After Raphael (132 results)

97 pages. V.S. Pritchett (Short story, 1st appearance); P. T. Bauer (Foreign Aid, Forever); J.P. Ward (T-Group); poetry (Michael Langley, Alan Ross, Alan Brownjohn, Gavin Ewart, Tadeusz Rozewicz, Elizabeth Jennings); Peter Schmid (Between Mao and Mohammed); George Martelli (Propagandist's Propaganda); Gordon Lee (Quest for Cundu); Laurence Lerner (Samuel Richardson);Chaim Raphael (JJesus or Christ?); Tao Tao Sanders (Ming Mayhem); robert Moss (Chile's Coup and after); Joel Carmichael (German Money & Bolshevik Honour); Sidney Hook (Anyone for Objectivity?);

Single print. Original antique steel engraving. Crease across lower right margin corner. Margins rather scruffy. See image. First important printmaker copying paintings including those of Raphael. 17.5 x 23 cm.

Soft cover. Condition: Fairly Good. No Jacket. Don Bolognese & Elaine Raphael (illustrator). Covers. bit creased, edges bit brown. Hole punched in front cover. Arthur Conan Doyle battles Germany in World War 1.

No Binding. Condition: Good. 1835. Disbound, 1p, folio. Monochrome engraving of St Cecilia after the painting by Raphael. Waterstain to lower RH corner and light foxing to margins.

No Binding. Condition: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1888, With Tissue Guard And With The Explanatory Text Page.

No Binding. Condition: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1887, With Tissue Guard And With The Explanatory Text Page.

Original Radierung. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 27 x 21 cm. -- gut erhalten. || original etching. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Radierung. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 28,5 x 24 cm. -- leicht gebräunt, mit kleinem Braunfleck, sonst gut erhalten. || Etching. -- slightly browned, with small brown stain, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Original Radierung. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 32 x 30 cm. -- leicht fleckig, sonst gut erhalten. || original etching -- slightly stained, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Sehr schöner Kupferstich aus der Serie "Solitudo sive Vitae Patrum Eremicolarum" von ca. 1600. Diese Serie enthält Kupferstiche von Johann und Raphael Sadeler nach Maarten de Vos. -- Blatt-Maße: ca. 19,5 x 27 cm. -- teils nur leicht fleckig, sonst gut erhalten. || Very beautiful engraving from c. 1600 out of the series "Solitudo sive Vitae Patrum Eremicolarum", which contains engravings by Johann and Raphael Sadeler after Maarten de Vos. -- partly only slightly stained, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 10.

Sehr schöner Kupferstich aus der Serie "Oraculum Anachoreticum" von ca. 1600. Diese Serie enthält Kupferstiche von Johann und Raphael Sadeler nach Maarten de Vos. -- Blatt-Maße: ca. 19,5 x 27 cm. -- gut erhalten. || Very beautiful engraving from c. 1600 out of the series "Oraculum Anachoreticum", which contains engravings by Johann and Raphael Sadeler after Maarten de Vos. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 10.

Schöner, großformatiger Kupferstich. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 25 x 35 cm. -- gut erhalten. || Beautiful, large copper engraving -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Condition: Good. Stipple and line engraving. 27 x 18 cm. (sheet). Very Good. Light toning along sheet edges.

Condition: Good. Stipple and line engraving. 26 x 22 cm. (sheet). Very Good. Light soiling in the margins.

Condition: Good. Stipple and line engraving. 30 x 34 cm. (sheet). Very Good. Light soiling and foxing in the margins. Two short tears at bottom sheet edge.

Condition: Good. Steel engraving. 10 3/4 x 8 in. (sheet). Good, toning and soiling along sheet edges.

Condition: Good. Steel engraving. 10 1/2 x 8 in. (sheet). Very Good, some toning in sheet margins.

Condition: Good. Steel engraving. 10 3/8 x in. (sheet). Good, toning and foxing in the margins.

