And Tinterow Gary (79 results)

Cloth Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. First Edition. A bright, clean, tight copy with all text and illustrations clear/unmarked. Book published in conjunction with the 1993 exhibition of the same name, exhibited at the Metropolitan Museum of Art, NYC. "A legendary assemblage, the Havemeyer collection is famous for its unparalleled groupings of works by Corot, Courbet, and Manet, its great Monets and Cezannes, and its many paintings, pastels, drawings, and bronzes by Degas." PROLIFICALLY ILLUSTRATED in full color and black and white photography of the Havemeyer artworks with accompanying descriptive captions. 415 pages. GO2.…

Soft cover. Condition: Fine. The catalogue of an exhibition at the Galeries Nationales du Grand Palais, Paris, April 19 - August 8, 1994 and the Metropolitan Museum of Art, New York, September 27, 1994 - January 8, 1995. 193 works are described along with brief biographies of the arts. Illustrated with 394 figures, many in color. 486pp 5.29lb 12.0x9.0x1.4in.…

dj. Second impression. Hardcover. 368 pages. Published in conjunction with a show at The Metropolitan Museum of Art that ran October 1, 1997 through January 11, 1998. Text by Ann Dumas Colta Ives, Susan Alyson Stein, Gary Tinterow and many others. Includes 426 illustrations with 200 in color. A very near fine copy in a very near fine dust jacket.…

Soft cover. Condition: Near Fine. No Jacket. Accompanied exhibitions at Metropolitan Museum of Art and at Galeries Nationales du Grand Palais, Paris during Apr 1994 - Jan 1995. Profusely illustrated. Vertical reader's crease at spine, minor rubbing of glossy back wrap. Heavy, 486 pages, 9" x 12". Sorry, no international orders. Expedited shipping may incur added fees. …

Paperback. Condition: Near Fine. xvi, 486 pages, illustrations (some colour); 32 cm. Published in conjunction with the exhibition held at the Galerie nationales du Grand Palais, April 19 to August 8, 1994, and the Metropolitan Museum of Art, New York, September 27, 1994 to January 8, 1995. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination. Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style. Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar." - Publisher. *** *** CONTENTS: Foreword, by Philippe de Montebello and Irene Bizot; Introduction, by Gary Tinterow and Henri Loyrette; I. The Salon of 1859, by Henri Loyrette; II. History Painting, by Henri Loyrette; III. The Realist Landscape, by Gary Tinterow; IV. The Nude, by Henri Loyrette; V. Figures in a Landscape, by Gary Tinterow; VI. Still Life, by Henri Loyrette; VII. Portraits and Figures, by Henri Loyrette; VIII. The Impressionist Landscape, by Gary Tinterow; IX. Modern Life, by Henri Loyrette; Chronology of Works in the Catalogue; Chronology 1859-70; Catalogue. *** Includes: Paul Baudry - Frederic Bazille - Francois Bonvin - Eugene Boudin - William Bouguereau - Jules Breton - Carolus-Duran - Paul Cezanne - Camille Corot - Gustave Courbet - Charles-Francois Daubigny - Edgar Degas - Eugene Delacroix - Henri Fantin-Latour - Hippolyte Flandrin - Eugene Fromentin - Jean-Leon Gerome - Eva Gonzales - Ernest Hebert - Johann Barthold Jongkind - Alphonse Legros - Edouard Manet - Jean-Francois Millet - Claude Monet - Gustave Moreau - Berthe Morisot - Camille Pissarro - Pierre Puvis de Chavannes - Auguste Renoir - Gustave Ricard - Theodore Rousseau - Alfred Sisley - James Tissot - Constant Troyon - James McNeill Whistler. Size: Folio.…

Paperback. Size: 9"x12", 356pp., 425 illus mostly in colour. Near new condition, covers bright, text clean & binding tight.

Softcover, 356 pages, very good condition, no internal marks, clean and crisp, with b/w and color reproductions. Shipping may be extra for this large heavy book.

Soft cover. Condition: Near Fine. 1st Edition. 448pp with 233pp collour and b&w plates. Heavy book extra overseas post.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Sea green cloth, lettered in gold foil. As issued, color illus. dust jacket now in mylar. 1st ed. 432 pp., illus. in color, b&w. Size: 4to - over 9¾" - 12" tall. Book.

Soft cover. Condition: Near Fine. First Edition. Mild binding lean likely original to issue, uncreased. Slightly rubbed corners. xvi,592 pp., 226 catalogued works, many color illus., additional b&w. Size: 4to - over 9¾" - 12" tall. Book.

