In his final play, Henrik Ibsen tells the story of Rubek, an aging sculptor who has lost all interest in the world around him. In spite of his wealth, his fame, and the attentions of his beautiful, young wife, he can find no joy in his existence. He is stagnating, trapped in a spiritual vacuum, when suddenly he is jolted out of his stupor by an unexpected reunion with Irene, a model who once posed for him and whom he idolized. She is now half-mad and literally believes herself to be a walking corpse, a dead woman who roams the earth. In spite of her delusions, however, and in spite of his marriage, Rubek woos the disturbed woman mercilessly. He believes that, together, he and Irene can make each other whole. He will cure her of her delusions of death, and she will restore in him the joy of life. Irene eventually agrees to allow Rubek a few moments of real happiness. She will spend one final night with him ... but there is a terrible price to be paid.

About the Author

Henrik Johan Ibsen (20 March 1828 - 23 May 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, and The Master Builder. He is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House became the world's most performed play by the early 20th century. Several of his plays were considered scandalous to many of his era, when European theatre was required to model strict morals of family life and propriety. Ibsen's work examined the realities that lay behind many facades, revealing much that was disquieting to many contemporaries. It utilized a critical eye and free inquiry into the conditions of life and issues of morality. The poetic and cinematic play Peer Gynt, however, has strong surreal elements."

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