Tanner Mirrlees

Tanner Mirrlees is an Associate Professor and current Director of the Communication and Digital Media Studies program in the Faculty of Social Science and Humanities at Ontario Tech University.

Mirrlees earned a PhD from York University and Toronto Metropolitan University’s Joint Graduate Program in Communication & Culture, and won the prestigious Governor General’s Gold Medal Award for achieving the highest academic standing in the program. Mirrlees is a past president of the Canadian Communication Association (CCA) (2020-2022), a past organizer of the CCA’s annual conference for the Congress of the Federation for the Humanities and Social Sciences (2018-2020), and currently serves on the Board of Directors for the Canadian Journal of Communication and the US-based critical media studies journal, Democratic Communiqué. Mirrlees is also a member of many national and international research communities: the Petrocultures Research Group, The Tech Lobby Project, the Creators4Change Studio, the Centre on Hate, Bias and Extremism (CHBE), the Digital Life Institute, the Global Labor Research Centre, and the Centre for Commons Organizing, Values, Equalities and Resilience (COVER).

Mirrlees is the author or co-author of numerous publications, including Work in the Digital Media and Entertainment Industries: A Critical Introduction (Routledge, 2024), Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization (Routledge, 2013), Hearts and Mines: The US Empire's Cultural Industry (UBC Press, 2016), and EdTech Inc.: Selling, Automating and Globalizing Higher Education in the Digital Age (Routledge, 2019). Mirrlees is also the co-editor of Media Imperialism: Continuity and Change (Rowman & Littlefield, 2019), Media, Technology, and the Culture of Militarism (Democratic Communiqué, 2014), and The Television Reader (Oxford University Press, 2012).

Mirrlees’ current inter-disciplinary research encompasses: the international political economy; Empire and the cultural and technology industries; energy sustainability, environmental media and green technology; creativity; work and labor in the digital media and entertainment industries; war, military futurism, and media technologies; educational sociology and the EdTech industries; social media platform activism, from the socialist Left to the far Right; globalization of entertainment; Internet, platform and AI law, policy and regulation; political communication, PR, propaganda and soft power; popular culture, media representations, and ideology; video games and society; science, technology and society (STS) studies; techno-politics and ethics; critical theory of technology.