Soft Cover. Condition: Very Good+. Softcover is heavy, glazed paper. White spine with black lettering. Pages are clean and tight. Foreword by Philipe de Montebello [Director]. Lavishly illustrated with dozens of color and b/w photographs. "This publication marks the opening of the Metropolitan Museum's new 19th Century European Paintings and Sculpture Galleries. This landmark event, long in the planning, has totally transformed how we present the art of the century that gave us---if density of visitors is any gauge---some of the best-loved moments in the history of art, from Romanticism to Barbizon and Impressionism to Post-Impressionism". Includes a b/w floor plan of the new rooms. ; Photographs; 8 1/2 x 11; 88 pages; Soft cover has some shelf wear, bumping, little specks of color missing from the cover illustrations.…

Paperback. Color illustrated wraps, white lettering. xii; 596 pp. 504 illustrations, including 203 in full color. Catalogue of an exhibition held at The National Gallery, London, The National Gallery of Art, Washington DC, and The Metropolitan Museum of Art, New York, between January 27, 1999-January 2, 2000. An absolutely beautiful volume on the portraits of Ingres, complemented and supported by crisp, vivid color reproduictions and extensive annotation and scholarship. VG (copy may have small ink inscription on fly leaf). …

Softbound. Condition: VG. Color illustrated glossy wraps. 592 pp., profusely illustrated with 349 bw and 380 color plates. Catalogue features a whopping 226 artworks, all of them extensively annotated. Published in conjunction with an exhibition held at the Musee d'Orsay, Paris, Sept. 16, 2002-Jan. 12, 2003 and at the Metropolitan Museum of Art, New York, Mar. 4-June 8, 2003. Contents as follows: Raphael replaced: the triumph of Spanish painting in France / Gary Tinterow -- The discovery of the Spanish school in France / Geneviève Lacambre -- Seville's artistic heritage during the French occupation / Ignacio Cano Rivero -- The origins of the Museo del Prado / María de los Santos García Felguera Javier Portús Pérez -- Goya and France / Juliet Wilson-Bareau -- Goya and the French romantics / Ilse Hempel Lipschutz -- The Galerie Espagnole of Louis-Philippe / Jeannine Baticle -- From Ziegler to Courbet: painting, art criticism, and the Spanish Trope under Louis-Philippe / Stéphane Guégan -- Manet and Spain / Juliet Wilson-Bareau -- American artists' taste for Spanish printing / H. Barbara Weinberg -- A legacy of Spanish art for America: Archer M. Huntington and the Hispanic Society of America / Mitchell A. Codding -- Nineteenth-century French copies after Spanish Old Masters / Dominique Lobstein -- The Dresden remains of the Galerie Espagnole: a fresh look (at the) back / Matthias Weniger. "This illustrated book accompanies a groundbreaking exhibition - the first of such scale and depth to be organized around this subject - that traces the roots of Modernism in mid-nineteenth-century French Realism. In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as El Greco, Zurbaran, Velazquez, Murillo, and Goya, while French writers and artists - among them Hugo and Baudelaire, Gericault, Delacroix, Millet, Courbet, Degas, and especially Manet - came to understand, appreciate, and even emulate Spanish painting of the Golden Age. Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art.". …

Paperback. Condition: Near Fine. Paperback. This substantial publication is the catalogue that accompanied the Origins of Impression exhibition held at the Grand Palais in Paris from April 19-August 8, 1994 and at The Metropolitan Museum of Art, New York, from September 27, 1994-January 8, 1995. Gary Tinterow was the Curator of European Painting at The Metropolitan Museum of Art, and Henri Loyrett was the Chief Conservator at the Musee d'Orsay in Paris. As stated in the title, the exhibition focused on how Impressionism first developed, including influences from earlier realistic painting. The book covers the period from 1859 through 1870. Credit is given to Gustave Courbet as an earlier landscape painter who was very influential in the transition, and to Édouard Manet as one of the first impressionists. Within a few years, the movement was dominated by painters such as Monet and Degas. Homage is given to the exhibition of the Salon des Refusés in 1863 as a major event in the development of Impression. 4to. Near fine illustrated paper wrappers with white title to front wrapper and to dark blue spine. Light creasing to spine. Pristine interior with numerous color and black-and-white illustrations throughout. Index, 486 pages. ART/052212. …

Softcover, 368 pages, in Spanish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. Second Printing. 12 x 9 inches. 364 pp. b/w and color illustrations throughout. Illustrated wraps. Fine.

