Anthonie Waterloo (60 results)

230 S. Durchgehend reich und farbig bebildert. SU und Kopfschnitt nur leicht angestaubt. BÜ Sprache: Deutsch Gewicht in Gramm: 1100 4°, Original-Leinen mit Original-SU.

Leinen, gebundene Ausgabe, SU. Condition: Gut. 230 S., Ill. SU. etwas berieben/angeschmutzt und mit Randläsuren, ansonsten gut erh. ISBN: 3767207613 Sprache: Deutsch Gewicht in Gramm: 1370.

4°, gebunden mit Umschlag-O. Condition: Gut. 230 S., Mit zahlreichen Abbildungen, Umschlag mit kl. Randläsuren, sonst gut. A42991g Sprache: Deutsch.

230 S. überwiegend Ill. Einband berieben, bestoßen und angeschmutzt. Innen sauber und gut. Sprache: Deutsch Gewicht in Gramm: 1100 30 x 24 cm, Leinen mit Schutzumschlag.

Anthonie Waterloo (illustrator). '11 (UPPER LEFT CORNER)'A rustic inn with a thatched roof, travelers arriving in a horse-drawn cart, villagers gathered outside, and a wooded path to the right.Made by Anthonie Waterloo after own design.Medium: Etching on hand-laid (verge) paper. Watermark: Lettering IW.Sheet size: 13.7 x 8.8 cm (5.39 x 3.46 inch). Image size: 13.7 x 8.8 cm. (5.39 x 3.46 inch).ANTHONIE WATERLOO, DUTCH GOLDEN AGE, ETCHING, RURAL SCENE, COUNTRYSIDE, TRAVELERS, INN, 17TH-CENTURY LANDSCAPES, HOLLSTEIN CATALOG, PETIT PALAIS COLLECTION | PCO-EXPO-11BACKGROUND INFORMATIONPart of a suite of twelve etchings depicting rural landscapes and travel scenes. This print, numbered "11" in the series, portrays travelers arriving at an inn in the countryside. Another copy featured in the Dutuit collection, now in the Petit Palais, Paris.State: Ealy impression.Reference: Hollstein 8, Petit Palais Inv. No. GDUT9359.Biography engraver: Anthonie Waterloo (1609/1610-1690) was a Dutch Golden Age painter and etcher, known for his atmospheric landscapes. Originally from Lille, he worked in Utrecht and Amsterdam, producing numerous etchings of wooded and rural scenes. Condition: good, given age. A few thin paper spots. Tear, backed by oriental paper. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Kolorierte Radierung, 29 x 24 cm Eine berühmte Szene aus Ovids Metamorphosen (I, 452-567). - Kleinere Randausrisse, am rechten Rand ein Knickfalte.

