Andre Malraux Translated Stuart Gilbert (16 results)

Soft cover. Condition: Very Good+. Paperback First Edition. First Paperback Printing stated on verso of title page; light wear; previous owner's name on front end paper; otherwise a solid, clean copy with no marking or underlining; a very good reading or study copy; illustrated with many black and white reproductions of paintings and sculpture through history; 661 pages. Book.

Hardcover. Condition: Poor. 1st Edition. as pictured a first edition a poor/ good condition hardcover, back strip missing, no dust jacket gently read clean, 156 pages. All color tipped in plates.

Paperback. Condition: Printed wraps. Reprint of the 1935 original. New York: Random House / Modern Library P15 Near Fine condition. No store stamp, owner's name or bookplate. No underlining. No highlighting. No margin notes. Bright, clean, tight, square, unmarked copy. Flat spine. No creases. Mass Market Paperback, with original 95 cents cover price. . Reprint of the 1935 original. Softcover. Printed wraps. 250pp.

mass market paperback. Condition: acceptable; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED12mo; 250 pages; acceptable mass market paperback; nicks and chips to edges cover; spiens tarting and slanting; scuff and stain to face cover; tips bumped and chipped; some pencil front blurb page from previous owner; tanned pages; clean pages; prompt shipping with tracking.

mass market paperback. Condition: acceptable; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED12mo; 423 pages; acceptable mass market paperback; some foxing stains to edges and inside covers; tips bumped; spine starting to slant; scuff to face cover; nicks to edges cover; some tanning to edges pages; clean pages; prompt shipping with tracking.

Soft cover. Condition: As New. 661pp; b/w illustrations. Contents unmarked, clean, free of any blemish. No ownership or library markings. Sixth Printing, 1990.

Hardcover. Condition: Very Good. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Wear/tear to dust jacket with loss. Minor foxing. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover. Condition: Very Good. Pantheon January 1950 Binding: Hardcover.

Hardcover. Condition: Very Good. Dust Jacket Condition: Dustjacket included. Later Edition. ISBN . Oversized, Heavy, Hardback. Very Good condition book in a Very Good condition dustjacket with minor tears, chips, rubs and creases around its edges. Tight, sound, unmarked copy. No statement of later printing on copyright page. No Signature.

Soft cover. Condition: Very Good. 5th or later Edition. 661 pages with photo illustrations throughout. Small inscription to endpaper of John J. Gibson an art lecturer at the Courtauld Institute in the 1980's-90's. he has also written marginalia on several pages and the odd underlined passage. Not too detracting and could be useful to a student. Small heavy quarto. 1st printing by Princeton and produced in the Bollingen Series XXXIV A. text. *A revision of The Psychology of Art. ** "It is hard to judge very brilliant books, which may dazzle, deafen and stun when they explode under our noses.but on reflection the conclusion is Malraux's history of art is perhaps one of the really great books of our time". First to use the concept of "Art Without Walls". A. Malraux. 1901-1976 Hero of the French Resistance and towering intellectual writer of the 20th century.

Hardcover. Quarto, xxi, 439 pages. In Very Good condition with a Good dust jacket. Spine gray/off-white with black lettering. Dust jacket protected with a mylar covering, price clipped front flap. Exterior shows slight shelf wear including age toning wear and minor wear to the head/tail edges. Boards have extremely light wear to the edges. Text block has slight age toning to the edges. Frontispiece. Profusely illustrated. Ribbon marker. Out of print. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates. NOTE: Shelved in Locked Annex Area, Netdesk Column QD (ND-QD). 1381679. FP New Rockville Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First USA Edition, First Printing. The book is in a slipcase. Price clipped with some underlining of the text.SA huge book, very heavy. Extensive photographs and illustrations. this book is from the estate of Twin Cities collector, Grace Reiter. Along with the occasional underlining, it contains Ms. Reiter's signature and embossed name.

Condition: Good. Good condition. Acceptable dust jacket. (Art, Philosophy, Psychology) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Mass Market Paperback. Condition: Used-Acceptable. 250 pp. This is a used book. Please be advised that it is rated "Used-Acceptable" and/or "Poor" due to likely defects such as highlighting, underlining, folds, creases, etc. Still a good reading copy. Book detatched from spine. Moderate foxing around edges of pages. Moderate damage to spine.

Hard Cover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. First Edition (stated) First Printing in original $4.95-priced dust jacket, no markings, NOT ex-lib, binding tight pages bright, gilt-stamped burgundy cloth boards are bright & sharp-cornered, jacket shows only slight shelf wear & signs of age, else Fine (dj in mylar protector); sm 8vo; 252pp indexed & illus.

Hardcover. Condition: Very Good +. Dust Jacket Condition: Very Good. First edition. 155; 223pp. Quarto [28.5 cm] Gray cloth over boards. Spine ends gently bumped and rubbed. In price-clipped dust jackets, with light soiling, and a bit of chipping to the edges. There are a couple 3/4" closed tears to the jacket of volume 1. May require extra postage due to weight. The Bollingen Series XXIV. From the publisher- "The position of contemporary man in the face of the problem of art is redefined, and the psychology of the creative act is determined, showing it to be essentially the same in the Greeks as in Cézanne and Picasso.".