No matter what anyone claims, writers are made, not born, and what and how they write is the result of just how they were made… or how they made themselves.  I began by writing poetry, which was published only in small magazines, and then went on to write administrative reports while I was a U.S. Naval aviator, followed by research papers, speeches, economic and technical studies, and policy and briefing papers. Along the way, I’ve been a delivery boy;  a lifeguard;  an unpaid radio disc jockey;  a U.S. Navy pilot; a market research analyst; a real estate agent; director of research for a political campaign;  legislative assistant and staff director for U.S. Congressmen;  Director of Legislation and Congressional Relations for the U.S. Environmental Protection Agency;  a consultant on environmental, regulatory, and communications issues;  a college lecturer and writer in residence; and unpaid treasurer of a civic music arts association.
                   
                      As a result, my writing tends to incorporate all of the above, in addition to the science fiction I read from a very early age.  After more than eighty published novels, and fifty short stories, it’s fairly clear to me that “what kind of writer” I am for readers tends to depend on which of my books each reader has read.
                   
                      Along the way, I’ve weathered eight children, a fondness for three-piece suits [which has deteriorated into a love of vests], a brown Labrador, a white cockapoo, an energetic Shih-tzu, a plethora of scheming dachshunds, a capricious spaniel, a crazy Saluki-Aussie, and three very individualist cats. In 1989, to escape nearly twenty years of occupational captivity in Washington, D.C., I escaped to New Hampshire.  There I was fortunate enough to find and marry a lovely lyric soprano, and we moved to Cedar City, Utah, in 1993, where she directs the voice and opera program at Southern Utah University and where I attempt to create and manage chaos in the process of writing.