Anthonie Waterloo (illustrator). 'SIGNED UPPER LEFT: "A.W. F."; PLATE NUMBER "3" TOP RIGHT'A dense forest landscape with central boulders, trees, and a cascading stream into a quiet pond.Made by Anthonie Waterloo after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 11.9 x 10.1 cm (4.69 x 3.98 inch). Image size: 11.9 x 10.1 cm. (4.69 x 3.98 inch).ANTHONIE WATERLOO, WATERFALL, ETCHING, 17TH-CENTURY DUTCH ART, GOLDEN AGE, FOREST SCENE, LANDSCAPE PRINT, KKSGB18429BACKGROUND INFORMATIONFrom the sries of rocky landscapes. Published by Josua and Reinier Ottens in 1720. First published 1630-1663.Reference: HD 5.Biography engraver: Anthonie Waterloo (16091690), Dutch etcher and painter. Renowned for poetic landscapes. Influenced by van Ruisdael and Simon de Vlieger. Condition: very good, given age. Clean impression, light toning. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Anthonie Waterloo (illustrator). 'PLATE NUMBER "3" ENGRAVED TOP RIGHT; NO OTHER VISIBLE INSCRIPTION.'A rural walled structure with attached barns set into a rocky hillside; man walking dog at left; towers in distance. Lush trees fill the upper half of the image.Made by Anthonie Waterloo after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 17.7 x 13 cm (6.97 x 5.12 inch). Image size: 17.7 x 13 cm. (6.97 x 5.12 inch).ANTHONIE WATERLOO, DUTCH ETCHING, 17TH CENTURY, GOLDEN AGE PRINT, LANDSCAPE, MAN AND DOG, FARM BUILDINGS, RUSTIC NETHERLANDS, ETCHED LANDSCAPE | PCO-EXPO-78BACKGROUND INFORMATIONLater ed.Reference: HD 43.Biography engraver: Anthonie Waterloo (1609-1690), Dutch landscape etcher and draftsman. Known for poetic depictions of rural settings, influenced by van Ruisdael and de Vlieger. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Anthonie Waterloo (illustrator). 'SIGNED AT UPPER LEFT: "A.W. F"; PLATE NUMBER "1" TOP RIGHT.'A mountainous or rocky landscape with a path passing through a natural arch. Dense vegetation covers the rock. A small figure with a bundle walks through the arch.Made by Anthonie Waterloo after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 12 x 10.5 cm (4.72 x 4.13 inch). Image size: 12 x 10.5 cm. (4.72 x 4.13 inch).ANTHONIE WATERLOO, ROCHER PERCÉ, ARCH ROCK, 17TH CENTURY ETCHING, ROCKY LANDSCAPE, GOLDEN AGE, DUTCH MASTER PRINT, PETIT PALAIS, HOLLSTEIN 3 | PCO-EXPO-78BACKGROUND INFORMATIONFrom the sries of rocky landscapes. Published by Josua and Reinier Ottens in 1720. First published 1630-1663.Reference: HD 3.Biography engraver: Anthonie Waterloo (c.1609-1690), Dutch Golden Age etcher and draftsman, known for atmospheric landscapes with little human presence. Condition: very good, given age. Light age toning, very fine impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condition: Good. Anthonie Waterloo (illustrator). etching on hand laid (vergé) paper. Watermark: P TO. (lettering). Sheet size: 24,8 x 31 cm. (9,8 x 12,2 inch). Image size: 23,9 x 28,7 cm. (9,4 x 11,3 inch).From the series of large standing Landscapes. Probaly Ottens ed. c. 1720. Originally published c.1650. Ref: H.129Made by 'Anthonie Waterloo' after own design. Anthonie Waterloo (1610-1690) had a long life, in which he was active not only as an artist, but also as a diplomat. He specialized in landscape art and produced 138 etchings. Condition: Good, given age. Light soiling. Small hole at bottom left, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LANDSCAPE-VENUS AND ADONISPCO-A2-23.

