artmaking as embodied enquiry
Language: English
Published by Intellect, GB, 2026
- Softcover
- New
Seller: Rarewaves.com USA, London, London, United KingdomRarewaves.com USA
AbeBooks seller since June 11, 2025
Condition: New
£ 43.60
Quantity: Over 20 available
Add to basketItem description from seller
What can a fold be? Virtually anything and everything.For centuries, folds and folding have captured the world's imagination. Folds readily appear in revivals of the ancient craft of origami, amid the simplest acts of pedestrian life, within the philosophical turnings of the mind, and in art, design, architecture, performing arts, and linguistics around the world. What awaits our understanding is how deeply the fold figures into embodiment, into our very impulse to create.This book is about folding as a vibrant stimulus for inter/trans/postdisciplinary artistic research, whether for the performative, for product realization, or simply to enliven body, mind, and spirit. Destined for artmaking - for making any art - the f/old practice etches into the very fabric of embodiment. As such, the f/old reaches outside the constraints of disciplinary silos into nice areas that embrace the unknown, with all its underlying tensions and ambiguities. In conceiving of art made differently, two seasoned facilitators Susan Sentler and Glenna Batson share the abundance of their decade-long collaboration in developing their approach to practice research in the fold. In addition to their insights, they invite eight of their collaborators to contribute, each a veteran artist of a diverse genre.Featuring a wide variety of practice samples and images, this book reflects on a current and unique somatic-oriented arts research practice and pedagogy with an intriguing blend of interdisciplinary concern and practice.…
Seller Inventory # LU-9781835952726
- Title
- artmaking as embodied enquiry
- Author
- Susan Sentler
- Publisher
- Intellect, GB
- Publication year
- 2026
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1835952720
- ISBN 13
- 9781835952726
What can a fold be? Virtually anything and everything.
For centuries, folds and folding have captured the world’s imagination. Folds readily appear in revivals of the ancient craft of origami, amid the simplest acts of pedestrian life, within the philosophical turnings of the mind, and in art, design, architecture, performing arts, and linguistics around the world. What awaits our understanding is how deeply the fold figures into embodiment, into our very impulse to create.
This book is about folding as a vibrant stimulus for inter/trans/postdisciplinary artistic research, whether for the performative, for product realization, or simply to enliven body, mind, and spirit. Destined for artmaking – for making any art – the f/old practice etches into the very fabric of embodiment. As such, the f/old reaches outside the constraints of disciplinary silos into nice areas that embrace the unknown, with all its underlying tensions and ambiguities. In conceiving of art made differently, two seasoned facilitators Susan Sentler and Glenna Batson share the abundance of their decade-long collaboration in developing their approach to practice research in the fold. In addition to their insights, they invite eight of their collaborators to contribute, each a veteran artist of a diverse genre.
Featuring a wide variety of practice samples and images, this book reflects on a current and unique somatic-oriented arts research practice and pedagogy with an intriguing blend of interdisciplinary concern and practice.
"Synopsis" may belong to another edition of this title.
About the Author
Susan Sentler (BA, MACP) is an independent dance artist/maker working as choreographer, teacher, researcher, director and performer. She served as senior lecturer with Trinity Laban Conservatoire of Music and Dance for 18 years and has taught globally in the field of dance for over 30 years. Susan’s practice is multidisciplinary, rooted in the somatic image, creating ‘responses’ within gallery/museum contexts as well as durational installations, weaving body, objects, sound, moving and still image. Her work has been exhibited and performed in the United Kingdom, Europe, the United States and Asia. Currently, she is a lecturer of dance at LASALLE College of the Arts in Singapore.
Glenna Batson (PT, Sc.D., MA) is an independent researcher/lecturer in dance, Somatics and science. For the past 35 years, she has honed a trans-disciplinary approach to the study of embodied cognition by bridging dance, science and somatic studies. Glenna is professor emeritus of physical therapy at Winston-Salem State University (USA) and is an internationally recognized teacher of the Alexander Technique. Her current research focuses on the neuro-phenomenology of imagery in movement creation. She recently authored Body and Mind in Motion: Dance and Neuroscience in Conversation and co-edited Dance, Somatics and Spiritualities: Contemporary Sacred Narratives.
"About the title" may belong to another edition of this title.
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