Visions of Apocalypse : Representations of the End in French Literature and Culture

Alex Stuart

ISBN 10: 303430921X / ISBN 13: 9783034309219

Published by Peter Lang, 2013

About this Item

Druck auf Anfrage Neuware - Printed after ordering - Picturing the end of the world is one of the most enduring of cultural practices. The ways in which people of different historical periods conceive of this endpoint reveals a great deal about their imagination and philosophical horizons. This groundbreaking collection of essays offers an overview of the Apocalyptic imagination as it presents itself in French literature and culture from the thirteenth century to the present day. The contributors analyse material as diverse as medieval French biblical commentaries and twenty-first-century science fiction, taking in established canonical authors alongside contemporary figures and less well-known writers. The book also considers a vast range of other subject matter, including horror films, absurdist drama, critical theory, medieval manuscript illuminations and seventeenth-century theology. Moving from the sacred to the profane, the sublime to the obscene, the divine to the post-human, the volume opens up more than 750 years of French Apocalypticism to critical scrutiny.

Seller Inventory # 9783034309219

Bibliographic Details

• Title: Visions of Apocalypse : Representations of the End in French Literature and Culture
• Publisher: Peter Lang
• Publication Date: 2013
• Language: English
• ISBN 10: 303430921X
• ISBN 13: 9783034309219
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 225W x 150H x 16D millimeters 225 millimeters width by 150 millimeters height by 16 millimeters depth
• Weight: 392 grams

About this title

Synopsis

Picturing the end of the world is one of the most enduring of cultural practices. The ways in which people of different historical periods conceive of this endpoint reveals a great deal about their imagination and philosophical horizons. This groundbreaking collection of essays offers an overview of the Apocalyptic imagination as it presents itself in French literature and culture from the thirteenth century to the present day. The contributors analyse material as diverse as medieval French biblical commentaries and twenty-first-century science fiction, taking in established canonical authors alongside contemporary figures and less well-known writers. The book also considers a vast range of other subject matter, including horror films, absurdist drama, critical theory, medieval manuscript illuminations and seventeenth-century theology. Moving from the sacred to the profane, the sublime to the obscene, the divine to the post-human, the volume opens up more than 750 years of French Apocalypticism to critical scrutiny.

About the Author

Leona Archer completed her PhD on medieval French literature at King’s College, Cambridge.
Alex Stuart holds a PhD in medieval French literature from King’s College, Cambridge.