The White People

The White People (1904) is a short story by Arthur Machen. Originally published in Horlick’s Magazine, the story was later printed in The House of Souls (1906), a short story collection. Condemned as decadent and obscene upon publication, Machen’s writing earned praise from Oscar Wilde and H. P. Lovecraft. Throughout the years, Machen’s work has been referenced and adapted by such figures as Stephen King, Guillermo del Toro, and Josh Malerman for its masterfully unsettling blend of science, myth, and magic. As the sun sets over the lush countryside, Cotgrave and his friend Ambrose discuss the thin boundary that separates sorcery and the sacred. Unable to agree about the nature of good and evil, on what defines a sinner as opposed to a saint, Ambrose offers his comrade a book to borrow. Surprisingly well-kept for its age, the green book accompanies Cotgrave on his journey home, where he opens it to discover a strange, mysterious tale. Its pages contain the diary of a young girl who, encouraged by her nurse, immerses herself in the world of magic. As she grows adept in the ways of witchcraft, the girl begins referring to strange beings and unknown places, all while doing her best to conceal her secret life from friends and family. When he reaches the diary’s end, Cotgrave will wish he had never looked past its binding. This edition of Arthur Machen’s The White People is a classic of British horror fiction reimagined for modern readers.

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Arthur Machen (1863-1947) was a Welsh mystic and author. Born Arthur Llewellyn Jones, he was raised in Monmouthshire in a prominent family of clergymen. He developed an early interest in alchemy and other occult matters, and obtained a classical education at Hereford Cathedral School. He moved to London, where he failed to gain admittance to medical school and soon focused on his literary interests. Working as a tutor, he wrote in the evening and published his first poem, “Eleusinia,” in 1881. A novel, The Anatomy of Tobacco (1884), soon followed, launching his career as a professional writer. Machen made a name for himself as a frequent contributor to London literary magazines and achieved his first major success with the 1894 novella The Great God Pan. Following his wife’s death from cancer in 1899, he briefly joined the Hermetic Order of the Golden Dawn and began conducting research on Celtic Christianity, the legend of the Holy Grail, and the stories of King Arthur. In 1922, after a decade of working as a journalist for the Evening News, he published The Secret Glory―a story of the Grail―to popular and critical acclaim. This marked the highpoint of his career as a pioneering author of fantasy, horror, and supernatural fiction whose work has been admired and praised by William Butler Yeats, Arthur Conan Doyle, and Stephen King.