Papageorge, Tod (81 results)

Soft cover. Condition: Very good. No jacket. Cover edges are worn. Inside is clean and unmarked.

80 pages. Paperback: H 28.75cm x L 24.25cm. Cream colored paper covers lightly rubbed with minimal soiling; slight sunning to spine. Touch of foxing to text block's top edge. Interior pages are clean. Binding is firm. With articles regarding and/or by Colin L. Westerbeck, Jr., Tod Papageorge, William Garnett, Peter Plagens, Jan Groover, Ben Lifson, Laurie Anderson, Cecil Beaton, Jed Perl, Man Ray [Emmanuel Radnitzky], and Tristan Tzara.

First edition. Softcover. 80 pages. Articles includes a dialogue with Tod Papageorge and John Pilson, a portfolio of Lois Connor's images of Campania. Also features Martin Parr writing on Rimaldas Viksratis and images of a Lithuanian village. A very near fine copy in wrappers.

Soft cover. Condition: Very Good. 100 pgs. Includes articles on Gregory Battcock, Dorothea Rockburne, Michael Tetherow, "Signs" by Dan Graham, and more. Minimal wear.

Paperback. The Summer 1984 issue of Aperture magazine, No. 95, a tribute to Minor White, with: essays by Walter Chappell, Isabel Kane Bradley, Roger Lipsey, Evelyn Underhill, and Robert Adams and short pieces from Eugene Richards, Edward Ranney, Paul Caponigro, Robert Mahon, Abe Frajndlich, Peter Laytin, Haven O'More, Frederick Sommer, Ansel Adams, Barbara Morgan, Carl Chiarenza, and others. Also in the issue is a homage to Art Sinsabaugh, Tod Papageorge on Garry Winogrand, John Upton on Abe Franjndlich, and much more. Edited by Michael Hoffman and Carole Kismaric. First edition. Perfect-bound stiff card covers; 80 pages; b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with a light traces of shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

First edition. Softcover. 47 pages. Exhibition catalog for a show that ran March 24 through April 21, 1974. Preface by John J. Bareatte. Introduction by John Szarkowski. Includes information about and black and white images by Thomas Arndt, Oscar Bailey, Thomas Barrow, Harry Callahan, Mark Cohen, Judy Dater, Robert Fichter, Ralph Gibson, Emmet Gowin, Betty Hahn, Robert Heinecken, Harvey Himelfarb, Harold Henry Jones, Leslie Krims, Therold S. Lindquist, Tod Papageorge, Doug Prince, David D. Read, Stephen Shore, Aaron Siskind, Frederick Sommer, Carl Toth, Jerry N. Uelsmann, Todd Walker, and Garry Winogrand. A near fine copy in stapled wrappers that are lightly soiled and with the ownership signature of photographer Herral Long to the front cover. Internally a clean copy.

Exhibition Announcement Cards. This is not a book. The original announcement card for a lecture by Tod Papageorge in conjunction with an exhibition titled "In the Streets: Photography in New York Since the 1950's" or perhaps that is the title of the lecture. It was held at Fordham University, NYC, on December 7, year unknown. Stiff postcard, printed both sides; 6 x 4.25 inches. Condition: Good with soiling, light bumping to the corners, and a vertical crease. Laid-in is a 1973 article on a symposium including Papageorge that appears to have turned feisty. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Exhibition Announcement Cards. This is not a book. The original announcement card for a group exhibition of photographs titled "The Beach" and held at Zabriskie Gallery, NYC, July 10 - September 9, 2006. The front features an image by Tod Papageorge. The other photographers with work in the show included Harry Callahan, William Klein, Joel Meyerowitz, and Garry Winogrand. Stiff card, printed both sides; 9 x 4 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Condition: new.

Soft cover. Condition: Very good. No jacket. B/w Photographs (illustrator). Good shape. Front cover is lightly tanned with some scratch lines, not affecting legibility. Binding is tight and inside is clean and unmarked.

Magazine. Condition: Very Good. This single issue magazine is in very good condition; address labels on front cover. It does have some shelfwear and light stress creasing along the spine. Inside pages are clean. ; BOMB Magazine; 11 X 8.50 X 0.25 inches; 112 pages B003T0A2GK.

Hardcover. Condition: New.

