, Ontario, Canada, June 14 - August 17, 2003 and Oakville Galleries at Centennial Square, June 21 - August 17, 2023 and Freedman Gallery, Albright College Center for the Arts, Reading, PA, February 6 - March 28, 2004. Curated and with an essay by Stuart Horodner. Artists include Francis Al˙s, Eleanor Antin, Janine Antoni, Paul Ramírez Jones, Mawry Baden, Jim Campbell, Janet Cardiff, George Bures Miller, Hamish Fulton, Sharon Harper, Martin Kersels, Toni Marioni, Matthew McCaslin, François Morelli, Douglas Ross, Nancy Spero, Rudolf Stingel, and Richard Wentworth. Includes artist biographies and exhibition checklist. Good / Very Good. Light wear of covers including light bumping of corners at spine, bowing of covers, yellowing, and light rubbing. 1 cm. of surface bubbling to verso. Inscribed by previous owners on end papers in black ink. Light yellowing of page edges. Contents otherwise clean and unmarked.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Condition: Like New. Eleanor Antin (illustrator). Autographed and warmly inscribed. Stated first edition with full number line. A folded (dog-eared) page corner. Like new, excellent condition. Book is flat, tight and clean.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. An Artistâs Life: By Eleanora Antinova This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Antin, Eleanor (illustrator). 1st Edition. 100 BOOTS, Eleanor Antin, introduction by Henry Sayre, hardcover with unclipped dust jacket, stated 1st printing, illustrated, 1999. ITEM CONDITION: near fine. The text block and illustrations are in fine condition, with no tears, dog ears, or marks. No bookplate or signature of a prior owner. The black cloth boards are in near fine condition. The dust jacket is in very good condition (some residue of bookstore price tag affixed to front cover). 6 ĵ x 9 ĵ, unpaginated, 17 ounces XX 100 Boots, triumphant, marched into New York's Museum of Modern Art in May 1973, the culmination of a remarkable work that embodied the spirit of a generation and changed the meaning of art. Celebrating this extraordinary and innovative postcard series, here is a collection of all 51 installments of artist Eleanor Antin's epic visual narrative. Full of discerning social commentary, 100 Boots powerfully evokes the America of the Vietnam era. The boots begin innocently enough, engaging in everyday suburban Activities - going to the market, church, and drive-in movies. Later, disillusioned, they trespass on private property, symbolically announcing their solidarity with the thousands of Americans participating in the antiwar movement. Unable to avoid the draft, 100 Boots too go to war. By the time these legendary heroes arrive in New York, they have become cultural icons, representatives of the new American experience. Like all good art, Antin's ongoing letter to America whether spilling out of mailboxes or collected in book form, continues to provoke a response. Eleanor Antin is an internationally known artist working in a wide variety of media including painting, drawing, video, photography, writing, and performance. The recipient of a Guggenheim Fellowship, she has performed and exhibited in major museums and galleries across the United States and Europe. She is Professor of Visual Arts at the University of California, San Diego.

Trade Paperback. Condition: Used - Very Good. As critics begin to assess the accomplishments of the postmodern era, the work of Eleanor Antin, one of the period's early innovators and veteran practitioners, has proved seminal. Over the past 30 years, Antin has produced conceptual artworks, mail art, photographic narratives, performances, videotapes, short and feature-length movies, and what she calls 'filmic installations' -- theatrical environments that can be entered and include rear-screen projections through which stories unfold. Her work from the late 1970s centers on the lives of three invented personae, or what Antin calls her 'other selves' the King, the Ballerina, and the Nurse. As a first generation feminist artist, Antin explored the lives of these fictional characters, whose made-up histories reflect her notions of self as well as her vision of the dreams and desires of American culture. This exhibition catalogue, presented by the Los Angeles County Museum of Art, is the first comprehensive survey of Antin's art in all its inventive forms. BEAUTIFUL COPY!!!

