Angel Kalenberg (55 results)

21,5 x 21,5 cm ; kart. . Condition: Akzeptabel. 82 S. ; Spanichsprachige Paperbackausgabe, 82 Seiten mit zahlreichen Abbildungen. Wenige Seiten an der Unterkante mit einem Fleck außerhalb von Text und Abbildungen, sonst gutes Exemplar (algunas páginas con una mancha en el borde inferior fuera del texto y las ilustraciones, por lo demás, una buena copia). pw391A.…

Hardcover. Condition: Very Good+. No Dust Jacket. First Edition. The book has library/discard markings, with inscription to front endpaper; otherwise looks unread: tight and bright with unmarked text and barely rubbed illustrated boards. This single volume ends with a chapter titled Barradas: el desasosiego. Bilingual text. An impressive gallery.; 1; 9.75 x 13.25"; 223 pages.…

Softcover, 106 pages; in Spanish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, staple-bound, 8 pages; in Spanish; very condition; clean and crisp; no internal marks; a signed business card from the artist is paper clipped to first page. Foreign shipping may be extra.

Softcover, 52 pages; in English, Spanish and Italian; condition; clean and crisp; no internal marks. Foreign shipping may be extra.

28x24. 233 pags. Muy ilustrado, color. Texto en castellano e inglés. Cartoné ed. ilustrado con lomo en tela.

Soft cover. Condition: Near Fine. No Jacket (as issued). 1st Edition. From the 2005 Chicago exhibition. pFully illustrated. Text in English and Spanish.

Hardcover. Condition: Near Fine. 4to. 192 pp. Near fine. Slight rubbing to boards, subtle wave to leaves, and mild bumps to corners. Text in Spanish and English.

Hardcover. Condition: Fine. Leichte Gebrauchsspuren. Fotos aéreas con breves descripciones del paisaje y la historia de Uruguay.

Condition: Casi nuevo. 2003. Catálogo de la exposición celebrada en la Fundación César Manrique. Teguise (Lanzarote) entre Febrero y Abril de 2003. 27 cm. 191 pp. Buenas reproducciones en color de las obras expuestas. Encuadernación en tapa blanda de editorial ilustrada. Idiomas: Español e inglés. LIB 11D. …

Softcover, unpaginated; in Spanish; very good condition; light rubbing and edgewear to covers; 1 page creased at lower right corner; no internal marks. Foreign shipping may be extra.

kart. Condition: Akzeptabel. 22 x 22 cm ; Um 1980. Paperbackausgabe, Text in deutscher und spanischer Sprache, 60 Seiten mit zahlreichen Abbildungen. Erstes und letztes Blatt etwas fleckig, sonst gutes Exemplar. pwRegal-HH.

Hard Cover. Condition: Very Good -. First Hardback Edition. 250 x 305mm. pp. 189. Spanish and English text. First hardback edition of 'Uruguay: Una Mirada Desde el Cielo = A View from the Skies'. Lavish colour photographic illustrations throughout. Bound in original pictorial boards. No dust jacket [as published]. A llittle light wear, otherwise clean. Binding strong. No ownership inscription or underlining. See images. 1.43kg. Extra postage overseas. Testoni Studios (illustrator).…

Encuadernación de tapa dura. Condition: Bien. Tapa dura. Buen estado. Fotografías color. Historia del Arte. Catálogo exposición.

67 p 31 cm Encuadernación editorial en rústica con solapas. Estado de conservación: Muy bien.

Hardcover. First. 4to, pictorial paper-covered boards. 192 pp, 42 color plates, 45 text figures and photographs, chronology, bibliography. Texts in Spanish and English. Very good except for light cover soil and a bump to the bottom of the spine.

Paperback. Condition: Good. Softcover. Shelf wear. Binding slightly cocked. Signature on front end page, possibly by one of contributors.