Hardcover. Explores the relationship between contemporary photography and the family album photograph with portfolios of work by Richard Albertine, Robert Frank, Lee Friedlander, Emmet Gowin, Gus Kayafas, Wendy Snyder MacNeil, Joel Meyerowitz, Tod Papageorge, Nancy Rexroth, Henry Wessel, Jr., Garry Winogrand, and Bill Zulpo-Dane; plus text illustrations. Texts by Walker Evans, Steven Halpern, John A. Kouwenhoven, Lisette Model, Tod Papageorge, Paul Strand, and Judith Wechsler; edited with an introduction by Jonathan Green. First edition, first printing. 126 pages; b&w photographs throughout; 9.25 x 10.75 inches. Contributors biographies. Errata sheet laid in. Also issued as Aperture, Vol. 19, No. 1; this is the trade hardcover edition. Condition: Near Fine clothbound hardcover with crisp silver title to front and spine with a bump to two tips, a touch of wear to the extremities, and a photographer's bookplate to the front paste down in a Very Good+ dust jacket with a touch of wear at the extremities, sunning to the spine (as is common with this title), and a small tear/chip at the crown. Overall, a nice copy. All dust jackets are protected by a clear mylar cover. Ships the next business day, wrapped in padding, in a box.

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by Tod Papageorge titled "Passing Through Eden: Photographs of Central Park" and held at Pace/MacGill Gallery, NYC, April 5 - May 12, 2007. Stiff card, folded once to 4 pages; 7 x 5 inches. Condition: Fine. Laid-in is the gallery press release plus 3 short articles about the work and a longer piece about the photographer. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by Tod Papageorge titled "American Sports, 1970" and held at Pace/MacGill Gallery, NYC, June 11 - August 28, 2009. Stiff card, printed one side; 5 x 7 inches. Condition: Fine. Laid-in is the gallery press release plus a postcard announcing a talk and book signing with the photographer as well as 3 short reviews. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Exhibition brochure with 4 panels that unfold, each 6 x 9 inches; printed both sides; very good condition; an unmailed copy.

B/w Photographs (illustrator). First edition. Oblong softcover. 62 pages. Features an essay by Tod Papageorge. An exhibition catalog for a show at Yale that skillfully examined the effect that Walker Evans appears to have had on Robert Frank and shows various images by both that show the similarities. A fine copy in photo-illustrated wrappers.

Hardback. Condition: New. In 1975 Tod Papageorge made a cross-America trip that ended on the beaches of Los Angeles. There, taken by the blinding light, he produced some of his first medium-format (6 x 9 cm) photographs. In 1978 he returned to Los Angeles to expand on those first pictures and, in 1981 and 1988, on shorter visits, added yet again to this body of work. Here, he writes about "At the Beach":\n\n"I think that part of what these beach pictures are about is the difference between our preconceptions of a place and what, when we get there, that place turns out to be. In this case (of Los Angeles and its coastline), I think it's also fair to suggest that those preconceptions are particularly strong, shaped as they irresistibly have been by the movies and popular music. So, as a first point, what I wanted to do on this project was examine those preconceptions (at least as I conjured them) through the descriptive power of photography in order to pin down what two semi-myths - the world of surfers and the life of southern California beaches 'really' looked like.\n\n"To describe a place and yet at the same time reinvent it is a double intention on the part of the photographer that we should be used to by now when we look at and think about photographs. It seems to be a contradiction built into interesting pictures, if not the medium of photography itself. With these pictures, then, I worked with the belief that the closer I came to describing the literal nature of the place and people I was photographing, the more surprising the pictures that came out of that process might be. All while transforming (I hoped), the casual, unselfconscious physicality of these beachgoers moving from the boardwalks onto the sand and back again into form and meaning.\n\n"I'm speaking of what I hoped for the photographs, of course - they may not describe these things at all. But whether I'm right or wrong about these particular pictures, it should go without saying that a good photograph must, in some palpable sense, distinguish what it describes."\n\nTod Papageorge is an American photographer and teacher who began his photographic career on the streets of New York City in the middle-1960s. Between 1979 and 2013, he directed the graduate photography program at the Yale University School of Art. He is well-known for his photographs of Studio 54, a body of work from the late 70s that was published by Stanley/Barker in 2014.\n\nISBN 978-1-913288-59-4\nPages 112\nCover Hardback / Jacket \nSize 245x280mm.

First edition and first printing. Oblong hardcover. 131 pages. Features an essay by Tim Davis. A collection of 75 tritone images all taken in 1970, during the height of the Vietnam War and they serve as an interesting counterpoint. A fine copy in a fine dust jacket. Signed by Papageorge on the half title page.

Condition: Gut. 01. 112 S. Schutzumschlag an Ecken oder Kanten leicht berieben, kleiner Riss auf Vorderseite. Einband mit leichten Gebrauchsspuren. Einband an Ecken oder Kanten leicht berieben oder angestoßen. Schnitt leicht vergilbt. 275 Sprache: Englisch Gewicht in Gramm: 300 Gebundene Ausgabe, Maße: 0 cm x 0 cm x 0 cm.

Hardcover. Condition: Fine. First Edition, First Printing. Quarto. 11 x 12 in. [136 pp.] Profusely illustrated with color reproductions of photographs. Fine in original cloth boards.

