Andrea Jackson

I graduated from Yale Law School and practiced law for about twenty years. Then I changed direction, earned an M.F.A. in Creative Writing from the University of Missouri – St. Louis, and became a writer. My fiction and poetry have been published in many journals, in print and online, and my work has been nominated twice for a Pushcart Prize. I live in St. Louis, Missouri, with my husband of 50 years. We have two adult children and five grandchildren.

ABOUT MY NEW BOOK:

WHO AM I AND WHERE IS HOME? AN AMERICAN WOMAN IN 1931 PALESTINE

My mother, Celia Antopolsky, grew up in Brooklyn, a child of immigrants. As a student at New York University, she won recognition as a talented poet.

Celia saved every letter she received during her long life (1906-2000), and drafts of many letters that she had written. Those hundreds of letters, along with my own memories as well as insight from conversations with friends and family, were the raw material from which I distilled the story of her life.

In the end, I chose to focus on a period of one year (1930-1931) during which she lived in Palestine. Palestine was then controlled by Great Britain under a mandate from the League of Nations to preserve the region as a “national home for the Jewish People.” During that year my mother corresponded with friends and suitors back home in New York. The letters reveal the personalities of her friends, of her two primary suitors, and of my mother herself. In them are the germs of tendencies and conflicts that would continue throughout her life.

I let the letters speak for themselves so that the reader may have the fun of drawing his or her own conclusions about the characters in the story. These letters date from a time when writing and receiving letters were sources of entertainment for sender and recipient alike, and are written with the zest of 20-somethings who see their lives as new, exciting adventures. I edited them for length, arranged them to make the story more easily understood, and supplemented them with my original material, brief excerpts from other sources for context, and authentic photographs such as the one on the cover.