Mr. Gary Nicholson

Gary McElroy Nicholson was born in Mobile Alabama July 1 1954. He went to Catholic schools and went to McGill Institute for high school. He studied art under Nolen/Schmidt in 1974 and later studied at the Art Institute of Seattle.

An interview with R. Wayne Steiger:

https://www.youtube.com/watch?v=NdNNbIZuKfw&t=78s

If you’ve read this far I thank you. I hope you enjoyed reading my

work. Writing is an enjoyable challenge. Editing is a

nightmarish chore. A breakdown in computers was the worst of it. Flash

drives helped me keep it together. After the scull grinding effort it’s going

back and checking everything.

If you decide to write novels be prepared. Publishing is another

nightmare. Stay clear of self-publishing scams. Barnes and Noble and

Amazon do not charge and in the end you get more for you efforts.. It’s

hard work and frustrating to upload material. Designing a book cover is

not easy. I struggled for days with formatting failures only to have them

come back to redo everything. If you don’t mind frustrating failures in the end

it is rewarding.

After it is all said and done be prepared to have sharks calling you

with elaborate proposals. It’s part of the game. Do not give them money.

There are too many traps and it’s endless. Keep your dream alive and

remember when you connect with readers it is a fulfillment.

Morgan Owain Morgan-Jones

5.0 out of 5 stars Nothing begins ’til you get there

Reviewed in the United States on April 2, 2019

As with fashion – not couture, but vogue, avant-garde – that which is most striking is least expected. To penetrate widespread malaise, ennui, complacence, discontent, indifference, it is imperative to shock. Through its unflinching originality, defying all contrivance, Jonny Strongbow delivers a tour de force of spontaneous discourse punctuated deliberately, precisely, by what appears simple yet masterful stage directions, revealing reconfigurations of performers, changes in action and position, and modifications in nuance of tone, sound, and lighting, all so seemingly effortlessly, so naturally, one feels compelled to carry on, lest one lose a breath, skip a beat of the heart. Thoroughly content just as it is presented, the relentless vigour, the dynamic ardour of this work would appeal as well both to cinema and to stage. Jonny Strongbow is more than than you can imagine. You really have to be there before you the sublimity of its power woos you, then wows you, then blows you away.