Antonio Grande

Antonio Grande studied composition (F. Donatoni) and musical analysis (M. De Natale). Since 2018 he has been Director of the International Journal of Musical Analysis and Theory (RATM). His latest publications include “Neo-Riemannian analysis of Liszt’s Un Sospiro. A glance into the future”, in B. Chapkanov (2023) (ed.), Transformational Analysis in Practice. Music-analytical studies on composers and musicians from around the world, Vernon Press, pp. 5-22; “Temporal Perspectives in Scriabin’s Late Music” in V. Kallis & K. Smith (2022), Demystifying Scriabin, Boydell & Brewer, UK; Una rete di ascolti. Viaggio nell’universo musicale neo-Riemanniano (Aracne 2020), a wide-ranging investigation, for the first time in Italy, into this new theoretical/analytical approach.

He has taken part as a speaker in several international conferences, such as Música Analítica (Coimbra 2023), HarMA Seminar Event (Danzica 2023), EuroMAC 2021.

He has given Erasmus lectures at several Conservatories or international Institutions.

He teaches analytical subjects at the Conservatorio "G. Verdi" in Como and in postgraduate courses at the University of Calabria.