Trade Paperback. Condition: Used - Very Good. As critics begin to assess the accomplishments of the postmodern era, the work of Eleanor Antin, one of the period's early innovators and veteran practitioners, has proved seminal. Over the past 30 years, Antin has produced conceptual artworks, mail art, photographic narratives, performances, videotapes, short and feature-length movies, and what she calls 'filmic installations' -- theatrical environments that can be entered and include rear-screen projections through which stories unfold. Her work from the late 1970s centers on the lives of three invented personae, or what Antin calls her 'other selves' the King, the Ballerina, and the Nurse. As a first generation feminist artist, Antin explored the lives of these fictional characters, whose made-up histories reflect her notions of self as well as her vision of the dreams and desires of American culture. This exhibition catalogue, presented by the Los Angeles County Museum of Art, is the first comprehensive survey of Antin's art in all its inventive forms. Very nice clean, tight copy free of any marks. BEAUTIFUL COPY!!!

Hardback. Condition: New. History is fiction and personal identity nothing more than historical illusion: Eleanora Antinova is the renowned US contemporary artist Eleanor Antin - Eleanor Antin is Eleanora Antinova, a black American ballerina. Shifting the boundaries between art and life this book publishes the exciting memoirs of Antinova found by Eleanor Antin. The ballerina Eleanora Antinova could be called an artist of oblivion. Years ago, the contemporary artist and femininist Eleanor Antin, found an unpublished manuscript of the ballerina's memoirs: the stories of her early modernist forgotten ballets, her romantic entanglements and her friends at the glamorous Ballet Russe with its great maestro, Serge Diaghilev. Generations later Eleanor Antin lived for three weeks in New York as Antinova. Her journal of that time brings back the now forgotten ballerina. For the first time this publication brings together the journal and the memoirs of Antin and Antinova accompanied by a selection of photographs from the performances of the artists.

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: new.

Staplebound. [28]p., illustrations, wraps. Inscription on title page. Some foxing on last three pages. Exhibition catalog of a show where Antin performs as a 19th century, Clara Barton-esque nurse. Includes photographs staged in a British Victorian style which seem to depict/imagine life in an army camp during the Crimean War. Scenes include a piano performance, surgery in a field hospital, chess, and a deserter?s execution. With essays by the critic Jonathan Crary and Kim Levin.

Ephemera. This is not a book. The original gallery press release for an exhibition of work by Eleanor Antin titled "Helen's Odyssey" and held at Ronald Feldman Fine Arts, NYC, February 15 - March 29, 2008. Single sheet, printed one side; 8.5 x 11 inches. Condition: Folded across the middle, otherwise Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Soft cover. Condition: Near Fine. September 10-October 23, 1977. Flat with a solid intact stapled binding. 2 small spots on front cover, no other blemishes.

Wraps. Condition: Good. Large 8vo, 120 pp., illus. Lovelace on Orlan, a chamber play by Ryum, etc. Wrappers handled and edgeworn, corners bumped.

Hardcover. Condition: new. Hardcover. History is fiction and personal identity nothing more than historical illusion: Eleanora Antinova is the renowned US contemporary artist Eleanor Antin - Eleanor Antin is Eleanora Antinova, a black American ballerina. Shifting the boundaries between art and life this book publishes the exciting memoirs of Antinova found by Eleanor Antin. The ballerina Eleanora Antinova could be called an artist of oblivion. Years ago, the contemporary artist and femininist Eleanor Antin, found an unpublished manuscript of the ballerina's memoirs: the stories of her early modernist forgotten ballets, her romantic entanglements and her friends at the glamorous Ballet Russe with its great maestro, Serge Diaghilev. Generations later Eleanor Antin lived for three weeks in New York as Antinova. Her journal of that time brings back the now forgotten ballerina. For the first time this publication brings together the journal and the memoirs of Antin and Antinova accompanied by a selection of photographs from the performances of the artists. History is fiction and personal identity nothing more than historical illusion: Eleanora Antinova is the renowned US contemporary artist Eleanor Antin Eleanor Antin is Eleanora Antinova, a black American ballerina. Shifting the boundaries between art and life this book publishes the exciting memoirs of Antinova found by Eleanor Antin. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condition: Near Fine. La Jolla Museum of Contemporary Art, La Jolla, CA, 1977. Softcover, unpaginated (approx 28 pp). Exhibition catalog. Illustrated in black & white. Near fine with a water spot on front wrap and some pencil notes on a later text page.