Anthonie Waterloo (illustrator). 'SIGNED UPPER LEFT: "A W F"; NUMBERED UPPER RIGHT: "5"'A country path curving through a hilly, wooded landscape with trees and shrubs. A large tree is prominently placed in the center foreground.Made by Anthonie Waterloo after own design.Medium: Etching on hand laid (verge) paper. Watermark: Foolscap.Sheet size: 14.1 x 11.8 cm (5.55 x 4.65 inch). Image size: 14.1 x 11.8 cm. (5.55 x 4.65 inch).ANTHONIE WATERLOO, 17TH-CENTURY DUTCH ETCHING, LANDSCAPE, TREE, FOREST, HOLLSTEIN 38, PETIT PALAIS, GDUT9389 | PCO-EXPO-78BACKGROUND INFORMATIONNo. 5 from the series forest views, series B.State: Lifetime impression.Reference: HD 69-2(3).Biography engraver: Anthonie Waterloo (16091690), Dutch etcher and painter. Renowned for poetic landscapes. Influenced by van Ruisdael and Simon de Vlieger. Condition: very good, given age. Crisp impression on large sheet. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Anthonie Waterloo (illustrator). 'ANTONI WATERLO . F.'Etched landscape with winding paths, a rocky ledge, stream in the foreground, and sparse figures including a man and dog. First plate from the series 'Six Landscapes'.Made by Anthonie Waterloo after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 20.4 x 12.2 cm (8.03 x 4.8 inch). Image size: 20.4 x 12.2 cm. (8.03 x 4.8 inch).DUTCH LANDSCAPE ETCHING, 17TH CENTURY ETCHING, ANTHONIE WATERLOO PRINT, ANTIQUE LANDSCAPE, SIX LANDSCAPES SERIES | PCO-EXPO-DUTCHBACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Bartsch 89; Hollstein 89.Biography engraver: Anthonie Waterloo (1609-1690) was a Dutch Golden Age landscape etcher and painter. Born in Lille, he likely trained himself. Waterloo supported himself as an art dealer and through sales of his prints and drawings. He lived and worked in Amsterdam, Leeuwarden, Maarssen, and Utrecht. His work was influenced by prominent Dutch landscape artists, and he became well known primarily for his drawings and etchings. Condition: very good, given age. Remains of paper on rear from attachment. Top left corner paper a bit thin, not effecting the front. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jacob Esselens (illustrator). '"A.W. EX." AND "I.E. FE." INSCRIBED AT TOP; NUMBERED "3" TOP RIGHT.'Group of trees on small elevation near a lake or river, with cattle watering in background; a gentle wooded landscape in fine etched lines.Made by Anthonie Waterloo after Jacob Esselens.Medium: Etching on hand laid (verge) paper. Watermark: Lettering V fragment.Sheet size: 14 x 11.5 cm (5.51 x 4.53 inch). Image size: 14 x 11.5 cm. (5.51 x 4.53 inch).ANTHONIE WATERLOO, JACOB ESSELENS, LANDSCAPE ETCHING, GOLDEN AGE, DUTCH MASTER PRINT, 17TH CENTURY, TREES, LAKE, CATTLE, ARTIST COLLABORATION | PCO-EXPO-78BACKGROUND INFORMATIONNo. 3 from a series landscapes with groups of trees.Reference: Hollstein Dutch 35.Biography engraver: Anthonie Waterloo (16091690), Dutch etcher and painter. Renowned for poetic landscapes. Influenced by van Ruisdael and Simon de Vlieger.Biography artist: Jacob Esselens (16261687), Dutch painter, said to have been a pupil of Rembrandt. Known for Italianate and coastal landscapes. Condition: good, given age. Light creasing. Rear: remains of of from attachment at top right. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 mm), trimmed at the platemark, thread margins. Adhered at the left top and bottom corners to a laid paper matrix. A 1/4-inch vertical edge tear at the lower-center sheet, unobtrusive. Printed 17th century. [Bartsch 19]. Early states of this plate were drafted by Jan Ruijscher (a pupil of Rembrandt). Waterloo later acquired the plate, heavily reworked it with his characteristic dense foliage and darker shadows, and published it as his own.

Condition: Good. Portfolio of matted original etchings in various sizes. Mats are 14 x 20 inches. No table of contents or title page. 11 of 12 etchings. Original fabric portfolio. Includes the etching by Meryon: "Bain-Froid Chevrier." Delteil-Wright, 44; Schneiderman, 93V. Minor foxing in the image and more specks in the margins. May not be OCLC Number: 145382593 which is American prints whereas this one contains European artists.