Paperback. Condition: Fine. xvi, 486 pages, illustrations (some colour); 32 cm. Published in conjunction with the exhibition held at the Galerie nationales du Grand Palais, April 19 to August 8, 1994, and the Metropolitan Museum of Art, New York, September 27, 1994 to January 8, 1995. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination. Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style. Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar." - Publisher. *** CONTENTS: Foreword, by Philippe de Montebello and Irene Bizot; Introduction, by Gary Tinterow and Henri Loyrette; I. The Salon of 1859, by Henri Loyrette; II. History Painting, by Henri Loyrette; III. The Realist Landscape, by Gary Tinterow; IV. The Nude, by Henri Loyrette; V. Figures in a Landscape, by Gary Tinterow; VI. Still Life, by Henri Loyrette; VII. Portraits and Figures, by Henri Loyrette; VIII. The Impressionist Landscape, by Gary Tinterow; IX. Modern Life, by Henri Loyrette; Chronology of Works in the Catalogue; Chronology 1859-70; Catalogue. *** Includes: Paul Baudry - Frederic Bazille - Francois Bonvin - Eugene Boudin - William Bouguereau - Jules Breton - Carolus-Duran - Paul Cezanne - Camille Corot - Gustave Courbet - Charles-Francois Daubigny - Edgar Degas - Eugene Delacroix - Henri Fantin-Latour - Hippolyte Flandrin - Eugene Fromentin - Jean-Leon Gerome - Eva Gonzales - Ernest Hebert - Johann Barthold Jongkind - Alphonse Legros - Edouard Manet - Jean-Francois Millet - Claude Monet - Gustave Moreau - Berthe Morisot - Camille Pissarro - Pierre Puvis de Chavannes - Auguste Renoir - Gustave Ricard - Theodore Rousseau - Alfred Sisley - James Tissot - Constant Troyon - James McNeill Whistler. Size: Folio. …

Soft cover. Condition: Near Fine. First Edition. Minor surface abrasion extending across lower front cover approx. 1/2" above bottom edge (scratch, no paper loss), otherwise as issued, with square, uncreased binding. xiv,450 pp., illus. w/ 299 color, b&w figures. Size: 4to - over 9¾" - 12" tall. Book. …

4°, Gebundene Ausgabe. Condition: Sehr gut. Auflage: Illustrated. 214 Seiten Ausgetragenes Bibliotheksexemplar, Teile des Schutzumschlages zwischen Deckel und Schutzfolie eingeklebt MIG-24-06B Sprache: Englisch Gewicht in Gramm: 1440.

Softcover, 270 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

PB. Condition: very good+, wraps (softcover). 88pp. B&W and color illustrations (illustrator).

Presumed first edition (no direct statement provided). xvi, 592 pages. Hardcover: H 31.25cm x L 23.5cm. Dust jacket lightly rubbed; 1.5cm closed tear at rear panel's center right adjacent to spine. Dark purple cloth with vibrant gilt stamping to spine. Interior pages are bright and clean. Binding retains some crispness. A fine copy in a very good+ dust jacket. Please note that this thick book has an approximate shipping weight of 7.75 pounds (3.51 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0300098804.…

Soft cover. Condition: Good. 1st Edition. First Edition, 446pp, very well-illustrated in colour, softcover, 8vo, 4/5 pages in the introduction have been annotated and previous owner's bookplate within o/w good condition, Tate Gallery, London, 1983. ILLUSTRATED (illustrator).

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: fine. First. Color frontispiece, 504 illustrations, including 203 in full color. 608 pages. Thick 4to, glossy pictorial wrappers. New York: Metropolitan Museum/Abrams, (1999). First softcover edition. A fine copy. Published in conjunction with an exhibition at the Metropolitan Museum. Ingres (illustrator).…

Hardcover without dustjacket as issued; 116 pages; in English and German; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover missing dustjacket, 448 pages, otherwise very good condition; clean and crisp; owner's stamp to first blank page; no other internal marks. Foreign shipping may be extra.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hard. Condition: Fine. Dust Jacket Condition: Fine. 1st. First edition. Hard cover in dust jacket. Published NY: The Metropolitan Museum of Art, 1997. Folio, 9 1/2" x 12 1/4", xii+356pp., extensively illustrated with 425 reproductions in b/w and color. Several essays, with articles by Theodore Reff, Richard Kendall, Barbara Stern Shapiro, Rebecca A. Rabinow, Susan Alyson Stein, and others. Bibliography. Index. Fine in fine dust jacket. …

Paperback. Color wraps, dark blue-green spine with white lettering. xii; 356 pp. Numerous color and bw plates. Catalogue of an exhibition held October 1, 1997 to January 11, 1998. VG-. Minor edge wear. Owner's name inside front cover. Minimal soiling in a couple spots, but overall clean and tight.