Condition: Good. Stipple Engraving. Oval. 4" x 3.5", Very Good. Name penciled on verso.

Schöner, großformatiger Kupferstich. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 42 x 27,5 cm. -- gut erhalten. || Beautiful, large copper engraving -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Condition: Good. Original engraving. 29.5 x 21 cm (sheet). Very Good, light soiling and surface staining in the margins.

Edition : First edition anthology of five works. , 18th century full vellum; rebacked expertly saving the original spine; flat spine with gilt lettered and dated title on morocco label; edges marbled; renewed endpapers., Captions in Latin. The work depicts hermits, saints with one of five parts devoted to female believers; this anthology is rarely offered. The members of the Sadeler family were among the most successful Flemish engravers and publishers of their time. , Size : Oblong folio (335x263mm)., 103 copper-engravings; of these 102 illustrated; these include: three titles [to the first three works]; the paragramma with engraved border. The first work, ?SYLVA SACRA? being one complete series of hermetic saints with 31 illustrated plates plus a dedication; of the remaining four series of hermetic saints, one is dedicated to female hermits: Work II or the ?SOLITUDO, SIVE VITAE FOEMINARUM? has 14 plates (of 25); Work III or the ?ORACULVM // ANACHORETICVM. // ? MDC? has 22 plates (of 26); Work IV or the ?Solitudo // sive // vitae patrum // eremicolarum?? has 12 plates (of 30); Work V or the ?Trophaeum vitae solitariae. // ? Venetiis? (1598, Martin de Vos figur.) has 23 plates (of 26). , Volume : five works in one volume, References : Graesse VI: 211-212. , Ll: bl., [ill.102ff]. Collation: all of 31 ill. plus 1 dedication; 14 ill.; 22 ill.; 12 ill.; 23 ill. An illustrated work in very good condition with plates clean and mostly wide margined; a few of the plates are reinforced with fine tissue paper; also occasional marginal tears repaired.

Condition: Good. Oblong folio. 46.5 x 69 cm. (18.25 x 27.25 inches) page size. Suite of 12 engravings. Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 504754030Set of 12 engravings of Raphael's frescoes of scenes from the myth of Cupid (also known as Eros) and Psyche in the Villa Farnesina in Rome. Raphael's paintings illustrate part of the story The Metamorphoses of Lucius Apuleius (the only Latin novel to survive in its entirety). In this work, Venus, jealous of a beautiful mortal girl named Psyche, sends Cupid on an errand to punish the girl. Cupid instead falls in love with Psyche, and after a series of secrets, betrayals, and trials, the lovers are reunited, and Psyche is made immortal.The frescoes are painted on the vaults and ceiling above demilune reserves on the ground floor at the end of the entrance hall, now known as the Loggia of Psyche. Images of leafy garlands of fruit accentuate the arches of the vaults, also framing the classical images. The frescoes were commissioned by the Sienese banker Agostino Chigi, called "magnifico" by his peers for his richly decorated villa and the elegant entertainments he hosted there. The paintings were recently restored and the Villa Farnesina is open to the public as a museum.Some foxing.

