Adler H E (188 results)

Condition: Good. Profusely Illustrated (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. George Herbert; H.A. Overstreet; David Grayson; Nathaniel Hawthorne (illustrator). A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. George Herbert; H.A. Overstreet; David Grayson; Nathaniel Hawthorne (illustrator). Meets or exceeds the good condition guidelines. Nice copy. Has minor tearing. Five star seller - Buy with confidence!

Condition: good. Used book that is clean, average condition without any missing pages.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Profusely Illustrated (illustrator). Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condition: Very Good. Profusely Illustrated (illustrator). Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condition: Used - Very Good. Profusely Illustrated (illustrator). Very nice clean, tight copy free of any marks.

Paperback. Condition: Near Fine. Profusely Illustrated (illustrator). National Gallery Company Limited, 2006. Clean large format softcover book - size approx. 9-1/2" x 11". No creasing or fading. Binding is tight and square, pages and edges are clean and bright - no names, writing or marks. Beautiful full color renditions of paintings done by American artists in Paris during the years 1860-1900 when Paris was the center of the art world and a magnet for American art tudents and artists. Includes iconic images by Sargent, Whistler, Mary Cassatt and Winslow Homer, together with the work of a number of painters whose names are less familiar. The authors explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. Briefer essays by David Park Curry, Rodolphe Rapetti and Christop[her Riopelle focus on the International Expositions in Paris, oon the French response to the American visitors, and on the role played by American artists in the formation of US collections of modern French painting. 288 pages with index.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Revised Third Edition. 664pp. Notable underlining throughout. G1.

Condition: As New. Profusely Illustrated (illustrator). Like New condition. A near perfect copy that may have very minor cosmetic defects. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Condition: Very Good-. First Edition (?). Unmarked, except for company stamp on front cover. ; Book Description; Spine has no signs of creasing. Pages are clean and not marred by notes or folds. Covers are square with minor wear. Ships Safe and Fast. ; Virginia Polytechnic Institute. Research Division. Bulletin 53; B&W Illustrations; 8vo 8" - 9" tall; 264 pages DI2.

Hardcover. Condition: As New. Dust Jacket Condition: Like New. **Please note: book is oversized and heavy, and will not be sent to international addresses.** 288p. Large 4to (10"x11.5") hardbound book in extremely clean bright condition throughout, including dust jacket in mylar. Published in tandem with the show of the same name at the National Gallery UK in 2006.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition, first printing. A fine copy in a fine mylar protected DJ. See my photos of the book you will receive, not stock photos. All books are wrapped in bubble wrap and shipped in a cardboard box. USPS tracking provided. #139.

Soft cover. Condition: New. Dust Jacket Condition: None Issued. Profusely Illustrated (illustrator). 1st Edition. This is New and Unread copy of the first edition (1st printing). More than 100 exhibited paintings are discussed. Why were artists drawn to Paris? How they responded to what they found there and what they retained of their experience. Includes Index. Bibliography. Notes on the artists and paintings,.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Oversized hardback book (288 pages) beautifully illustrated with numerous color reproductions. Dust jacket shows light rubbing. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (ULG3-TS-R) rareviewbooks.

Softcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. Profusely Illustrated (illustrator). Near Fine Book. No dust jacket. No marks on the text block. No marks of previous ownership or inscriptions.; 4to - over 9¾ - 12" tall.

Condition: As New. Unread book in perfect condition.