Mit der Nr. 5. Ausgezeichneter, malerischer Druck auf festem Bütten. Mit gleichmäßigem Rändchen um die volle Plattenkante. Bartsch 11. Blatt 5 aus einer Folge mit Landschaften. - Insgesamt nicht störend gebräunt bzw. braunfleckig. Ausgeschiedene Doublette der Kunsthalle zu Hamburg, verso mit Stempel (nicht bei Lugt) und handschriftlicher Vermerk "Dubl. 368 K. / ausgeschieden aus der Kunsthalle 1963". Sprache: Deutsch Gewicht in Gramm: 0 9 x 14 cm (Einfassungslinie). Papier: 9,8 x 14,6 cm.

Condition: Fair. Etching on hand laid (verge) paper. Watermark: fragment lettering 'A L'. Sheet size: 21,5 x 27,5 cm. (8,5 x 10,8 inch). Image size: 21,5 x 27,5 cm. (8,5 x 10,8 inch).No.3 (6) from a series with scenes from Ovid to be dated 1630-1663. Probably from an Ottens ed. c. 1720. Ref: Hollstein Dutch 127-2(2).Made by 'Anthonie Waterloo' after an anonymous artist. Anthonie Waterloo (1609-1690) is born in Lille, but his family moved to Amsterdam probably to escape religious persecution. He was a painter, etcher and diplomat and famous for his landscapes (138 items). He developed his own style, probably as an auto-didact. Although Waterloo traveled widely, many of his landscapes were probably imagined in the workshop.Condition: Fair, given age. Trimmed to or slightly into image. Small tear in bottom been restored. In upper left margin and corner thin paper and small hole been restored. In upper margin tape on rear with covering paper. Sold waf. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MYTHOLOGY-MERCURY-ARGUS-LANDSCAPE-BULL-FLUTERBOS-A6-32.

Pas de couverture. Condition: Bon. Pas de jaquette. Anthonie Waterloo 1618-1690 la paysanne et la fille sur le petit pont de bois;eau forte sur vergé assez épais.293mm par 233mm. signée en pied. Petit trou( lié à une anomalie du papier entre les arbres et le ciel ( à g)Bonnes marges en pied et sur les cotés.Tirage Basan. ref:Hollstein dutch 114.

Pas de couverture. Condition: Bon. Pas de jaquette. Anthonie Waterloo 1618-1690: les deux hommes dans le creux: eau forte sur papier vergé assez épais.227mm par 292mm.signée en pied, annotée 6 en pied à g.Bonnes marges. un petit trou(1mm) du à un défaut du papier . Tirage Basan. Ref: Bartsch tome 2, 112.

View on a wood landscape with a stream in the foreground. On the left a large stump and towards the right other trees and bushes. Signed on the bottom right: AW F, where AW are monogrammed. l Etching on laid paper, trimmed to plate; total: 129 x 141 mm; state III/3; mounted on large passepartout. In outstanding condition; Hollstein 58; Bartsch 58, Dutuit 58, Wess. 58.

View on a landscape with a church beside a river. Numbered on top left: '5'.[NL] Aan het water ligt een kerk, die door kleinere bijgebouwen wordt omgeven. In het water ligt een roeiboot met twee figuren. Recht zit een vrouw. Etching on laid paper, trimmed within plate; total: 92 x 137 mm; state V/5; bottom left corner restored; Hollstein 11.

Three boys and their dogs on bottom right. A path in the woods on the left.Signed on bottom right: 'AW.' Lettered above on the right: 'c'.[set: six lettered landscapes].[NL] Drie jongens met hun honden. Etching on laid paper, with some margins; total: 131 x 144 mm; state II/2; some dirt on left and top margins; traces of previous mounting on verso; Hollstein 61.

Two boys and their dog at the waterside. Figures on the left, whereas on the right is a wooded landscape with a path.Signed and numbered on top left: 'AWf. 4'[set: six numbered landscapes].[NL] Twee jongens en een hond aan de waterkant. Etching on laid paper, with some margins; total: 127 x 151 mm; state II/2; rather cooked paper, especially among the margins; Hollstein 36.