Full-Leather. Condition: Good. J. Mynde, S.H. Thomassin, J.J. Sartor After Raphael, L. Cheron, C. Le Brun. (illustrator). First Edition. 2 vols.[1136] p., [9] leaves of plates. Evans 20960. Hills 16. General title page states, "The Christian's new and complete family Bible. At the bottom states, "Philadelphia: Printed for the Proprietors; and sold by all of the booksellers in the United States., MDCCLXXXVIII. [1788]." The AAS description continues, "Printed in Berwick, England, by John Taylor. The New Testament has a separate title page, with imprint: " Berwick [Eng.], Printed by and for John Taylor; and sold by the booksellers of London, and by all the other booksellers of Great-Britain." Jim Green, a noted authority on this book, and Librarian Emeritus of the Library Company of Philadelphia, states, " We [LCP] have 9 or so copies. Many of the OT & NT title pages say the book was printed in Berwick, England, by John Taylor. Other copies have a London, John Taylor imprint, and some [like this one], have a Philadelphia imprint. All our copies have a Philadelphia Provenance, whatever the imprints say. Taylor emigrated to Philadelphia in 1788, and my theory is that he brought the remainder of his edition with him, perhaps printing Philadelphia title pages for some of them here. What's fascinating is that some of the first sheets of the Old Testament exist in different settings of type, suggesting that more than just title pages were printed here, perhaps because the book was originally sold in parts by subscription, so that all their copies of the first sheets were sold and more had to be printed to make up the deficiencies." The Bible was advertised in the Nov. 4, 1788, issue of the Pennsylvania Packet as "The first family Bible published in America ! Proposals for publishing by subscription, by W. Woodhouse. The Christian's new and complete family Bible.The whole to be completed in seventy-five numbers, at one eighth of a dollar each.Number I will be published on Saturday Nov. 15, which will be given an elegant frontispiece." Advertised in the May 26, 1790, issue of the Freeman's Journal, Philadelphia, as "This day published and sold by all of the booksellers, no. 77 of the Christians's new and complete family Bible. This is the end of the New and Old Testaments. The Apocrypha (which will soon be ready) will therefore be delivered gratis to subscribers; the number of whom is almost one thousand." Nearly identical advertisements were published in the Dec. 2, 1789 issue of the New York Morning Post, and the May 20, 1790 issue of the Maryland Gazette Notes and Condition : I acquired this from one who had acquired it directly from the family in whose possession it had been since 1792. At the top of the title page is handwritten, "Albert Corpening, bot (bought) in Philadelphia, on the fifteenth day of September, seventeen hundred & ninety two. Price eleven dollars." Other family notations as well. On a card, it states "The large English Bibles are the property of O.E. Corpening of Mills River. They have been in the Corpening and Summey families sice 1774, (correction to 1788.) The "1774" was referencing the last of four birth entries on the verso of the title page, clearly in error. Condition: 7 full page plates in the New Testament, 2 in the Old Testament. Pages are overall good condition, with foxing, toning, with the following faults: Lacks frontispiece to general title page; the frontis to the New Testament is present. Short tape mends to a few leaves. "To the Christian Reader" leaf has been professionally restored, with text loss. Small open tears and darkening, professionally restored at the bottom of 4 adjacent leaves, (last three leaves of Joshua, and the first leaf of Judges) with little text loss. In two volumes. This has less plates than some other copies; there is no evidence of any plate removal. Rebound, probably in the first half of the 19th century; I believe that this was originally bound as two volumes. Nice patina to the brown full-leather binding. Tear to one spine label. Bindings are tight, covers are well attached.

