After Robert Adam (34 results)
More imagesThe seats of the Nobility and Gentry : in Great Britain and Wales in a collection of select views, engraved by W. Angus. From pictures and drawings by the most eminent artists. With descriptions of each view. Second edition.
Angus, William ( 1752-1821); Engraver and publisher : Artist: After Robert Adam (British, Kirkcaldy, Scotland 1728-1792 London);Artist: After Samuel James Arnold (British, London 1774-1852 Walton upon Thames);Artist: After James Barret (British, London, active 1785-1819 London);Artist: After Joseph Charles Barrow (British, died 1804);Artist: After William Beilby (British, Durham 1740-1819 Hull);Artist: After John Bird (British, 1768-1829 Whitby);Artist: After John Carter (British, London 1748-1817 London);Artist: After William Bernard Cooke (British, 1778-1855 Camberwell, London);Artist: After George Cuit the Elder (British, Moulton, Yorkshire 1743-1818 Richmond, Yorkshire);Artist: After Nicholas Thomas Dall (Scandinavian, died London, 1776);Artist: After Thomas Day, Esqr. (British, active 1791);Artist: After Edward Dayes (British, London 1763-1804 London);Artist: After Viscount Frederick Duncannon (British, London 1758-1844 Dorset);Artist: After Samuel Evans (British, Mold, Wales 1762
Published by Islington, [London],: Published by W. Angus, Gwynne's Buildings, Feby. 1 [1815] 1787
- Hardcover
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. 4to. 26.2 x 25 cm.Contemporary straight-grain morocco blind-stamped decorative gilt border, extremities rubbed. 64 leaves, LXIII leaves of plates : ill. ..additional engraved title and 63 engraved views by Angus after Sandby, Turner, Nattes & others, each with explanatory leaf of text, spotting and foxing throug…hout.OCLC Number / Unique Identifier:22224907.Engraved title page.First issued 1787-[1797] with 48 plates. Reissued in 1815 with an additional 15 plates; these 63 plates are dated 1787-1815Some leaves have printing on verso.
Published by London 1774
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving, by T. Vivares. (Neat repairs to two small marginal tears). A fine engraving of two of the exterior elevations of Luton Park House, a project undertaken by Robert Adam in about 1764. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From… 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London, UK: Roberts. 1774
- Art Print
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. 13.75" x 12" Very Good. Engraving. Mounted on mat board.This engraving depicts the interior of Kenwood House, in Hampstead, London, which was re-modelled in 1761 - 1773.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by T. Vivares. In excellent condition. An elegant elevation of the north and southe sides of Sutton Park, in North Yorkshire, the seat of the Earl of Bute. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in I…taly where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adelphi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by Joshua Record. In excellent condition. An elegant engraving showing the two chimneys in Lord Derby's house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had… a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8;DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by P. Begbie. In excellent condition with the exception of being trimmed just outside the platemark on the left margin. An elegant engraving depicting various furnishings designed by Robert and James Adam, including decorative clocks, an ornamental knocker and two elaborate hanging lights. Robert and his brother James…Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1778
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerCopper engraving. Engraved by Robert Blyth. In excellent condition. An elegant engraving of the gateway and porters lodge at Ashburnham House on Dover Street in London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived i…n Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1777
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerCopper engraving. Engraved by T. Morris. In excellent condition with the exception of a small area of foxing in the sheet. An elegant engraving of the elaborate ceiling in the music room of Sir Watkin Williams Wynn's celebrated house in St. James' Square, London. Robert and his brother James Adam forever changed the face of Brit…ish architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
More imagesPublished by London 1777
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by J. Zucchi. In excellent condition. An elegant engraving depicting two chimneys in Lord Derby's celebrated house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where h…e had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by Joshua Record. In excellent condition. An elegant engraving showing the chimney in the anteroom of Lord Derby's house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy w…here he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adelphi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by P. Begbie. In excellent condition with the exception of some paper discolouration on the upper margin. A fine engraving of the sedan chair designed for Queen Charlotte. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, R…obert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by [London 1779
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by T. White. A fine engraving of a grand hallway at Syon House from Robert Adam's seminal work on British architecture. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive…friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by [London] 1777
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerCopper engraving. Engraved by B. Pastorini. In excellent condition. An elegant engraving depicting the beautiful ceiling design in the countess of Derby's dressing room in her celebrated house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative… Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1774
