I had an interesting childhood. Born in the mountains of north Georgia
at a time when almost nobody there had luxuries like running water,
indoor toilets, and electric lights, I grew up without television. It
was a great advantage. I had adventures. I played in the woods, rode
in wagons pulled by mules, and went to Primitive Baptist churches. I
even picked cotton a few times.
For entertainment, we told stories. Some of the stories were family
history, like how my father met my mother on his way to marry another
girl. Others were funny stories, and some were hunting yarns. Best of
all, however, were the scary tales my grandfather told us as night
moved in-stories of ghosts and mountain lions and people buried alive.
Those in the last category were made all the more scary by my
grandmother’s absolutely true stories of the dead folks she had “laid
out” back before mountain people began using undertakers. She said
there was one corpse who never got cold under the arms. I suppose I
began to absorb the basic elements of storytelling during those
sessions.
When my parents got me in school around age nine and I learned to
read, I discovered a world of new stories in books. Soon I began
reading to my sister and younger brothers. Eventually, I began to make
up my own stories, sometimes to entertain them and sometimes just for
myself. I didn’t write my stories down. They mostly worked out my
dreams of getting an education and moving far away from the Georgia
mountains to some interesting and exciting places.
It wasn’t until I’d finished college, taught school for eight years,
and become a wife and mother that I tried writing. My husband,
Benjamin, and two sons, Ben and David, encouraged me all the way. When
my first story came to me, it was rooted squarely in the Georgia
mountains and the kind of country people I had grown up with. I’d
finally realized that I was a part of those people and that I felt
good about it.
My stories start with a picture, or sometimes several pictures, in my
mind. There is generally a main character, but I don’t know much about
him or her until I begin writing. What I am usually very sure of is
the setting. It’s almost always rural. I’m a country woman, and I feel
more at home surrounded by trees and fields, and so do my characters.
My stories frequently involve families, because family is so important
to me.
Almost all my stories have funny parts and scary parts because I love
these elements in the stories I read. Dogs frequently show up too,
even when I haven’t planned them. You might guess that I’m a dog
lover. My dog, Bo, is a member of our family. I talk to him and (don’t
let this get out) I sometimes talk for him.
When I visit schools, I tell students to go for their dreams-whether
those dreams are to write, paint, make movies, or fly jets. I’ve found
out through my own experience that people can do the wonderful things
they want to do, if they’re willing to work for their dreams.