Skillfully rebacked half calf preserving contemporary blue speckled - marbled boards. Spine raised with six (6) bands; compartments elegantly gilt ornamented at borders, corners and centres and gilt lettered title on two. , Work I: Raphael (1483-1520) painted the ceilings, walls and columns of the Vatican Logge over the two-year period before he would pass away. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. These particular images are renowned for their clarity and accessibility. Much of the subject matter on the columns is traced to Roman iconography. Such items as coins, vases, sarcophagi and various other items are done with stunning clarity and accuracy. Carlo Lasinio (1759 ? 1838) was an Italian engraver who worked chiefly in Florence. Lasinio started as a painter at the Accademia di Belle Arti, Venice. He quickly placed more emphasis on printmaking, especially after moving to Florence in 1778. He established his reputation with two large series of etchings in 1787 and 1789. Lasinio also taught engraving at the Accademia in Florence, becoming a Professor in 1800. Work II: A collection of plates from this work with no title page. The Raphael fresco decorations in the Vatican's three-storied balconies known as the 'Logge' quickly became famous, and various suites of plates were issued from the 17th century onward. However, this set was the first to attempt to show all the decoration of the pilasters and pillars. A set of the present engravings stimulated Catherine the Great to have a replica of the Logge built at the Hermitage in St. Petersburg., Size : Folio (621x478mm)., Illustrated with plates after Raphael: Work I: 14 decorative copper engraved plates; engraved title page by Giovanni Balzar; remaining by Carlo Lasinio after Raphael?s depictions of the Vatican?s loggia and columns. Work II: collection of 31 full page etchings amounting to thirteen (13) pairs or sets of engravings after the Vatican frescoes by Raphael. , Volume : Two works in one volume, Upper pasted endpaper ex libris bookplate marked ?Dampierre? All leaves of the first work, of wove paper, contain the watermark ?Pietro Miliani Fabriano.?, References : Berlin Kat. 1048, Work I: illustrated half-title, plates numbered figure: II (No. I &II), III (No. III & IV), IV (No. V& VI), V (No. VII & VIII), VI (No. IX&X), I (No. I&II), II (No. III&IV), III (No. V&VI), IV (No.VII&VIII), V (No. IX&X dated 1802), VI (No.XI&XII), VII (No.XIII&XIV), VIII (No.XI&XII) ; Work II: plate I-XIII, Num I-XIII, I-V A handsome, fine example. Prints are clean and crisp.

Seltene original Radierung mit Farbgebung in Holzschnitt, welche einen Chiaroscuro-Holzschnitt imitiert. -- Blatt-Maße: ca. 55 x 40 cm. Plattenmaße: ca. 28 x 25 cm. -- gut erhalten. || Large original etching with woodcut coloring, imitating a Chiaroscuro woodcut. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

The Virgin and Child with the infant Baptist, traditionally known as the 'Madonna of the Blue Diadem', with the Virgin lifting a veil from over the Christ child, while holding an arm over the shoulders of St John the Baptist; after a painting formerly attributed to Raphael, now to an artist from his studio (possibly Penni). Numbered at the bottom center: '551' with address of the seller: 'Paris, 61 rue de Vaugirard' l Lithography on gray paper, mounted on thicker paper with title and verses from the Bible; total: 341 x 261 mm; soil and some tears along the margins.

No Binding. Condition: Fair. I have a small collection of c18th century hand colored engravings of Raphael's paintings listed. Arca Domini septies circuit civitatem et clangentibus tubis Iericho corruerunt moenia The ark of the Lord circumambulated the city seven times, and the walls of Jericho fell down with the sound of trumpets hand colored engraving by Bellavitas after a painting by Raphael; c1800; Strong colors. Decorative borders. Watermarked handmade? paper. overall dimensions approx 13 1/2 x 18 3/4 ins. plate impression approx 10 x 11 1/8ins. "edge wear and tear, marks, spots, water stain lower right section light handling wear". LRGPORT-No.1.

No Binding. Condition: Fair. I have a small collection of c18th century hand colored engravings of Raphael's paintings listed. Steterunt Sol, et Luna ad nutum Josue, donec Israel de Amorraeis Ulcisceretur Josue CX. The sun and the moon stood still at the beckoning of Joshua until Israel was avenged of the Amorites. hand colored engraving by Ambrosi after a painting by Raphael; c1800; Strong colors. Decorative borders. Watermarked handmade? paper. overall dimensions approx 13 1/2 x 18 3/4 ins. plate impression approx 10 x 11 1/8ins. "edge wear and tear, marks, spots, water stain lower right, section, light handling wear". LRGPORT-No.1.

Engraving from: Diverses figures hiéroglyphiques peintes par Raphael d'Urbin dans une des salles du Vatican à Rome - this is Plate 9, Commerce: a caryatid carrying a bag on her back and raising her right hand; after the figure designed by Raphael for the stanza d'Eliodoro; on white ground. Etching and engraving. British Museum Ref: 1854,1111.137 light creasing and a touch of darkening, but a very good example of this engraving. 430 x 215 mm (17 x 8½ inches).