Adam Storer (6 results)

Paperback. Condition: Used; Very Good. Christopher Gilvan-Cartwright (illustrator). ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Paperback. Condition: Used; Good. Christopher Gilvan-Cartwright (illustrator). **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condition: Good. Christopher Gilvan-Cartwright (illustrator). Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Minor shelf wear.

Paperback. Condition: Very Good. Christopher Gilvan-Cartwright (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: new. Paperback. This book focuses on the Geczy / Parr work, Film Noir Politique Blanche. Russell Storer writes that "the sequence of words in the title of this publication and essay, Bleed / Bled / Said, explicitly states the narrative impulse, and the temporal dimension, of Adam Geczy and Mike Parr's collaborative project, Film Noir, Politique Blanche. The artist's body, which is central to the practice of both artists, is located by the title both in the present and past. Geczy's film of Parr's 2002 endurance performance "Malevitsch: A Political Arm," where Parr had his arm nailed to the wall at Artspace and remained there for two days, forms the core of the installation. The artist's blood, be it the physical stuff or that of family, pulses through the work, but the terms "bleed / bled" also imply a flow outward, seeping beyond the edges and into other spaces. It is a visceral metaphor for the collaborative process, and for the ways that these two artists are attempting to rupture the forms of their own practice through an interrogation of each other, as well as of the contemporary cultural and political climate in Australia. Examines the collaborative artistic project between Adam Geczy and Mike Parr known as Film Noir Politique Blanche. They are attempting to rupture forms of their own practice through an interrogation of each other's, as well as of the contemporary cultural and political climate in Australia. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!