B Ruby Rich (96 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

hardcover. Condition: As New. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

paperback. Condition: Good. Some markings in a trade paperback.

Paperback. xi, 214p., very good first edition trade paperback in pictorial wraps. On the New Zealand matricide involving Ann Perry, the basis of Peter Jackson's film "Heavenly Creatures".

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists.As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movement from its origins in the mid-1980s all the way to the present in essays and articles directed at a range of audiences, from readers of academic journals to popular glossies and weekly newspapers. She presents her insights into such NQC pioneers as Derek Jarman and Isaac Julien and investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk. In addition to exploring less-known films and international cinemas (including Latin American and French films and videos), she documents the more recent incarnations of the NQC on screen, on the web, and in art galleries.

Condition: As New. Unread book in perfect condition.

Cloth. Condition: Fine. No Jacket. First Edition. 419 pp, illustrations, end notes, index, remainder mark to bottom edge, apparently issued without dust jacket.

paperback. Condition: LikeNew. Used Like New, no missing pages, no damage to binding, may have a remainder mark.

Soft Cover. Condition: Like New. © 1995 by OPA (Overseas Publishers Assoc. 102 + pp. Vol. 1, No. 4, 1995 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear.

Soft Cover. Condition: Like New. 125 + pp. Vol. 1, No. 2, 1994 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear.

Softcover/Paperback. Condition: Fine. First Edition. Twenty-two long, idiosyncratic essays: Maya Deren, Leni Riefenstahl, Carolee Schneemann, Chantal Akerman, Julie Christie, documentaries, decades, sexuality and genres; inscribed by the author in 1999. Pictorial wrappers. Fine. book.

Soft cover. Condition: As New. 1st Edition. Radical America: Volume 15, Number 6, November-December 1981, "Reviewing Radical History." Editors: Frank Brodhead, Paul Buhle. Contributors: Jorge A. Bustamente, James D. Crockcroft, B. Ruby Rich, Jim O'Brien, David Gerber, Linda Gordon, Joseph Interrante. Publisher: Alternative Education Project, Inc.; Somerville, MA. Stapled softcover magazine with colored card-stock covers and black and white illustrations. 88 pages. Text clean. No issues. As new.

Softcover, staple-bound exhibition booklet, 32 pages, very good condition; light rubbing to covers; no internal marks.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Soft Cover. Condition: Like New. 190 + pp. Vol. 5, No. 4, 1999 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, occasional markings on text, and very light shelf wear. Relevant newspaper article placed by previous owner included.

Soft Cover. Condition: Very Good. 144 pp. Vol. 4, No. 1, 1998 issue only! ISSN 1064-2684. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Stain on front cover.

Soft Cover. Condition: Very Good. 177 pp. Vol. 2, Nos. 1-2 issue only! ISSN 1084-2884. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers.

PAPERBACK. Condition: VG. 35 PAGES.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Essays "Secret Vices: Richard Hampton on Peckinpah," by Howard Hampton; "Undertone: B. Ruby Rich on Standing by Your Girl," by B. Ruby Rich; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Commedia Dell'Arte: A Project for Artforum," by Peter Bagge; "Curies' Children: Vilém Flusser on Progress," by Vilém Flusser; "Democracy, Inc.: David Theo Goldberg on Apartheid in the Press," by David Theo Goldberg; "All Fives, Sevens, and Nines: Walter de Maria," by Lars Nittve; "Engendered Species: Danny Tisdale and Keith Piper," by Kobena Mercer; "On the Road to Kassel"; "News from Nowhere: Bond and Gillick," by Giorgio Verzotti; "Moira Dryer's Dream Catchers," by Rosetta Brooks; "Second Nature," by Norbert Messler; "Absence Made Visible: Robert Ryman," by Thomas McEvilley; "Marisa's Swing," by Germano Celant; "Truths Told Slant: Sally Mann," by Melissa Harris. Reviews by Giorgio Verzotti, Olivier Zahm, Ida Panicelli, Howard Hampton, B. Ruby Rich, Greil Marcus, Peter Bagge, Vilém Flusser, David Theo Goldberg, Lars Nittve, Kobena Mercer, Giorgio Verzotti, Rosetta Brooks, Norbert Messler, Thomas McEvilley, Germano Celant, Melissa Harris, Lisa Liebmann, Thad Ziolkowski, Donald Kuspit, Keith Seward, Matthew Weinstein, Jan Avgikos, David Rimanelli, Justin Spring, John Yau, Jenifer P. Borum, Lois E. Nesbitt, Ronny Cohen, Francine Koslow Miller, Elizabeth Licata, Judith Russi Kirshner, James Yood, Amy Gerstler, Amelia Jones, Colin Gardner, Linda Genereux, Mario de Candia, Francesca Pasini, Miriam Rosen, Olivier Zahm, Jean-Pierre Criqui, Johanna Hofleitner, Anne Krauter, Claudia Jolles, Noemi Smolik, Sabine B. Vogel, Peter Funken, Frank-Alexander Hettig, Jos Van den Bergh, Timo Valjakka, Michael Archer. Cover: Nicola De Maria.

24 pp.; 23 x 16 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; March 1981 issue of Profile, "an idea-oriented publication devoted to an exploration of artists' ideas by the artists themselves." -- from colophon, published bimonthly by the Video Data Bank. Edited by Lyn Blumenthal and Kate Horsfield. Contents include: "On Art and Artists: Agnes Martin '74," interview with Kate Horsfield; "Notes on GABRIEL (excerpts from review)," by B. Ruby Rich; "On Art and Artists: Agnes Martin '76," interview by Kate Horsfield and "Bibliography." Cover photo of Agnes Martin by Joan Boccino. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 287. Very Good. Light yellowing at spine. COMPLIMENTARY COPY rubberstamp on front cover. Includes subscription form insert. Contents clean and unmarked.

24 pp.; 23 x 16 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; March 1981 issue of Profile, "an idea-oriented publication devoted to an exploration of artists' ideas by the artists themselves." -- from colophon, published bimonthly by the Video Data Bank. Edited by Lyn Blumenthal and Kate Horsfield. Contents include: "On Art and Artists: Agnes Martin '74," interview with Kate Horsfield; "Notes on GABRIEL (excerpts from review)," by B. Ruby Rich; "On Art and Artists: Agnes Martin '76," interview by Kate Horsfield and "Bibliography." Cover photo of Agnes Martin by Joan Boccino. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 287. Good / Very Good. Mild soiling to covers. Contents clean an unmarked.

First edition. 8vo; 35 pp.; illustrated. Owner's name; else a very good copy or better in original wrappers. From the library of film historian James Monaco.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, Chick Flicks-with its definitive, the-way-it-was collection of essays-captures the birth and growth of feminist film as no other book has done.For over three decades Rich has been one of the most important voices in feminist film criticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in the Village Voice, Elle, Out, and the Advocate, and her commentaries on the public radio program 'The World' have secured her a place as a central figure in the remarkable history of what she deems 'cinefeminism.' In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex, and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women's involvement in cinema but of one of its key players as well.The first book-length work from Rich-whose stature and influence in the world of film criticism and theory continue to grow-Chick Flicks exposes unexplored routes and forgotten byways of a past that's recent enough to be remembered and far away enough to be memorable.