River landscape with high rocks on the right, a tree on the left.Signed on top right: 'Antoni Waterlo in. et ex.'.[set: six numbered landscapes].[NL] Rivier met rotsige kant. Etching on laid paper; total: 128 x 146 mm; state IV/4; re-margined on the left; top right corner rather thin, possibly restored; slightly cooked paper; Hollstein 50.

Radierung. Ca. 150 x 203 mm (Darstellung), ca. 155 x 210 mm (Blattformat). Oben links "Antoni Waterlo in et fe." Aus: Zwölf Landschaften. Mit Rändchen um die Plattenränder. Rückseitig am linken Rand alte Montagespuren.

A ruined structure, partly overgrown with shrubs. Etching on hand laid paper, made by Johannes Ruischer and finished by Anthonie Waterloo, after the design of Ruischer. Published by Anthonie Waterloo, c. 1670. Sheet size 104 x 89 mm. Johannes (or Jan) Ruischer (with numerous spelling variants) (Franeker 1625 - 1675 Dresden) was a Dutch painter, draughtsperson and printmaker, of mainly landscapes, architecture and genre scenes. He was possibly son of the painter Johann (Hans) Rauscher II, who died in 1632 and grandson of Johann (Hans) Rauscher I, who settled in Leipzig in 1589. He was a follower of Hercules Seghers, In very good condition. Cropped to or almost to the platemark. References: Trautscholdt 4 iii/3.

Anthonie Waterloo (illustrator). This print shows a view on a landscape with houses, trees, a ruin, a church and windmill in the background.Made by Anthonie Waterloo after own design.Medium: Engraving / etching on handlaid (verge) paper.Sheet size: 15.1 x 10.5 cm (5.94 x 4.13 inch). Image size: 14 x 9 cm. (5.51 x 3.54 inch).LANDSCAPE-HOUSES-RUIN-TREES-CHURCH-WINDMILL | RBOS-A10-09BACKGROUND INFORMATIONThis print was originally published ca. 1650. This is a later ed.Biography engraver: Anthonie Waterloo (1610-1690) was a Dutch draughtsman, etcher and painter who made particularly landscapes. Condition: good, given age. Small margin. Brownish paper. Remains of paper tape on reverse. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Large tree in the middle, with a milkmaid walking down the path towards the foreground.Numbered on top right corner: '6'.[set: Six Landscapes].[NL] Het melkmeisje. Etching on laid paper, with some margins; plate mark: 131 x 145 mm, total: 144 x 157 mm; state III/3; in outstanding condition, despite a small stain on top margin; top margin reinforced on the back; Hollstein 70.

The wooded island; at left; in right foreground a dead tree; a church in right background; from a series of six landscapes.Signed at bottom left: Antoni Waterlo in. et fe.[NL] Bebost eiland. Links is een bebost eiland te zien en rechts in de verte is een kerk weergegeven. Antieke prent gemaakt door Anthonie Waterloo. Etching on paper, trimmed within plate mark; total: 128 x 138 mm, state IV/4; very thin paper, but in great condition; mounted on fine cardboard passepartout. Hollstein 57.

No binding. Condition: Very Good. View of Rhenen on the Rhine, with neat fields receding to the horizon, the Cunera Tower in left background; from a series of six landscapes; eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching on the bank at lower left; in the foreground between the roads; and in front of the fence at the right. Furthermore, most of the rust spots and some of the shading in the sky are burnished out.[NL] Links ligt Rhenen met twee molens en een kerktoren in een vlak landschap. Rechts ligt een zeilschip in het water. Vooraan loopt een figuur met goederen in zijn hand en op zijn hoofd. Waterloo heeft deze staat niet uitgegeven. Antieke tekening door Jan Ruijscher (ca. 1625-ca. 1675) en Anthonie Waterloo (1609-1690). Etching on hand laid paper with wide margins; total: 194 x 280 mm; state III/3; some staining on the margins, otherwise in very good condition; nicely preserved paper. Hollstein 90.