The Norse Codex, with its prologue and story within a story, has elements
of metafiction, including use of parody and irony, techniques borrowed from
Thomas Pynchon and Kurt Vonnegut. Also, the attempts at fake news in order
to create and sell religious relics, as well as the Vikings spreading plague into
the New World to create a pandemic, mirror certain realities of our times.
Moreover, the character of Prince Jobst is not the arrogant alpha-male often
featured in more conventional historical romances. He is a follower of Erasmus
and seeks to bring the rule of law back to Bologna. His lover, Lady Elena, is
not the type of heroine who lives to satisfy Prince Jobst's obsessions, to include
the pursuit of patriarchal power. Rather, Lady Elena is the former student of Titian
and a gifted artist. She is a free spirit whose actions and insights unite the two
narrative threads of The Norse Codex.