G. H. Rabbath

G.H. Rabbath Ph.D., is an art activist who uses writing and photography as a performative and participative art action. He taught Cognitive Science and Art Theory in a Beirut University, and his Ph.D. Thesis was referenced in philosopher Jean Clam's Orexis. G.H. Rabbath engaged in several meta-artistic interventions in the art world since 2009 and the publication of 'Can One Man Save the (Art) World'. In 2010 he curated M. Obaidi's latest show in Art Dubai along side publishing 'Mr Obaidi and the Fair Skies® Corporation' that addressed the neuroscience of racial bias in relation to conceptual art. And In 2011 he obtained the officials nominations of curator and commissioner of the Lebanese Pavilion for the 54th Venice Biennial, and created 'institutional void' in the Arsenale as part of a neo-Situationist project, and which he documented on thestateofmind.be and ghrabbath.wordpress.com. Other interventions took place in L.A, Copenhagen, Helsinki, Sharjah. In 2013 he obtained directorship of art project spaces in Beirut where he launched The Better World Project which can be seen on saatchiart.com/ghrabbath, along with his other art photography. In 2015, he launched peacerunners.org a writing and photography project about runners and athletes, in collaboration Beirut Marathon. See his Art+ project on facebook.com/ArtPlusSign

His latest and ongoing performative writing project 'Forever Weep Your Children' started as a collaboration with fellow Houston-based visual artist Nazar Zaki Yahya, and is meant as a poetic never-ending text about Al-Andalūs and contemporary art.