Writing as Freedom, Writing as Testimony
Language: English
Published by Turpin DEDS Orphans Nov 2008, 2008
Series: Book 37 of 44 - Judaic Traditions in Literature, Music, and Art
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
£ 42.57
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Add to basketItem description from seller
Neuware - In Writing as Freedom, Writing as Testimony, Sergio Parussa explores the relationship between Judaism and writing in the works of four twentieth-century Italian writers: Umberto Saba, Natalia Ginzburg, Giorgio Bassani, and Primo Levi. Parussa examines the different ways in which each author's work responds to Judaism and the notion of Jewish identity. With great detail, he shows how their writings reflect a change in attitude toward Judaism that occurred in Italian society between the mid-nineteenth and mid-twentieth centuries, from a perception of Jewish identity as a constraint to one's freedom to an understanding of it as a tool of intellectual freedom that can contribute to one's sense of identity. For these authors, the recovery of Judaism consists not only of telling stories with Jewish subject matter but also of the repeated act of remembering, a process by which, as Parussa puts it, 'the past is salvaged from oblivion by means of its reactualization in the present.' Through memory, one becomes free to affirm difference and to make Jewish traditions an integral part of Italian culture. …
Seller Inventory # 9780815631989
- Title
- Writing as Freedom, Writing as Testimony
- Author
- Sergio Parussa
- Publisher
- Turpin DEDS Orphans Nov 2008
- Publication year
- 2008
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 0815631987
- ISBN 13
- 9780815631989
- Dimensions
- 0 x 0 x 0 mm
- Series
- Book 37 of 44: Judaic Traditions in Literature, Music, and Art
In Writing as Freedom, Writing as Testimony, Sergio Parussa explores the relationship between Judaism and writing in the works of four twentieth-century Italian writers: Umberto Saba, Natlia Ginzburg, Giorgio Bassani, and Primo Levi. Parussa examines the different ways in which each authors’ work responds to Judaism and the notion of Jewish identity.
With great detail, he shows how their writings reflect the change in attitude towards Judaism that occurs in Italian society between the mid-nineteenth century and the mid-twentieth centuries: from a perception of Jewish identity as a constraint to one’s freedom, to an understanding of it as a tool of intellectual freedom that can contribute to one’s sense of identity. For these authors, the recovery of Judaism doesn’t consist of only telling stories with Jewish subject matter. It also exists in the very gesture of memory, in the repetition of an act of remembering in which the past is salvaged by means of its return to the present. Through memory, one becomes free to affirm difference and to make Jewish traditions integral parts of Italian culture.
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