Andrew Cutts (71 results)

Soft cover. Condition: Good. Paperback booklet in good+ condition. Minor general wear to covers. Sticker to rear cover. 8vo. c15pp.

Hardcover. Condition: Good. No Jacket. Katherine Roy (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.

paperback. Condition: Very Good. All orders are dispatched within one working day from our UK warehouse. We've been selling books online since 2004! We have over 750,000 books in stock. No quibble refund if not completely satisfied.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Condition: Fine. No Jacket. Laurie Clark; John Blakemore; John A. Davies (illustrator). 1st Edition. Unpaginated 24pp staple bound booklet plus 4pp white card covers. Thirteen poems by seven different contributors plus the Editor. This copy does NOT contain any colour illustrations. However, there are two b/w woodland photographs by John Blakemore and two landscape photographs by John A. Davies printed within the publication. Front cover drawing is by Laurie Clark. Green lettering on face. No.17 in Aggie Weston's series. No inscriptions. Appears unread. In fine condition.

Condition: Very good. Artist's multiple. Green visor (166 x 61mm) with black string fastening. Coracle Press insignia (of a coracle with paddle) printed in black centre top of visor. Inspired by John Bevis' Thinking Cap (1982), in turn inspired by Andrew Marvell's poem The Garden: "Annihilating all that's made / To a green thought in a green shade." Condition: light wear. Overall: Very good.

Condition: Very Good. Aggie Weston's, No. 17 Summer 1981, Coracle Press, London. 253 x 190mm stapled. Book. Edited by Stuart Mills. "The name of the magazine comes indirectly from a work by Kurt Schwitters; 'A Small Home for Seamen' I have been told that it was one Agnes Weston who founded the seamen's homes in this country and I hope that this magazine will likewise provide some sort of refuge." The editor Stuart Mills statement/ introduction printed on inside cover of each issue. Includes tipped-in colour images. Cover drawing by Laurie Clark. Contents include poetry and artworks by Laurie Clark, Simon Cutts, Roy Fisher, Gael Turnbull, Stuart Mills, John Blakemore, Andrew Crozier, Leonard McComb, Thomas Meyer and more. Condition: minor toning to cover, small knock to bottom right corner, minor rust to staples. Overall VG.

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 512 pages : color illustrations ; 28 cm ; ISBN: 9780752587752, 9780752587745, 9780752557199, 9780752595924, 0752587757, 0752587749, 075255719X, 075259592X ; OCLC 51451443 ; color photographic boards in similar color photographic dustjacket ; Contents: Garden planning - Before you begin -- Getting started -- Getting to work -- Garden style -- Choosing your plants -- Planting your garden ; Deena Beverley contributes regularly to general interest and specialist magazines, such as Stitch and Embroidery. She has also written many books on crafts, interiors, and lifestyle topics ; Barty Philips was the home correspondent of The Observer for sixteen years and has written on design and the home for numerous other national publications. She lives in the UK.; Andrew Newton-Cox is a photographer specialising in capturing difficult to photograph fine art transparent and translucent 3D works ; photos feature the gardens of Anne Bimhack, Ken Baker, Michael Clark, Derek Guy, Graham Hopewell, John and Dorothy Knight, Gae Oaten ; slight wear to dustjacket, else FINE/FINE. Book.

Paperback. Condition: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.

Condition: Fine. (ed.) Stuart Mills, Poet's Poems, Aggie Weston's Editions, Belper, Derbyshire, 2000-2005. 20 booklets (no number 13 was issued), each 200 x 140mm, printed black and white on cream stock in stapled colour wraps. Co-ordinated by Stuart Mills, designed by Colin Sackett. Each issue featuring poems chosen by: 1. Thomas A Clark; 2. Gael Turnbull; 3. Simon Cutts; 4. Alan Halsey; 5. Edwin Morgan; 6. Roy Fisher; 7. Geraldine Monk; 8. Robert Creeley; 9. Iain Sinclair; 10. Stuart Mills; 11. Peter Riley; 12. Jonathan Williams; 13. (not published); 14. Karen Mac Cormack; 15. Andrew Crozier; 16. Adrian Mitchell; 17. Richard Caddel; 18. Marjorie Welish; 19. Peter Larkin; 20. Charles Tomlinson; 21. Michael Heller. For this series of poetry chapbooks published by Aggie Weston's Editions called Poet's Poems, Mills adapted the concept of Desert Island Discs by inviting renowned poets to contribute 8 poems that would "bring respite" to imagined periods of "solitary confinement". It was, as Mills writes, a "borrowed idea" and "the outcome of a plot germinated during a patch of insomnia". Each issue was given over to a poet, resulting in "An Accumulating Anthology" of uniform stapled booklets with a recognisable colour used for the cover of each issue. Each issue includes a statement from the guest editor on the final page(s), reflecting on the process of selecting the poems. Designed by the innovative artist book designer, Colin Sackett, the series featured a clean modernist aesthetic with flawless typesetting and layout. The poet Stuart Mills was founder of Tarasque Press in the 1960s, and later Aggie Weston's. His close relationships with poets such as Thomas A Clark, Gael Turnbull, Simon Cutts, Ian Hamilton Finlay, Andrew Crozier and Jonathan Williams enabled him to realise this project. Condition: Fine. Extra postage required.

Condition: Very good +. 20 volumes of the poetry magazine Aggie Weston's published by poet Stuart Mills. A full run excluding issue 13. Issues in this group are numbers: 1 (Thomas Meyer); 2 (Ian Hamilton Finlay 'View of Stonypath'); 3 (Cutts, Mills, Folkyard, Williams and Meyer); 4 (John Blakemore); 5 (Thomas A. Clark 'Stumbling on Lemons'); 6 (Stuart Mills 'Flags from a Remnant Railway); 7 (Simon Cutts 'Les Enerves de Jumieges and other poems'); 8 (Trover Winkfield 'The Adventures'); 9 (Mick Sharp); 10 (Andrew Crozier 'Residing'); 11 (Adrian Phipps-Hunt (water damaged); 12 (Gael Turnball 'Thronging the Heart); 14 (Thomas Meyer 'Starcrafts, ruins'); 16 (Richard Long); 17 (Review; Various Contributors); 18 (Jonathan Williams 'Ten Photographs); 19 (Ian Hamilton Finlay, Rod Gathercole 'Persiflage'); 20 (Thomas A Clark 'An Island'); 21 (Robert Lax 'Light') all in staplebound illustrated colourprinted wraps. All issues of Aggie Weston's are edited by Mills and include the following statement from him on the first inside page: 'The name of the magazine comes indirectly from a work by Kurt Schwitters; 'A Small Home for Seamen'. I have been told that it was one Agnes Weston who founded the seamen's homes in this country and I hope that this magazine will likewise provide some sort of refuge.' Condition: All other copies are at least very good + or better.