Hardbound. First. Color pictorial boards, 192pp, profuse color and BW illustrations. Text is in Spanish and English. From the foreword--Julio Gonzalez is considered to be the father of iron sculpture and forged his style in a desire to incorporate space and time into his work, changing the meaning of iron, which he endowed with new constructive and expressive values, modelling volume, constructing space and welding the constructive elements together. The complexity of Gonzalez's personality and oeuvre, as in the best creators of the Spanish avant gardes, led him to maintain an essentially conflictive relationship between tradition and modernity, which is perhaps why it was so fruitful. This conflict between tradition and modernity affects him in every aspect, including the technical, because he was after all a craftsman trained to work in industry, where the hammer and the anvil were combined with autogenous welding. There is also a conflict between naturalism and abstraction or, in other words, between figuration and an analytico-conceptual approach. VG, bottom of boards has a dent on either board, as if dropped on an edge.…

Hardcover without dustjacket as issued, 202 pages, in Spanish with English at rear; good to very good condition; bump/abrasion to edge of boards opposite spine; light wavyness to pages; otherwise clean and crisp; no internal marks. Foreign shipping may be extra.

Encuadernación de tapa dura. Condition: Bien. 1� Edición. Generalitat Valenciana, Valencia, 1999. Arte. Profusamente ilustrado. 233 pp. 29 x 24. Tapa dura de editorial ilustrada con tela en lomo. Sin subrayados ni anotaciones. Buen estado de conservación. ISBN: 8448220463.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. A Very Good copy of the First Edition hardcover in jacket (light reading and shelf wear).

Encuadernación de tapa blanda. Condition: Excelente. Catálogo de la exposición realizada en 1969 en el Museo Nacional de Bellas Artes de Buenos Aires con los fondos del MoMA de Nueva York. Textos de Samuel Oliver, Ángel Kalenberg, Berenice Rose. 36 pp.Rúsica.

IVAM, Valencia 2007. 4to. 223 pages. Orig. boards. Near Fine-.

Okrt., 191 S., Gr8°. (Gutes Exemplar)., Mit englischer Übersetzung der Texte (tradduccion Margart Clark). 1500 gr. 0.0.

Paperback. Condition: Very Good. Tight and clean with minimal wear.

Condition: Bueno. 127 pág Cartoné Bueno Libro de fotografía que mezcla el arte con la robótica.

paperbound, 4to 136 pp, ca.100 ills. exhibition catalogue; very good condition.

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. Montevideo, Museo Nacional de Artes Plásticas - Parque Rodo, 1974. 32 páginas. Texto de Ángel Kalenberg. Ilustrado. Ex colección Héctor Francia. Rústica original.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 92p. 18,5x18,5 cm. Ilust. en b/n. Tiraje de 1500, siendo este el nº1250. B4.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Hardcover. Condition: New. Dust Jacket: New. First Edition. "The proliferation and diffusion of mestizo themes have become universal.Drawing on the historical and cultural reality of Colombia and in the best Latin American tradition, Ana Mercedes Hoyos develops her work in the labyrinth of pictorial crossbreeding-- a crossbreeding of images." In these words from the thrilling critical essay that opens this book, Ángel Kalenberg describes the evolution of this great Colombian artist and her place in world art.This book, which represents the first comprehensive retrospective show of her painting and sculpture ever published, confirms his judgement. It deals with a distinguished career which led the Colombian artist from her early stage of "windows" and "doors" to a series of "atmospheres," in which she seems to leap through the frames of her earlier paintings to find herself before the light that is on the other side and was merely hinted at before. The white canvases of her "atmospheres"-- luminous, sparkling and full of matter-- in turn fulfill their cycle, opening the way for a further stage which is marked by the recuperation of the object and a new and fresh approach to nature. This is the moment when her daring and unrestrained "sunflowers" appear, whose pigmentation follows the line of the great, visceral colorists, like Van Gogh and Gauguin, who define a realm where chromatic values rule with the same rights and duties as form. These give way to her recent work, which features colorful still lifes inspired by the Afro-Colombian women fruit-vendors from San Basilio de Palenque, who, with their bowls of fruit gracefully balanced on their heads, form a picturesque sight on the beaches of the fabled Caribbean port of Cartagena. In her current stage we also observe her passionate interest in the culture of this fascinating ethnic group, whose personages and customs absorb her interest and fill her canvasesAs this retrospective clearly shows, every stage of the work of Ana Mercedes is a testimony to her passion for her calling and her strong commitment to the world in which she lives.…