Thomas Feulmer

Thomas Feulmer is a curator based in Dallas, Texas. Since 2004, he has worked at The Rachofsky House and The Warehouse, Dallas (both extensions of The Rachofsky Collection) where he is currently Curator. In 2022, he curated Sound as Sculpture, which, among other artists, featured the most comprehensive presentation of Nancy Holt’s audio work to date. Among his curatorial projects outside The Warehouse is Modern Ruin (co-curated with Christina Rees in 2011)—a two-day exhibition in a never-used WaMu bank building abandoned after the 2008 financial crisis. He is co-curator (with Lisa Le Feuvre) of the current exhibition at The Warehouse —For What it’s Worth: Value Systems in Art since 1960—that includes 80 artists from across generations and geographies that generate, question, and infect value systems through their work.