large sewn PAPERBACK, attractive copy, very good and little used if at all. ADLER, KATHLEEN / HIRSHLER, ERICA E. / WEINBERG, H. BARBARA. Americans in Paris, 1860-1900. Kathleen Adler, Erica E. Hirshler, H. Barbara Weinberg. London: National Gallery, 2006, 288pp., . With contributions from David Park Curry, Rodolphe Rapetti and Christopher Riopelle and with the assistance of Megan Holloway Fort and Kathleen Mrachek. - Published to accompany the exhibition of the same name held at the National Gallery, London, 22 Feb. - 21 May 2006, the Museum of Fine Arts, Boston, 25 June - 24 Sept., and the Metropolitan Museum of Fine Art, New York, 16 Oct - 28 Jan. 2007 - John White Alexander, Cecilia Beaux, James Carroll Beckwich, Frank Weston Benson, Nelson Norris Bickford, John Leslie Breck, Dennis Miller Bunker, Mary Stevenson Cassatt, Jefferson David Chalfant, William Merritt Chase, Charles Courtney Curran, Thomas Eakins, Mary Fairchild, Elizabeth Jane Gardner, Abbott Fuller Graves, Ellen Day Hale, Frederick Childe Hassam, Winslow Homer, Thomas Hovenden, William Morris Hunt, Anna Elizabeth Klumpke, Willard Leroy Metcalf, Hermann Dudley Murphy, Elizabeth Nourse, Charles Sprague Pearce, Maurice Brazil Prendergast, Theodore Robinson, John Singer Sargent, Julius LeBlanc Stewart, Henry Ossawa Tanner, Edmund Charles Tarbell, John Henry Twachtman, Harry van der Weyden, Frederic Porter Vinton, Robert Vonnoh, Julian Alden Weir, James Abbott McNeill Whistler. - CONTENTS: Contents: 'We'll always have Paris' : Paris as training ground and proving ground / Kathleen Adler -- At home in Paris / Erica E. Hirshler -- Summers in the country / H. Barbara Weinberg -- Assimilation and resistance 1880-1900 / Rodolphe Rapetti -- American art, American power at the Paris Expositions Universelles / David Park Curry -- American artists in France, French art in America / Christopher Riopelle. 9781857093063 ISBN 1857093062.

Soft cover. Condition: Very Good. ORIGINAL 1950 PUBLICATION; softcovers, comb-bound; light browning of covers and leaves; small light stain on lower edge of front cover; o/w contents in very good condition. Book.

Soft cover. Condition: Very Good. ORIGINAL 1950 PUBLICATION; softcovers, comb-bound; light browning of covers and leaves; o/w in very good condition. Book.

Softbound. Profusely Illustrated (illustrator). Color illustrated wraps. 288 pp. Profusely illustrated in color. A wonderful study with new scholarship and insights. Lists, illustrates and annotates over 100 works by your favorite artists, with many pictures drawn from private collections. As the center of the art world in the late nineteenth century, Paris was a magnet for American art students and artists. They flocked to the studios of French artists like Jean-Leon Gerome, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and taste makers. This beautifully illustrated book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting at the turn of the century. It includes iconic images by John Singer Sargent, James Abbott McNeill Whistler, Mary Cassatt, and Winslow Homer, and by many other artists whose names and work were more widely known then than now. Engaging essays written by notable scholars explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. In addition, the significance of the Expositions Universelles, the French view of American artists in Paris, and the role these artists played in shaping the great American collections of modern French painting are discussed. Featuring more than 100 paintings, the essays are followed by artists' biographies, an illustrated, annotated list of works, and a complete bibliography. VG. One copy has owner's writing inside front cover.

Hardcover. Brown boards with color illustrated glossy dustjacket. 288 pp., profusely illustrated in color. A wonderful study with new scholarship and insights. Lists, illustrates and annotates over 100 works by your favorite artists, with many pictures drawn from private collections. As the center of the art world in the late nineteenth century, Paris was a magnet for American art students and artists. They flocked to the studios of French artists like Jean-Leon Gerome, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and taste makers. This beautifully illustrated book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting at the turn of the century. It includes iconic images by John Singer Sargent, James Abbott McNeill Whistler, Mary Cassatt, and Winslow Homer, and by many other artists whose names and work were more widely known then than now. Engaging essays written by notable scholars explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. In addition, the significance of the Expositions Universelles, the French view of American artists in Paris, and the role these artists played in shaping the great American collections of modern French painting are discussed. Featuring more than 100 paintings, the essays are followed by artists' biographies, an illustrated, annotated list of works, and a complete bibliography. VG/VG small ownership stamp inside, VG/VG-, crease at top front of dust jacket.

Condition: New.

1344.ADLER H.E. 1969 BIRD LIFE (FOR YOUNG PEOPLE) 155PP. ILLUSTRATED. HARD COVER NO DUST JACKET ISSUED. VERY GOOD CONDITION. (BIRD-92).