Visualizing Film History: Film Archives and Digital Scholarship. This item is unavailable.
Language: English
Published by Indiana University Press, 2025
- Softcover
- Used

Seller: WorldofBooks, Goring-By-Sea, WS, United KingdomWorldofBooks
AbeBooks seller since March 16, 2007
Condition: Used - Very good
£ 14.24
Item description from seller
The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller Inventory # GOR014818732
- Title
- Visualizing Film History: Film Archives and Digital Scholarship
- Author
- Olesen, Christian Gosvig
- Publisher
- Indiana University Press
- Publication year
- 2025
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0253071836
- ISBN 13
- 9780253071835
- Item weight
- 408 grams
Though many archival digital objects were not "born digital," film archives are now becoming important resources for digital scholarship as a consequence of digitization. Moreover, with advancements in digital research methods involving video annotation, visual analysis, and GIS affecting the way we look at archival films' material, stylistic histories and circulation, new research practices are more important than ever.
Visualizing Film History is an accessible introduction to archive-based digital scholarship in film and media studies and beyond. With a combined focus on the history of film historiography, archiving, and recent digital scholarship―covering a period from the "first wave" of film archiving in the early 1900s to recent data art―this book proposes ways to work critically with digitized archives and research methods. Christian Olesen encourages a shift towards new critical practices in the field with an in-depth assessment of and critical approach to doing film historiography with the latest digital tools and digitized archives.
Olesen argues that if students, scholars and archivists are to fully realize the potential of emerging digital tools and methodologies, they must critically consider the roles that data analysis, visualization, interfaces and procedural human-machinery interactions play in producing knowledge in current film historical research. If we fail to do so, we risk losing our ability to critically navigate and renew contemporary research practices and evaluate the results of digital scholarship.
"Synopsis" may belong to another edition of this title.
About the Author
Christian Gosvig Olesen is Assistant Professor of Digital Media and Cultural Heritage at the University of Amsterdam.
"About the title" may belong to another edition of this title.