First edition, first printing. Oblong hardcover. 110 pages. Introduction by Tod Papageorge who selected the images for the book from a larger group of photographs that were exhibited at The Museum of Modern Art. Includes 75 black and white images. A near fine copy in cloth boards with a small former owner signature to the front free endpaper in a near fine dust jacket with some minor wear and a small tear to the top of the rear panel.

hardcover. Condition: Nuovo (New). Nuova edizione (New Edition). U testo e fotografie in bianco e nero di Tod Papageorge . Cm 25,5x20. pp. 120. . Nuovo (New). . Nuova edizione (New Edition). . Studio 54 di Tod Papageorge ci porta all'interno del club più famoso di New York. Alla fine degli anni '70 lo Studio 54 era il luogo più frequentato della città, con migliaia di persone tra cui modelle, attori, rockstar, artisti, stilisti e politici. Le splendide fotografie di Papageorge sono piene di tutta la decadenza e il glamour che ci si aspetta dalla New York del 1970.Mentre la maggior parte dei fotografi era lì per cercare esclusivamente i ricchi e i famosi, le immagini di Papageorge trascendono l'ovvio, trasformando lo scintillio in qualcosa di simile alla poesia.Questa nuova edizione limitata in oro di Studio 54 celebra i 10 anni dalla sua prima pubblicazione da parte di STANLEY/BARKER nel 2014. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardbound in dust jacket.

Soft cover. Condition: Very Good. Slim quarto, 31pp, half-tone photographic reproductions, publisher s pictorial wrappers (rubbing largely to edges, else very good).

Hardcover. Condition: Very Good. Dust Jacket Included. 1st Edition. FIRST EDITION. New York: Museum of Modern Art, 1977. Hardcover in dust jacket. Dj a bit soiled with slight edge-wear, else very good overall condition. The scarce HARDBACK edition. No marking, etc., NOT EX-LIBRARY. (pc).

Hardcover. Condition: Near fine to fine condition. First edition. Quarto. (6)pp., 105 plates, ix, 10pp., Original black cloth with gilt lettering on cover and spine, in photo-illustrated dustjacket, black lettering on spine. Marine blue endpapers. "Mid-spring, mid-morninginto the park and downtown through the shimmering air, each flush and pulse of light flashing quicksilver through a net of dust, leaf and pollen. Step by step, a camera hanging from my neck beats my heart." (Papageorge from a notebook dated 1978). Illustrated with full page b/w photographs throughout with an essay by Papageorge and list of plates with thumbnail photographs at rear. Light smudge at foredge of last twenty pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very good, clean, tight condition with usual EX-LIBRARY features. Jacket in mylar cover. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Original Decorative Card-Board. Condition: Very Good. 62pp. Richly illustrated. Insignificant corner bent. Small Hebrew inscription on flyleaf. Otherwise a fine copy.

Tapa Dura. Condition: New. Studio 54 de Tod Papageorge nos lleva al interior del club más famoso de Nueva York. A finales de los años 1970, 54 era el lugar para ser visto, atrayendo a miles de personas, entre las que se encontraban regularmente modelos, actores, estrellas de rock, artistas, diseñadores y políticos. Las exquisitas fotografías de Papageorge están llenas de toda la decadencia y el glamour que uno esperaría de la Nueva York de los años 70.Si Bien los fotógrafos eran comunes, la mayoría estaban allí simplemente para buscar a los ricos y famosos, las imágenes de Papageorge trascienden lo obvio, transformando el brillo en algo parecido a la poesía.Esta nueva edición dorada limitada de Studio 54 celebra 10 años desde su primera publicación por STANLEY/BAKER en 2014.?Las 66 fotografías de este libro fueron tomadas entre 1978 y 1980 en Studio 54, una discoteca de Nueva York que, durante esos años, era el lugar para estar y ser visto, como las celebridades, los fiesteros y los locos por el baile que la llenaban. todas las noches estaban felices de demostrarlo. Como era de esperar, dada su reputación (que rápidamente adquirió notoriedad durante una corta existencia de 33 meses), era difícil entrar: los imperturbables porteros que repartían el acceso como si estuvieran controlando el paso a un reino fabuloso se aseguraban de que fuera ser. Sólo los famosos o los socialmente conectados podían asumir que se encontrarían ahuyentados entre la bandada de celebrantes esperanzados que se arremolinaban en el lado de la calle de la cuerda de terciopelo y guiados a través de la puerta; de lo contrario, lo que más probablemente ayudaría sería ser bella. Una vez dentro, sin embargo, todos parecían emocionados por el hecho, sin importar cómo lo hubieran logrado, una emoción alimentada por la música vibrante y los interiores brillantemente diseñados, que, en una noche de fiesta, podrían sugerir cualquier cosa, desde la cueva de Caliban hasta un harén. .? Libro, Book, Buch. Livre.