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Language: English
Published by Lov-Lov, 2019
- Softcover
- Used
Condition: Used - Fine
Current price: £ 29.29
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Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Using paradoxical concepts and humorous language, artist Lin Jing Jing submerges audiences into her absurdist airport where, despite extravagances and leaps in technology, troubling reflections on our current world are laid bare, and where she discusses intrinsic uncertainty, repressed anxieties and the loss of individuality in our society. The project title TAKE OFF refers to the structure of the exhibition itself, which transforms the gallery space into an international airport in the imagined nation of the People's Republic of Dreamland (PRD). Elaborating on a theory established by the French anthropologist Marc Augé (1935-), Lin Jingjing explores the current and future ramifications of airports and their facilities as "Non-Places," where identity as an independent individual becomes utterly insignificant. Through a carefully weaved series of connections, several of the artworks in the show function in relation to one another and collectively produce a powerfully critical narrative. A quietly terrifying component of the project is the advertisement for a completely fabricated, but not unimaginably powerful mobile phone application. Presented as a light-box identical to ones found in airports across the world, Superzoom publicizes an app that is highly recommended by-and in fact produced by-the PRD government. It promises to assist an individual with quicker passage through customs and to make new friends as well as business connections. However, this is achieved only at the cost of forfeiting the entirety of your private information. Through Superzoom Lin Jingjing makes it clear that although the information age has allowed access to incredible new experiences, it also has exposed our personal information unreservedly, making it easy for private information to be stolen and violated, rendering the individual defenseless. In response to Superzoom there is a more discretely presented advertisement for an app called Perfect ID. Produced by a company called My Quality Life LLC, Perfect ID is a crack for the Superzoom app. It prevents monitoring and forges relevant information to compromise attempts at data gathering. It promises to provide technology that disrupts Superzoom at any time. However, as the app interferes with government attempts to gather information, My Quality Life LLC must not advertise their app explicitly. They are forced to publicize in more subtle ways and this includes sponsoring public service advertising. This Is the Beginning of My Desperation comprised of twelve colorful, transparent, and hollow boxes made of acrylic glass that are arranged in a line to form a row of rainbow-like colors. the boxes have texts from twelve self-help and motivational books cut out of their fronts and backs. The text includes the names of the books, authors, and publishing houses, as well as attractive promotional messages. Referencing the astounding quantity of self-help publications produced, Lin Jingling prompts viewers to contemplate the extent to which we yearn for joy and happiness, and to also consider the deep helplessness many feel. The urgent nature of the texts on the colorful boxes and the emptiness of the boxes themselves form a paradox that Lin Jingling hopes exposes larger ideas regarding contemporary society and identity.…
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- Title
- Username or Password Incorrect
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- Unbekannt
- Publisher
- Lov-Lov
- Publication year
- 2019
- Condition
- Sehr gut
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 1646820002
- ISBN 13
- 9781646820009
- Seller catalogs
- Bücher
Using paradoxical concepts and humorous language, artist Lin Jing Jing submerges audiences into her absurdist airport where, despite extravagances and leaps in technology, troubling reflections on our current world are laid bare, and where she discusses intrinsic uncertainty, repressed anxieties and the loss of individuality in our society.
The project title TAKE OFF refers to the structure of the exhibition itself, which transforms the gallery space into an international airport in the imagined nation of the People's Republic of Dreamland (PRD).
Elaborating on a theory established by the French anthropologist Marc Augé (1935-), Lin Jingjing explores the current and future ramifications of airports and their facilities as "Non-Places," where identity as an independent individual becomes utterly insignificant. Through a carefully weaved series of connections, several of the artworks in the show function in relation to one another and collectively produce a powerfully critical narrative.
A quietly terrifying component of the project is the advertisement for a completely fabricated, but not unimaginably powerful mobile phone application. Presented as a light-box identical to ones found in airports across the world, Superzoom publicizes an app that is highly recommended by—and in fact produced by—the PRD government. It promises to assist an individual with quicker passage through customs and to make new friends as well as business connections. However, this is achieved only at the cost of forfeiting the entirety of your private information. Through Superzoom Lin Jingjing makes it clear that although the information age has allowed access to incredible new experiences, it also has exposed our personal information unreservedly, making it easy for private information to be stolen and violated, rendering the individual defenseless.
In response to Superzoom there is a more discretely presented advertisement for an app called Perfect ID. Produced by a company called My Quality Life LLC, Perfect ID is a crack for the Superzoom app. It prevents monitoring and forges relevant information to compromise attempts at data gathering. It promises to provide technology that disrupts Superzoom at any time. However, as the app interferes with government attempts to gather information, My Quality Life LLC must not advertise their app explicitly. They are forced to publicize in more subtle ways and this includes sponsoring public service advertising.
This Is the Beginning of My Desperation comprised of twelve colorful, transparent, and hollow boxes made of acrylic glass that are arranged in a line to form a row of rainbow-like colors. the boxes have texts from twelve self-help and motivational books cut out of their fronts and backs. The text includes the names of the books, authors, and publishing houses, as well as attractive promotional messages. Referencing the astounding quantity of self-help publications produced, Lin Jingling prompts viewers to contemplate the extent to which we yearn for joy and happiness, and to also consider the deep helplessness many feel. The urgent nature of the texts on the colorful boxes and the emptiness of the boxes themselves form a paradox that Lin Jingling hopes exposes larger ideas regarding contemporary society and identity.
"Synopsis" may belong to another edition of this title.
About the Author
Lin Jingjing is a conceptual visual artist whose work deals primarily with social-political themes. She is known for the wide range of approaches in her art, explores the depths of social and personal identity in the context of modern society, often examining themes such as confusion and quest, existence and absence, constraint and resistance through a lens of paradox. Of particular focus is how individuals define themselves amongst the effects of the outside world, vis-à-vis culture, politics, history, and the economy. Her artwork spans performance, installation, painting, mixed media, video, sound, LED lights. The surreal effect created via this method immerses the viewers into another consciousness. Jingjing 's works have been exhibited in major public museums and galleries, including de Sarthe, Hong Kong; Song Zhuang Art Museum in Beijing; Residency Unlimited(RU), New York; Neues Kunstforum, Cologne, Alexander Ochs Gallery, Beijing; Museo sin muros - Museo Nacional de Bellas Artes, Mall Plaza Vespucio, Santiago, Chile, Museo sin muros - Museo Nacional de Bellas Artes, Mall Plaza Trebol, Concepción, Chile; Whitebox Art Center, Beijing; Magee Art Gallery, Madrid. She has also exhibited in group exhibitions worldwide: Red Gate Gallery, Beijing; Long Museum, Shanghai; Right View Art Museum, Beijing; Third Biennale Italy-China, Turin; Galerie Herold/Künstlerhaus Güterabfertigung, Bremen /Germany; OV Gallery, Shanghai;Tree Art Museum, Beijing, Leonard Pearlstein Gallery at Drexel University, Philadelphia; Long De Xuan Contemporary Art Center, Beijing; Cruzando el horizonte: Exposición de Arte Contemporáneo de China, Museo Nacional de Bellas Artes, Santiago, Chile etc. Lin Jingjing currently lives and works in New York, USA, and Beijing, China. www.jingjinglin.com
"About the title" may belong to another edition of this title.
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