From
Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
Seller rating 4 out of 5 stars
AbeBooks Seller since 9 May 1998
Hand-coloured lithograph. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. The devoted and audacious wife of the famous Iowa chief Mahaskah, Flying Pigeon or Rant-Che-Wai-Me accompanied her husband, along with his other wives, on his 1824 trip to Washington to visit President Monroe. Upon her return, she organized a meeting of Iowa women to whom she recounted her trip to the White House. Of Mahaskah's many wives, Flying Pigeon was his favorite, and she bore him a son, Mahaskah the Younger, who would later become a respected Iowa chief. McKenney and Hall's 'Indian Tribes of North America' has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Keokuk, and Black Hawk. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee , and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath). Cf. BAL 6934; cf. Bennett p.79; cf. Field 992; cf. Howes M129; cf. Lipperhiede Mc4; cf. Reese, Stamped With A National Character p. 24; Sabin 43410a. Seller Inventory # 39646
Title: Rant-Che-Wai-Me, Female Flying Pigeon
Publisher: E.C. Biddle, Philadelphia
Publication Date: 1837
Binding: Hardcover
Dust Jacket Condition: Dust Jacket Included
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. Original coloured lithograph. 19 x 12.75 inch sheet size. Time staining.Lower center: RANT CHE WAI ME / FEMALE FLYING PIGEON. BEFORE the later publishing inscriptions: [BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithographic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the Year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a ]Alfred M. Hoffy (American, 1790?1860), After Charles Bird King (American, 1785?1862), Printer John T. Bowen Lithography, Philadelphia (American, about 1834?1844), Publisher Frederick W. Greenough (American, active in Philadelphia). Seller Inventory # 16-2787
Quantity: 1 available