Zchomelidse, N: Meaning in Motion - The Semantics of Movemen
Language: English
Published by Princeton University Press, 2011
- Hardcover
- New
Condition: New
£ 58.30
Quantity: 3 available
Add to basketItem description from seller
Taking an approach to medieval art, this title reveals the importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. It offers a collection of interdisciplinary essays that explores a range of.
Seller Inventory # 594884791
- Title
- Zchomelidse, N: Meaning in Motion - The Semantics of Movemen
- Author
- Nino Zchomelidse|Giovanni Freni|Giovanni Freni
- Publisher
- Princeton University Press
- Publication year
- 2011
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0691151938
- ISBN 13
- 9780691151939
Taking a new approach to medieval art, Meaning in Motion reveals the profound importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. Focusing on the physical movement of objects and viewers, as well as movements of the mind, this richly illustrated collection of interdisciplinary essays explores a wide range of rituals, performances, works of art, and texts in which movement is crucial to meaning. These include liturgical and devotional practices, but also pilgrimage, reading techniques, and the use of art and allegory in late medieval courtly society. The contributors consider movement not only as a physical action but also as an active intellectual process involving the reception of images, one that creates layers of meaning through the multidimensional experience of objects and spaces, both real and imaginary. This novel approach to medieval art, building on the concept of agency and the understanding of ritual as a performative act, is influenced by two anthropological perspectives: Victor Turner's "processual" analysis of rites of passage and Alfred Gell's conception of the interactive relationship between art and the viewer as a process. The essays in this volume engage in an interdisciplinary discussion of the significance of movement for the making and perception of medieval art.
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