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving, by J. Zucchi. A fine architectural engraving of the interior of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From… 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adelphi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by P. Begbie. In excellent condition with the exception of being trimmed just outside the platemark on the left margin. An elegant engraving depicting various furnishings designed by Robert and James Adam, including decorative clocks, an ornamental knocker and two elaborate hanging lights. Robert and his brother James…Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by T. Vivares. In excellent condition with the exception of some paper discolouration in the bottom right corner of the sheet. A fine architectural engraving of a part of the vast Adelphi development in London; the largest project undertaken by the Adam brothers. Robert and his brother James Adam forever changed the fa…ce of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adelphi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1778
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerCopper engraving. Engraved by Caldwell. In excellent condition with the exception of a waterstain in middle of sheet. Left margin is trimmed just outside platemark. An elegant engraving of a fireplace and table at Shelburne House in Berkeley Square, in London. Robert and his brother James Adam forever changed the face of British… architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1778
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerCopper engraving. Engraved by P. Mazell. In excellent condition. An elegant engraving the Porter's Lodge at Shelburne House in Berkeley Square, in London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where…he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by B. Pastorini. In excellent condition. An elegant engraving showing the decorations of the chimney piece and curtain cornices at Sutton Park House, in North Yorkshire. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Rob…ert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by D. Cunego. In excellent condition with the exception of being trimmed just outside the platemark on left margin. Some paper discolouration on left margin and 1" loss lower left corner. A fine engraving of the fireplaces at St. James's Palace and the Queen's House in London. Robert and his brother James Adam forever…changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London, UK: Zucchi. 1774
- Art Print
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. 18.5" x 15" Very Good. Architectural engraving. This engraving depicts the interior of Kenwood House, in Hampstead, London, which was re-modelled in 1761 - 1773.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by P. Begbie. In excellent condition with the exception of two tears on right margin. A fine architectural engraving of ornate mirrors and tables from Robert Adam's seminal work on British architecture. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classica…l design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by T. Miller. In excellent condition with the exception of a water stain at the bottom of the sheet. Top left corner of sheet is missing. A fine architectural engraving of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection. Robert and his brother James A…dam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by B. Pastorini. In excellent condition. A fine engraving of various pieces of ornate furniture, from Robert Adam's seminal work on British architecture. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Ita…ly where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by R. Blyth. In excellent condition, except for mild discolouration lower left. An elegant engraving showing the facade of a house in Whitehall, used as the offices for Chelsea Hospital. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas.…From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1777
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerCopper engraving with original hand colouring. Engraved by B. Pastorini. An elegant engraving depicting a collection of ornate furniture in the Earl of Derby's celebrated house in Grosvenor Square, London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical desig…n ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adelphi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by T. Miller. In excellent condition with the exception of some very faint off-setting. A fine engraving of a proposed bridge over the river at Sion House in London. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert…lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Design of a Harpsichord executed in London, with different coloured woods, for the Empress of Russia
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerCopper engraving with original hand colouring. Engraving by P. Begbie. A fine engraving of an ornate harpsichord designed for the Empress of Russia. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had… a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adelphi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
Published by London 1775
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerEngraving by Joshua Record. In excellent condition with the exception of some minor foxing across the sheet and some waterstaining along the upper margin. A decorative engraving by the celebrated architect Robert Adam, depicting an elegant room in Lord Derby's house in Grosvenor Square, London. Robert and his brother James Adam…forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822. Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
The Spendthrift. "No Rake that rov'd the garden round." First edition of the broadside.
Pyle, Robert as R. Pile, painter, After; Haverling, engraver (Adam Haverling (1776-1858) ?).
Published by England: circa 1800 1800
- Art Print
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Used - Good
£ 1,306.07
£ 7.46 shippingShips within U.S.A.Quantity: 1 available
Condition: Good. Etching and engraving top; with letterpress below the image. 35 x 24cm. Very rare. Similar to British Museum number 1935,0522.2.120 and Museum number 2010,7081.2109. Also similar to Reverse image of Colonial Williamsburg Object number 1967-338. From the collection of Frederick Gale Ruffner Jr (1926-2014) , the f…ounder of Gale Research, Detroit.
